> [W]e're all otaku now. Are we? Perhaps this is true for the people that write New Yorker articles, and a big chunk of those who read them, but from what I can tell most average Americans use Facebook, play basic app games, watch popular movies, and occasionally read a best-selling book. I don't see or hear about much cultivation of deep, obsessive, specific cultural interests.
The United States of Japan
91–100 of 152 posts
Re: The United States of Japan
#92People who get labelled as "freeters" aren't necessarily bouncing from job to job voluntarily. For decades Japanese corporations were labor-heavy because of life-time employment. When the bubble burst, they broke that unspoken promise and shed themselves of thousands of workers.
When things picked up again, instead of returning to that previous promise, they hired temporary workers. No benefits, no annual pay raises or twice a year bonuses, etc. (And no loyalty from these workers)
The Japanese corporate system is set up that you are hired after college at a low salary, but you are guaranteed a steady climb until you can retire comfortably in the end. The corporations pulled the rug out from under that system.
So you now have many young people who have been fully employed at MegaCorp for 3 years, but on a contract basis, never knowing when it will end, never getting a decent raise...
If you read newspaper and magazine articles here you realize there is an enormous sense of insecurity among the 20 to 30 year age group; and so they are unwilling to take risks, get married, buy homes, etc. People are retreating into themselves.
It would make sense that that is linked to minimalism - or at least, a reduced consumerism - but that would only be my own speculation.
Re: The United States of Japan
#93The author is trying way too hard here to push their American political agenda. Are they implying that e.g. if we suddenly had an equitable education system our nation would suddenly be at peace?
What keeps Japan from flying apart in the face of uncertainty? I doubt the author would ever admit it as it's not very politically correct (and doesn't fit their agenda), but, before all the superficial options the author proposes, the homogeneous society in Japan is the number one thing keeping their societal fabric strong. Conversely, the heterogeneity of America is a big factor making our situation so tumultuous.
I'm an American currently working in Japan. Japan is awesome, and each day I witness cultural customs or processes that just wouldn't work in the US - and I think in large part it's due to nearly everyone being Japanese and raised with the same values. That's not to say I think America would be better off as a homogeneous society either; America is great in many other ways because of its incredible diversity, though it means we have challenges no other nation has had to face before.
But to ignore the role of diversity (or lack thereof) in the strength of bonds in a society is dishonest and misleading.
Side note: as an expat in Tokyo, I often feel bad for simply existing there. I try to conform to all the cultural norms here, but sometimes its hard to, and I know there are many expats who simply don't care to try at all, and I feel like this is slowly leading to the demise of an awesome aspect of Japanese culture. Indeed the neighborhood I live in, which is the expat neighborhood Roppongi, already seems to have lost some of the Japanese charm - with dirtier streets, rude people, expats being loud on the subway. Most people lock their bikes in this neighborhood now and a friend couldn't find their phone after dropping it at a bar the other day here (almost never happens in Japan - your lost stuff is either where you left it or taped to a nearby wall so you can easily find it). Purely anecdotal but, as I said above, I think the more heterogeneous Japan becomes the more of this culture we take for granted will be eroded.
Re: The United States of Japan
#94Earlier quoted context omitted.
I'm not sure I understand the dichotomy you propose at the end; that if Nintendo didn't market to children, no other large publisher would?
Parent doesn't speak specifically of Nintendo (even if they mention several of their titles). The point being made is: if those Japanese games were absent from the market, we'd be left with the more bleak and violent US-made games.
I think that's partially untrue as there are quite few indie publishers in the US, who don't produce violent games.
Re: The United States of Japan
#95Earlier quoted context omitted.
All I can say is, welcome to globalisation. As another comment pointed out, the author hasn't really made the case what's so terribly unique about Japan's influence on the US and vice versa. Europe has tons of integration with the US, too. J-Pop has their equivalence in a whole range of British or French artists, Mazda has their equivalent in BMW, Sega in Rovio etc. And Europe has similar links with the Japan as the…
> Europe has tons of integration with the US, too. But that's easy to see why. Europe and USA's history goes back to the beginning of the USA's existence. Various European countries (France, Britain, Spain) were colonizing huge parts of what eventually became USA territory in the 1800s. And the original 13-states themselves were a set of British colonies. That, the language-similarities, the religious similarities (h…
Strictly speaking, not colonial, but there was that: https://en.wikipedia.org/wiki/Occupation_of_Japan
Re: The United States of Japan
#96> [W]e're all otaku now. Are we? Perhaps this is true for the people that write New Yorker articles, and a big chunk of those who read them, but from what I can tell most average Americans use Facebook, play basic app games, watch popular movies, and occasionally read a best-selling book. I don't see or hear about much cultivation of deep, obsessive, specific cultural interests.
Aren't the American otaku basically just nerds? Their "deep, obsessive, specific cultural interests" would be things like DnD, MtG, science fiction and comic books, and their stereotype probably predates the otaku by a few decades.
Re: The United States of Japan
#97Earlier quoted context omitted.
Yes, Japanese culture has filled a gap. If there were more components to Western Culture outside of America's influence maybe it wouldn't be so prominent. But what, culturally, is coming out of Canada, Europe, Australia, South America, or Asia (outside of Japan)? Not much that is universally appealing.
Europe: lots of music (just the Uk, just some pop: Beatles, Bowie), food, fashion, flowers, movies, books. Canada: music, quite a few good writers for the size of the population, a generally nicer way of life than what I experienced in America. Australia: I've never been there, so not much to comment on. South America: food, dance, music, books. Asia: food, books, dance, and again music. Oh, and you left out Africa c…
Re: The United States of Japan
#98Earlier quoted context omitted.
Aren't the American otaku basically just nerds? Their "deep, obsessive, specific cultural interests" would be things like DnD, MtG, science fiction and comic books, and their stereotype probably predates the otaku by a few decades.
The original meaning of Otaku is almost identical to "nerd" IMO.
The word comes from otaku spending more time at home on their hobby than hanging out with their friends, which encompasses things that would be called enthusiast or freak in English too.
Re: The United States of Japan
#99Earlier quoted context omitted.
Yes, Japanese culture has filled a gap. If there were more components to Western Culture outside of America's influence maybe it wouldn't be so prominent. But what, culturally, is coming out of Canada, Europe, Australia, South America, or Asia (outside of Japan)? Not much that is universally appealing.
British music and TV spring to mind as examples of cultural exports that pinch well above their weight.
(as in, punch above your weight class in boxing)