> If you take care of a Yonoya comb, it’ll last you for decades, the company says I don't take care of my $3 Ace plastic comb, and it's over 20 years old. You're telling me for this Japanese one I need to pay $200 and I need to start taking care of it??
300-year-old Tokyo comb company sells 30k-yen ($200) wooden hair combs
71–80 of 85 posts
Re: 300-year-old Tokyo comb company sells 30k-yen ($200) wooden hair combs
#72Earlier quoted context omitted.
Manga's complete and total dominance over western comics has certainly been something to see, it's not even a competition anymore! A single issue of 'lower selling' manga can dwarf the entire run of a 'popular comic'. All this happening during what may be the peak superhero popularity (not today but past ~decade).
I think it’s mostly because mangas (and related creative work) narrates a more complex story than the hero/vilain showdown. The best comics I’ve read were East of West, The Sixth Gun, Descender,… I struggled to find one Pixar/Disney animated movie that is not a moral and preachy story.
Re: 300-year-old Tokyo comb company sells 30k-yen ($200) wooden hair combs
#73I find it endearing, fascinating but ultimately tedious that the Japanese put SO much effort into both seemingly mundane AND intricate objects. I realize that it's more a combination of tradition and their self imposed ~exile~ (isolationism, corrected) from the world for a long time. But there must be a reason why they excel, I mean really excel at anything they put their minds to. Their population also tolerates thi…
They absolutely do some nice crafts, but so does everyone else. Aside from personal tastes, the primary reason Japan holds a special place in certain people's hearts is because of a fairly mature and extremely successful ongoing marketing campaign, Cool Japan [1]. This meme quite aptly illustrates the phenomenon: https://old.reddit.com/r/memes/comments/mw20up/this_site_is_... They have nice pens? So does Pelikan and…
This is probably the secret sauce. I'm only a neophyte Japanophile, but respect for masters of crafts seems a big part of their culture[0]. But experts can't make a living off vague cultural values. So the Japanese government, in their fervent desire to preserve their ethnic and national identity, pours a lot of money and attention on craftsmen associated with their cultural heritage[1]. And now the cultural values are important, because Japanese voters have a more positive view of this spending than citizens of other countries might.
[0]Yes, all cultures respect experts. But what matters is how much respect relative to other figures. For example, in the United States, business leaders enjoy more respect than master craftsmen.
[1]https://web.archive.org/web/20110813130933/http://www.bunka....
Re: 300-year-old Tokyo comb company sells 30k-yen ($200) wooden hair combs
#74Earlier quoted context omitted.
I've always felt that Japan takes things the rest of the world is known for and does it better. Some examples to add on to yours above. - Better denim than America - Better coffee than Italy/France/etc - Better French pastries than France
Can anyone talk more to the point about coffee? I’m in Melbourne and I just don’t get how people describe Italian coffee as good. Most cafes in Melbourne serve coffee roasted here and it’s really good. Sweet and acidic without bitterness. But every time I try an Italian brand of coffee here it’s always like drinking burnt dirt. Is the coffee sold in Italy better than the Italian branded stuff sold overseas? As for Ja…
Re: 300-year-old Tokyo comb company sells 30k-yen ($200) wooden hair combs
#75Earlier quoted context omitted.
Colombian coffee is arguably the best, not Japanese, Italian, or French. As for denim I doubt that, any examples?
Not really arguing they are the best ( I don't typically wear jeans so I can't say I'm an expert, but I own some of these, and know a guy who works with them/other sort of hipster-y local Japanese companies that do this sort of thing). And they are pretty nice, and they are very proud of their dedication to the pedigree of their denim/jean making techniques. https://www.samurai-j.com/en/concept
Re: 300-year-old Tokyo comb company sells 30k-yen ($200) wooden hair combs
#76Earlier quoted context omitted.
Not a popular opinion around here, but generative AI has little overlap with the processes common to creating all sorts of art, but lots in common with commissioning creative work. When you commission art, you have a discussion with the artist— however long it needs to be to get your point across. That can be quite lengthy and involve many sketches, mood boards, etc for important pieces, or a couple of sentences for…
I agree if you just say "make me a painting" you're not an artist, "write me a program that" and you're not suddenly a programmer, and "operate on the patient" you're not a magically a surgeon. At the same time, if, without AI for a second, you just drag the color pencil across some paper a few times, write int main(){return 0}, or chop the guys pinky off with an scalpel to fix a wart you've not demonstrating being a…
Let me describe a process: "You describe a piece of art using words and optionally inspiration pics to an entity, and embark on an iterative process where it gives you images, and you guide the entity with words until it yields a piece you are satisfied with. While you are directing the entity's efforts, ultimately, the work produced was generated by the entity, from it's own experiences and artistic sensibilities."
