Earlier quoted context omitted.
I don't think it's always the case that you -can- tell. I think it falls nearly into 'Rumsfeld classification': Known Knowns - done for the clear effect, which is audible by everyone (as popularised, but not invented by Cher, T-Pain, etc). Known Unknowns - ones where most people wouldn't notice, but if you've listened to autotune a lot you'd swear it's been done (sustained notes with vibrato added seem to be clear co…
> it can tweak an otherwise brilliant performance and make it near-perfect That's what I'm getting at - "perfect" is something that the human voice does so infrequently on its own so when we hear the "perfect" performance, we know it's been doctored. As a point of reference, I look back at something like the Boswell sisters. Some of their early stuff was recorded in mono direct to wax disc but they were so skilled, w…
Autotune is orthogonal to creating that perfection. If someone has it Autotune won't take it away, no matter how obviously it's used.
If someone doesn't have it, Autotune won't give it to them.