I have to believe that this has been rigorously tested, and that a lot of viewers are lost when they see black bars on their television. I remember back in 4:3 when it was far harder to find letterboxed VHS tapes, and when filmmakers often would make sure their scope movies also worked in 4:3 by filming in 4:3 and cropping to scope (with the exception of a few hundred accidentally revealed boom mics.) I have to belie…
‘Seinfeld’ fans upset that Netflix’s aspect ratio cuts out jokes
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Re: ‘Seinfeld’ fans upset that Netflix’s aspect ratio cuts out jokes
#72Earlier quoted context omitted.
Done well, aspect ratio conversion involves editorial decisions: what part of the frame is most important to preserve? This isn't something TVs can automate. (Not advocating for cropping, though)
Just another reason not to do it. The only person who has the right to make those decisions is the original creator and they’d more likely just say ship it as intended.
They were making decisions based on a certain set of constraints that they didn't choose. They aren't going to have a problem with making different decisions when those constraints change.
Taking what was originally broadcast and cropping that is always a travesty, though.
Re: ‘Seinfeld’ fans upset that Netflix’s aspect ratio cuts out jokes
#73Earlier quoted context omitted.
One of the tragic effects of the MAFIAA's legal efforts to stop piracy, was that, though they could never reduce the amount of popular stuff being pirated, they did manage to shut down a lot of niche sites or private trackers, where people had meticulously curated rare and obscure content that was impossible to get anywhere else.
I recently discoveree the "kai" version of popular animes, meaning a recut of the hundred of episodes by fans to remove repeatitions, fillers, useless flashbacks and long stares or empty dialogs that just waste time. You can now watch the entire Dragon Ball and DBZ in half the time it should take, missing nothing from the original, saving on frustration. There are gigabytes of content, it's crazy to me some people sp…
Re: ‘Seinfeld’ fans upset that Netflix’s aspect ratio cuts out jokes
#74Re: ‘Seinfeld’ fans upset that Netflix’s aspect ratio cuts out jokes
#75Just to put a bit of competitive pressure on the butchers at Netflix, for Seinfeld S01-S04 there are 1080p torrents with the correct 4:3 aspect ratio: https://thepiratebay.org/search.php?q=seinfeld+aspect
Re: ‘Seinfeld’ fans upset that Netflix’s aspect ratio cuts out jokes
#76It's times like this that I think that piracy is the only way to preserve pop culture.
Absolutely. Preservation can only be achieved properly through passion not money. The copyright holders of these cultural artifacts don’t care about them enough to properly preserve them. Only passionate fans or enthusiasts care enough to make sure things are preserved to an acceptable quality. Companies will always do dumb things like change aspect ratio, remove scenes, ship low quality video, audio or subtitles.
Re: ‘Seinfeld’ fans upset that Netflix’s aspect ratio cuts out jokes
#77Earlier quoted context omitted.
Mainstream media disagrees. In fact, cropping context is their main technique :-)
I'm actually horrified to see stretching on the rise, especially in news broadcasts. "Oh, this singer just died? Let's have a disfiguring retrospective of their 80s music videos where they appear 2x as wide now."
Re: ‘Seinfeld’ fans upset that Netflix’s aspect ratio cuts out jokes
#78Longtime fan since the 90s. Have rewatched in 16:9 many times. I don't care. Seinfeld is just not this kind of show.
Re: ‘Seinfeld’ fans upset that Netflix’s aspect ratio cuts out jokes
#79First world irritation - when I finally got a 16:9 television they started making TV shows even wider so still letterboxed! Why? Grrr.
Think of the screen like a wall in your house. You hang a painting on the wall. "Why do they make paintings in all these random sizes instead of filling this wall edge egde? Why? Grrr."
Re: ‘Seinfeld’ fans upset that Netflix’s aspect ratio cuts out jokes
#80There's a great blog post by David Simon on the conversion of The Wire from 4:3 to 16:9 [1]. It goes into a lot of depth about some of the trade-offs and considerations as well as the lack of communication from HBO. Unfortunately, the video examples don't seem to work anymore. I can't help but wonder if HBO sent YouTube a DMCA takedown for David Simon's clips from the post (or they got taken down automatically). It's…