That entity could be a commissioned artist, or an AI image generator. There is no reality in which that entity could be a paint brush, Adobe illustrator, or an iPad drawing app. When you commission art, you don't say "make me a picture of X doing Y" and see what they make... There's a back-and-forth, preliminary sketches, iterations and adjustments along the way... Just like you use generative AI. It's just what it is. It's completely distinct from any form of creating art. You are commissioning art from a computer or a person. It's not even like it's always less creative. Art directors often have way more of a creative vision in what they're doing then the artists do— but the artist is still credited with making that piece because even though someone told them exactly what to make, they still made it.
I make algorithmic art. In fact, I make art using nearly every level of technological involvement possible, both professionally and as a hobby— from charcoal drawings on rough paper, to code-generated art using Adobe products, Houdini and other 3D applications, shaders, and all manor of other methods. When I am using code to generate algorithmic art, the product is likely even more deliberate and controlled, and the results even more intentional than with charcoal.
I also use Midjourney to generate mood boards, inspo pics, and references. It's great for that. I can get an idea of how something would look without scouring image sources, stock photos, etc. Sometimes I have to put quite a bit of effort into getting the exact angle or texture I want to see, and it's sometimes not up to the task. This is a creative, challenging process, but what it yields is not my art. It's an amalgam of other people's art assembled by a computer program to my approximate specifications.
> I'm not quite sure what you mean about crossing names out
I mean that no— using Midjourney et al to generate images from other people's art is not making art. At best, you could argue that Midjourney is the artist that you are commissioning art from. And just as it would be wrong to put your own name on work you commisioned from an artist, it's wrong to put your own name on work you commisioned from a computer.
> You wouldn't say Van Gogh's paintings were all meaningless fake art creations because an AI tool can output something which seems like them by simply asking it to so why is it this is the evidence there is no way to use an AI tool to truly "create" any kind of art at all?
I don't even know what you're trying to imply I'm arguing here. No artist's art is affected by someone else ripping it off. AI tools do have a place in actually creating art. Even using the images directly, perhaps, by directly manipulating them to make a collage. But no— no matter how many iterations, using whatever long string of bizarre references and terminology you like, you are still asking a computer to make art for you. The most basic fundamentals of composition and construction are the least controllable aspects of this process. No matter how specifically you reference styles or seemingly incongruous terms to trigger some kind of output, the generator is still making the overwhelming majority of the artistic decisions. I use these tools professionally — I know the difference. There are plenty of professional generative AI tools that aren't based on using words to ask it to make you something. Screen tracking and other tools in higher-end compositing software often uses generative AI. You're still executing your exact intention created by you just not having to do one technical part by hand. That doesn't exclude it from being art. The second you start asking something to make something for you, sorry. Nope.
Your essentially arguing that you should be able to claim credit for a book generated by your chatgpt prompts because professional writers use spelling and grammar checks.
Re: 300-year-old Tokyo comb company sells 30k-yen ($200) wooden hair combs
#77I find it endearing, fascinating but ultimately tedious that the Japanese put SO much effort into both seemingly mundane AND intricate objects. I realize that it's more a combination of tradition and their self imposed ~exile~ (isolationism, corrected) from the world for a long time. But there must be a reason why they excel, I mean really excel at anything they put their minds to. Their population also tolerates thi…
He said that the Japanese have high expectations for quality, but more than that, every person is supposed to contribute to the overall high quality of everything. This is enforced through deep social pressure that governs your entire life.
Needless to say, this is quite unlike the US.
Re: 300-year-old Tokyo comb company sells 30k-yen ($200) wooden hair combs
#78Earlier quoted context omitted.
> Yes because they understand the point of life. It is the creating and the making that makes things worth living. Surely one of the lowest birthrates in the world and highest suicide rates would contend with that.
The stereotype on suicides is not as true as it once was. Japan now has a lower suicide rate than the US. Its suicide rate is currently barely in the top 50.
Wikipedia's "List of countries by suicide rate" makes for somber reading.
For women, Japan's suicide rate is still marginally higher than the US's. And S Korea's is much higher, first by far among rich countries.
Re: 300-year-old Tokyo comb company sells 30k-yen ($200) wooden hair combs
#79Earlier quoted context omitted.
I've always felt that Japan takes things the rest of the world is known for and does it better. Some examples to add on to yours above. - Better denim than America - Better coffee than Italy/France/etc - Better French pastries than France
Strong disagree with he coffee. I've lived here for 10 years, and coffee here is quite generic.
Re: 300-year-old Tokyo comb company sells 30k-yen ($200) wooden hair combs
#80Japanese culture has a particular attraction to westerners. But it’s an illusion from marketing than reality. It may be true that many aspects of Japanese culture are better than the American stuff, but doesn’t mean Japan has any global advantage in their fancy niche products over other countries like China, Korea, Sweden, or Switzerland. Just as an example, the pantheon comb by a Slovakian company eclipses this “fan…
Where the average is high, it's easy to believe that the peaks are also high - higher than in (say) China.