Earlier quoted context omitted.
> Your money isn't going to the people who created the content Patently false and easily verifiable.
How about "isn't primarily going ...". Media is an investment, which is why were getting lots of "low creativity" movies, re-boots, extended franchises, sequels, etc.. People will risk money for art, but investors don't want to risk anything: some franchises can basically churn out anything and be sure to make a huge profit (which Hollywood accountants can spin as a loss by charging millions for IPR). I think the spi…
There are certainly reasons for not liking DRM, but "freedom to pirate" seems like a pretty poor one.
You are right about investors retreating to "safe low creativity", especially in times of downturn. Traditional movie theaters are in decline, so of course traditional cinema is playing it safe for now with reboots and sequels. Netflix, on the other hand, is more awash in investor cash... so at the moment, they are able to take greater risks.
As far as cutting out the "investor" side goes, it would be interesting to see a content host that is explicitly non-profit. Beyond major content hosts, I think the Soundclouds / Bandcamps / Patreons etc. definitely have their place, and have been helpful for some not-so-commercial / hobbyist artists. Even these platforms however seem to struggle with the conflict between making a profit vs serving the artistic community sometimes.