It’s a bit like the shift from film to digital in one very specific sense: the marginal cost of trying again virtually collapsed. When every take cost money and setup time, creators pre-optimized in their head and often never explored half their ideas. When takes became cheap, creators externalized thought as they could try, look, adjust, and discover things they wouldn’t otherwise. Creators could wander more. They could afford to be wrong because of not constantly paying a tax for being clumsy or incomplete, they became more willing to follow a hunch and that's valuable space to explore.
Digital didn’t magically improve art, but it let many more creatives enter the loop of idea, attempt and feedback. LLMs feel similar: they don’t give you better ideas by themselves, but they remove the friction that used to stop you from even finding out whether an idea was viable. That changes how often you learn, and how far you’re willing to push a thought before abandoning it. I've done so many little projects myself that I would have never had time for and feel that I learned something from it, of course not as much if I had all the pre LLM friction, but it should still count for something as I would never have attempted them without this assistance.
Edit: However, the danger isn’t that we’ll have too many ideas, it’s that we’ll confuse movement with progress.
When friction is high, we’re forced to pre-compress thought, to rehearse internally, to notice contradictions before externalizing them. That marination phase (when doing something slowly) does real work: it builds mental models, sharpens the taste and teaches us what not to bother to try. Some of that vanishes when the loop becomes cheap enough that we can just spray possibilities into the world and see what sticks.
A low-friction loop biases us toward breadth over depth. We can skim the surface of many directions without ever sitting long enough in one to feel its resistance. The skill of holding a half formed idea in our head, letting it collide with other thoughts, noticing where it feels weak, atrophies if every vague notion immediately becomes a prompt.
There’s also a cultural effect. When everyone can produce endlessly, the environment fills with half-baked or shallow artifacts. Discovery becomes harder as signal to noise drops.
And on a personal level, it can hollow out satisfaction. Friction used to give weight to output. Finishing something meant you had wrestled with it. If every idea can be instantiated in seconds, each one feels disposable. You can end up in a state of perpetual prototyping, never committing long enough for anything to become yours.
So the slippery slope is not laziness, it is shallowness, not that people won’t think, but people won’t sit with thoughts. The challenge here is to preserve deliberate slowness inside a world that no longer requires it: to use the cheap loop for exploration, while still cultivating the ability to pause, compress, and choose what deserves to exist at all.