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What will enter the public domain in 2026?

publicdomainreview.org

81–90 of 383 posts

Re: What will enter the public domain in 2026?

#81

The length of copyright is absurd. Corporations have hijacked a concept that should exist on human timescales. Ideally, a child could legally provide their own spin on IP they consumed by the time they reach adulthood. But also, people need to make a living. I actually think the original 14+14 year copyright is the right balance. It gives people time to make their profits, but also guarantees the right of people to t…

We could call it "intellectual feudalism" though academia is competing for that name also.

Re: What will enter the public domain in 2026?

#82
post #60

The length of copyright is absurd. Corporations have hijacked a concept that should exist on human timescales. Ideally, a child could legally provide their own spin on IP they consumed by the time they reach adulthood. But also, people need to make a living. I actually think the original 14+14 year copyright is the right balance. It gives people time to make their profits, but also guarantees the right of people to t…

I love the original 14+14. I’ve heard proposals for exponentially growing fees to allow truly big enterprises to stay copywritten longer, like 14+14 with filing and $100, another 14 for $100,000, another 14 for $10M, another 14 for $100M. That would allow 70 years or protection for a few key pieces of IP that are worth it, which seems like an okay trade off? So many ideas better than the current regime.

I like this system but it will make the rich richer. Disney will never have a problem paying the $100k or even $10M from something that is generating revenue. But the heirs of a mildly successful author won’t be able to, leaving those works to be harvested for free by Disney et al.

The current system, for all its faults, gives rich and poor the same benefits.

Keeping The Fellowship of the Ring by JRR Tolkien (published 1954) would have forced the Tolkien estate to pay $100k in 1982 on minimal revenues. Then $10M in 1996 in the hope that they would recoup it in a future film licensing agreement. Except no one would pay $10M+ to license it when they could just wait until 2010 to pay $0 and make it without any conditions being stipulated by the Tolkien estate.

So the Tolkien Estate would have let copyright lapse in 1996 and the eventual adaption would have grossed $900 million, of which they’d have seen $0. Followed by 2 more adaptations that grossed $1 billion each.

Edit: downvote if you want, but nothing I’ve said is inaccurate or incorrect.

Re: What will enter the public domain in 2026?

#83
post #60

The length of copyright is absurd. Corporations have hijacked a concept that should exist on human timescales. Ideally, a child could legally provide their own spin on IP they consumed by the time they reach adulthood. But also, people need to make a living. I actually think the original 14+14 year copyright is the right balance. It gives people time to make their profits, but also guarantees the right of people to t…

I love the original 14+14. I’ve heard proposals for exponentially growing fees to allow truly big enterprises to stay copywritten longer, like 14+14 with filing and $100, another 14 for $100,000, another 14 for $10M, another 14 for $100M. That would allow 70 years or protection for a few key pieces of IP that are worth it, which seems like an okay trade off? So many ideas better than the current regime.

Which key pieces of IP are worth the exponential fees?

Re: What will enter the public domain in 2026?

#84

The length of copyright is absurd. Corporations have hijacked a concept that should exist on human timescales. Ideally, a child could legally provide their own spin on IP they consumed by the time they reach adulthood. But also, people need to make a living. I actually think the original 14+14 year copyright is the right balance. It gives people time to make their profits, but also guarantees the right of people to t…

Why not just consume public-domain IP to begin with? The "Classics" of Western literature used to be viewed as the necessary foundation of a proper education in the humanities; and today you could add "classic" works from other literary traditions (India, China, etc.) for an even more well-rounded approach.

Because then you miss out on a lot of more recent content that'll become a classic in the future. Also, translations are copyrighted. There's 500 year old public domain stuff that's been translated in the past few decades and those aren't in the public domain. Older translations may be, but even going back 30 years, people would translate every foreign work in the style of the King James Bible. Translations in natural, modern speech are an oddly new thing.

Re: What will enter the public domain in 2026?

#85

The length of copyright is absurd. Corporations have hijacked a concept that should exist on human timescales. Ideally, a child could legally provide their own spin on IP they consumed by the time they reach adulthood. But also, people need to make a living. I actually think the original 14+14 year copyright is the right balance. It gives people time to make their profits, but also guarantees the right of people to t…

True, but wouldn't a sliding scale based on commercial success make more sense? How would you measure "worth it" for smaller creators?

"Worth it" would mean someone is willing to pay huge fees for the extension. An exponential scale ensures that nobody can afford it for long.

Re: What will enter the public domain in 2026?

#86
post #79

Earlier quoted context omitted.

One could even combine How to Win Friends and Influence People, the Diary of Anne Frank, the works of Einstein and Adolf Hitler into a some strange gory anime and others could do nothing about that. The possibilities are endless.

"and others could do nothing about that. The possibilities are endless." Well, I wouldn't be so sure about it. Just because other people have no more copyright legal angle, there are still other legal and plenty of non legal ways to bother you, if you manage to piss enough people off.

Well yeah, but that's just being part of this universe and applicable to anything.

If one were to write fanfic with all those things combined, legally there are no repercussions, but people have indeed been tried and burned for less.

Imagine all the weird generative AI now these works all go public. Don't have to like it, but just imagine. So much crap will be produced in 2026.

Re: What will enter the public domain in 2026?

#88
post #83
post #60

Earlier quoted context omitted.

I love the original 14+14. I’ve heard proposals for exponentially growing fees to allow truly big enterprises to stay copywritten longer, like 14+14 with filing and $100, another 14 for $100,000, another 14 for $10M, another 14 for $100M. That would allow 70 years or protection for a few key pieces of IP that are worth it, which seems like an okay trade off? So many ideas better than the current regime.

Which key pieces of IP are worth the exponential fees?

Something like Harry Potter must be worth more than $100M for 14 years, for example.

Re: What will enter the public domain in 2026?

#89

The length of copyright is absurd. Corporations have hijacked a concept that should exist on human timescales. Ideally, a child could legally provide their own spin on IP they consumed by the time they reach adulthood. But also, people need to make a living. I actually think the original 14+14 year copyright is the right balance. It gives people time to make their profits, but also guarantees the right of people to t…

> Ideally, a child could legally provide their own spin on IP they consumed by the time they reach adulthood.

Why though? Do we really need that many more commercial attempts at Star Wars and Harry Potter?

(I do think copyright times are too long, but I do wonder what a "good timescale" would be, and what the benefits and arguments would be.)

Re: What will enter the public domain in 2026?

#90
post #80

Earlier quoted context omitted.

I’m adding a one-act Tanizaki play to Standard Ebooks’ Tanizaki collection[1] on the 1st January. Some Akutagawa shorts go into US public domain next year too. (Note: copyright is based on the translation date, not the original language.) [1] https://standardebooks.org/ebooks/tanizaki-junichiro/short-f...

> Note: copyright is based on the translation date, not the original language. It’s based on both. For example, a translation or other derivative work whose copyright expired “early” in the US due to non‐renewal would still be encumbered by the copyright of the original. That’s basically what happened to It’s a Wonderful Life —the film is technically in the public domain, but is still held in Paramount’s iron grip by…

Fair point!
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