Earlier quoted context omitted.
I hate that kind of destruction of what I think should ultimately be considered property of humanity. When you create something, you're free to destroy or ruin it. Once you share it with somebody else, you should need their consent to destroy it.
This feels like a terribly entitled way to view someone else’s work.
Streaming services are driving viewers back to piracy
691–700 of 960 posts
Re: Streaming services are driving viewers back to piracy
#692When billion dollar companies, which are praised and supported by governments, download pirated material and do not pay, why should ordinary people restrain themselves and pay? I cannot see how one can make moral arguments against piracy now. It makes no sense to pay if others are not paying and not punished for it. People also have a right to train their real neural network for free without paying.
The film and music industries really shot themselves in the foot when they got a tax on recordable media introduced in Canada. OK, CD-R's and flash memory cost a bunch more now. Streaming is legal, because customers already paid the record companies for their music they downloaded and put on that media. At least, someone explained this was the current state of Canadian law ~10 years back when I first visited.
I'd actually rather this than the million dollar settlements for torrenting Germans and Americans have. We have "Notice and Notice", which basically means the ISP sends us a letter with very little legal heft to it.
Re: Streaming services are driving viewers back to piracy
#693Piracy offers: 1. Unrestricted access to an absolutely huge library of movies, music and TV shows, nearly unlimited. Certainly not limited by opaque "licensing deals" between various companies. 2. Highest resolution/bitrate/quality that was available at the time of the work's original release. 3. No arbitrary device/OS limitations. 4. Can watch/listen/download from any location on earth with sufficient bandwidth. I d…
In 2001, Joel Spolsky wrote:
Your typical architecture astronaut will take a fact like “Napster is a peer-to-peer service for downloading music” and ignore everything but the architecture, thinking it’s interesting because it’s peer to peer, completely missing the point that it’s interesting because you can type the name of a song and listen to it right away.
https://www.joelonsoftware.com/2001/04/21/dont-let-architect...
And in 2003, Apple started "selling" songs for 99 cents. They were incredibly successful, demonstrating that people weren't "pirating" songs to save a buck, but pirating songs to escape the deeply enshittified DRM shenanigans the industry employed, like installing rooting your PC.
https://en.wikipedia.org/wiki/Sony_BMG_copy_protection_rootk...
There is a very large market of people who want no fuss, no muss access to movies, shows, and music. I personally think that many people who "pirate" shows do not want adware of any type, especially if it surveils them, and also do not want to stream certain shows and deal with issues like region locking, the shows vanishing when the streaming service retires them, and so forth. But that is a small quibble.
History agrees with you that "piracy" is not about the price, it's actually about the shitty experience that the music, TV, and film industries impose.
Re: Streaming services are driving viewers back to piracy
#694One of the major selling points of streaming was convince outweighed the cost. But cost keeps going up.
As tech companies that once prioritized “growth at all costs” try to become more and more profitable I expect you’ll see this in other spaces as well (it’s already happened to AirBNB, on demand services not far behind, nor is Amazon. And off on the horizon are AI-services)
Re: Streaming services are driving viewers back to piracy
#695Piracy offers: 1. Unrestricted access to an absolutely huge library of movies, music and TV shows, nearly unlimited. Certainly not limited by opaque "licensing deals" between various companies. 2. Highest resolution/bitrate/quality that was available at the time of the work's original release. 3. No arbitrary device/OS limitations. 4. Can watch/listen/download from any location on earth with sufficient bandwidth. I d…
Piracy also offers: 0. Ability to watch offline! 1. Ability to fix subtitle issues with minimal tweeks like change size or moving location. 1.2 Ability to get subtitles if they aren't offered (or offered in your language) 2. Ability to normalize audio. 3. Ability to buffer videos when on a poor connection. 4. Ability to create collections, organize, and track your movie as you wish 5. Arbitrary number of user account…
Re: Streaming services are driving viewers back to piracy
#696Earlier quoted context omitted.
The collapse being the collapse of the DDR? The Lives of Others must have been made way further beyond that than 7 years. Closer to 20, I'd figure.
TLOO came out in 2006, 16 years after the DDR collapsed. I wondered if GP was thinking of another movie so I asked ChatGPT, which told me: "The German film you’re thinking of is "Good Bye, Lenin!" — released in 2003, exactly seven years after the formal end of the DDR in 1990. " (My emphasis.) So much for GPT-5.
Re: Streaming services are driving viewers back to piracy
#697Earlier quoted context omitted.
Piracy also offers: 0. Ability to watch offline! 1. Ability to fix subtitle issues with minimal tweeks like change size or moving location. 1.2 Ability to get subtitles if they aren't offered (or offered in your language) 2. Ability to normalize audio. 3. Ability to buffer videos when on a poor connection. 4. Ability to create collections, organize, and track your movie as you wish 5. Arbitrary number of user account…
> With $1k you can build a pretty good system 1. The hardware you buy for these activities, has still residual value after 1, 2, 3 year. Unlike the streaming service you pay for. 2. Its cheap to upgrade / expand over time (if its not a all in one solution) 3. It opens a door to not just store movies/music/images, but as emulator, streaming service, or game streaming to one or multiple. 4. The content will not arbitra…
Making all this work is not difficult with docker once you get past the steep learning curve
Re: Streaming services are driving viewers back to piracy
#698If they were willing to sell movies and tv shows WITHOUT DRM, I’d happily buy what I want and put on my Jellyfin server. I don’t pirate music because I can buy what I want on Bandcamp (and even mainstream music on apple and Amazon without drm). But since I can’t (and you can’t even find physical media for a lot of things), I feel like I am left with no options. I am not even trying to get stuff that is recent, as I p…
So much this. I take the simple moral position that I won't pirate things I can reasonably buy. That includes almost all music, and almost no movies, TV shows, comedy specials, etc. I still largely avoid pirating things and seek out alternatives instead, but I don't feel bad about it when I do because it's an industry that doesn't consider me a potential customer anyway.
Re: Streaming services are driving viewers back to piracy
#699Earlier quoted context omitted.
Piracy also offers: 0. Ability to watch offline! 1. Ability to fix subtitle issues with minimal tweeks like change size or moving location. 1.2 Ability to get subtitles if they aren't offered (or offered in your language) 2. Ability to normalize audio. 3. Ability to buffer videos when on a poor connection. 4. Ability to create collections, organize, and track your movie as you wish 5. Arbitrary number of user account…
Until recently, 3. (poor connection) has been a huge issue for me and streaming services. When there is a download/watch later, I sigh with relief. 7. is only sort-of an issue, IMHO. Anything that is pirated is usually fairly benign content and I don't care if someone knows how many times I've watched Idiocracy. I just wish I could know how many times I've watched it too. I would add: Piracy offers the ability to rem…
Re: Streaming services are driving viewers back to piracy
#700Earlier quoted context omitted.
My understanding is that this isn't Netflix's fault. They were king when they were the first major streaming service, and studios and networks were happy to get extra income from hosting their content on Netflix. But Netflix knew that any success it has would be mimicked by those same studios and networks, and that they would pull their own content to their own services as soon as they have them up and running, and s…
As the saying at Netflix used to go back in the day: we need to become HBO before HBO becomes Netflix