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How I Consume Books

mubaris.blog

71–80 of 109 posts

Re: How I Consume Books

#71
post #12

> Most of the fiction books are based on the presentation of a concept or a group of concepts. This is quite a narrow view of fiction. Story, relationships, worldbuilding, emotion, and language are just some of the reasons I read fiction (and I imagine, just some of the reasons many authors write fiction).

And not forgetting the sensawunder - I got into new age SF after I had run through the kids library at around 13.

Reading SRD, Ballard and so on

Re: How I Consume Books

#72
post #55

> I find audiobooks are a better medium for consuming fiction. By doing so, you also save your time. There should be a YMMV attached to this sentence because it's certainly not the case for me. The best that I get and retain comprehensibility of audio is 1.75x speed and that's still a lot slower than I can read the same text. Maybe the author meant that it saves time because you can do it in the car, whilst jogging/w…

I found that as I listened to more and more audio books, I ended up increasing and increasing the speed of playback. 50 or so books in and a 2x speed is quite leisurely listening, which I increase if I find the pace slowing. I don't agree that comprehensibility is a fixed variable with regards to playback speed.

Re: How I Consume Books

#73

The author tried to advocate a "practical view" of fiction books. When your sole aim is to extract some useful idea, why not read the abbreviated version or community reviews on Goodreads?

Or just admit it your the sort of person that finds accountancy to racy for a career.

Re: How I Consume Books

#74
post #36

I was honestly looking forward to an explanation of what utensils to use, and what sort of wines to pair them with. As it turns out, lignin is not especially nutritious to human beings, so perhaps “read books” would be a more helpful choice of words. Obviously the implication is that you only read a book once, but I’m not sure I can get on board with that. I think I’ll go reread Red Dragon , which has a lot to say on…

This may not be the best forum for this, but I actually have a (what I believe to be) really good story about consuming books. The first time I read Howl by Ginsberg, it was a copy given to me by someone who, as I look back now, was trying to guide my life away from its trajectory at the time. I was young, had, again as I look back now, an un-diagnosed mental illness, and was self-medicating through a combination of…

I would love to read a book from you. That was beautiful, touching, and imminently relatable.

Re: How I Consume Books

#75
post #33
post #5

Earlier quoted context omitted.

Exactly. Reading any good book and fully understanding it takes a lot more than a simple once-through hearing. Sure, you might catch the themes and be able to have a water cooler conversation, but the best books are the ones that aren't page turners; ones that you spend all night on, and only make it through 20 pages. Besides, when I read something really good, like Hitchhiker's Guide, I usually flip it over and star…

I know that I'm in minority, but could you tell me what do you find great about Hitchhiker's Guide? I find it ok-ish. It feels overly chaotic for me. Like it really tries to wave the idea of improbability at me and eventually shove it. Of course everything is exaggerated for comedic effects, but for me it's like it tries too hard. The result is very incoherent. It reminds me of a few movies I enjoyed dearly when I wa…

Really, from my understanding, you're right: it should not make sense. It's pretty much an absurdist book, it was adapted from a radio show and was more or less just comedy sketches centered in a ragtag, nonsense setting. None of them really have much to do with each other, nor do they really build off of each other, but I find Douglas Adams writing and ability to come up with what he does to be endlessly engaging and uplifting.

You mentioned judging the scenes by themselves; this is how I view Hitchhiker's Guide, as a compilation of great scenes that each occasionally do have some great meta-commentary on the world at large, and almost all are funny and self-contained. There isn't so much "development" as there is a progression of in-jokes.

The characters are more or less used as puzzle pieces to fit into a scene; while they might not really "develop" so to speak, they are fun archetypes that are thrown into silly situations, and we recognize them by what they do and say. They don't compare to most novels or literature when it comes to character development, but it can often be a gag as well just how far they've come without developing whatsoever.

It definitely does try hard, and it definitely is incoherent. This turns it off to a lot of people, and that's totally reasonable. For those who essentially want to read Spaceballs, however, it is a work of art comparable to Plato's Republic.

Re: How I Consume Books

#76
post #2

>his knowledge is small compared to non-fiction. Rest of the book is for your entertainment. And fiction does a good job of presenting the idea. To absorb the idea, it doesn’t require a thorough reading of the book (sometimes it does). For the same reason, I find audiobooks are a better medium for consuming fiction. By doing so, you also save your time. this is such a horrible take on fiction that I've seen popup in…

> As Stephen Frears, the director of High Fidelity , worked to translate the best moments of the Nick Hornby novel on which the movie was based, he found to his surprise that the best moments were the voice-overs, especially the direct speeches of Rob Gordon (John Cusack) to the camera. > Frears said, “What we realized was that the novel was a machine to get to twelve crucial speeches in the book about romance and ar…

>>This is the case for most novels: you have to read seven hundred pages to get the handful of insights that were the reason the book was written, and the apparatus of the novel is there as a huge, elaborate, overbuilt stage set.

This is a pet peeve of mine in any type of art, especially installation art or sculpture where a clear and simple point can be quite literally expanded into a elaborate and overbuilt set that doesn't add to the impact. Or worse, obfuscates the original idea.

But then there's an explorative type of art where the method and the process is much more meaningful than the insight or punchline that the novel may have been built around. The Waves by Virginia Woolf, for example.

(edited to use my words more good)

Re: How I Consume Books

#77
post #23

> I like Fantasy and Young Adult stories. What are Young Adult stories? Anyone have any examples? I am genuinely curious.

Young Adult stories are stories that are often where the protagonists are coming-of-age, still dealing with school or part-time jobs, parents are significant in their lives, etc. The themes are often coming-of-age, finding suitable mentors (and avoiding villanous mentors), new love, etc. I'd suggest: The City Of Ember Akata Witch The Hate U Give The Sun Is Also A Star There's also the ones most people know: Silverwin…

Earthsea by Ursula Le Guin

Re: How I Consume Books

#79
Fiction, among other things, is about learning empathy, multiple viewpoints and moral frameworks, and interiority. Some say, by the end of a good fiction work, you will know the protagonist more than you know anyone in your life because you will never have that level of access to another person's consciousness. These points, of course, aren't exclusive to fiction. But, fiction is exceptionally good at them. When I hear someone say they read only non-fiction, more often than not, they reveal an impoverished imagination.

Re: How I Consume Books

#80
post #58

Earlier quoted context omitted.

> most fiction books I read don't have any deeper meaning That's fine; keep doing what you enjoy. But there is life-changing fiction, so it is not as though there is nothing a person could choose to read that would be great.

Both you and the post I replied to seem to imply that fiction books without any deeper meaning cannot be good or great.

This is not what I meant to imply. While I prefer heavier reads, my point was that a cursory reading of any piece of literature pretty rarely results in a full consumption of it. The Great Gatsby is a pretty easy read, too, but it is steeped in symbolism that would be tough to fully interpret in a cursory read. Complexity != Quality
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