Quasi-relevant excerpt from an odd essay (footnotes and references omitted).
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My own eyes spent countless nights observing, with curiosity and wonder and delight, the responses of a computer, as I commanded it with code, like a sorcerer casting spells. I could not have known, that this obedient machine, this silicon golem, was also, slowly and imperceptibly, enchanting me, and changing how my eyes would see.
At the time^21 , I was a mere fifteen years old, young enough, so that the gravity of life was weak enough, and the mind nimble enough, to allow me to explore without any material justification.
The computer was the believed and I was the believer.
A consequence of becoming obsessed^22 with computer programming, is that one starts to see new metaphors, algorithmic metaphors, everywhere one looks. This new metaphorical lense, belongs entirely to the third eye. Without this lense, I would look at a traffic jam, and see a traffic jam. With the lense, I would look at a traffic jam, and wonder if, and to what extent, the latency-throughput trade-off^23 was true for highways. Without the lense, I would read about social theory, and simply see the words. With the lense, I would ask if society was, a tree^24 , a graph^25, a tree of graphs, or a graph of trees^26.
To generalize, the computer programmer looks at something, and asks, _is this thing an algorithm, and if so, what kind_ ? The entire _trade_ of com-puter programming, it revolves around this question, around the discovery of metaphors that fit^27[13][14].
It is thus little surprise, when a computer programmer asks if (or sometimes asserts that) a certain kind of algorithm^28 is intelligence^29 , consciousness, or both.
The entire ritual of computer programming, is similar to the trade, in that it involves discovering metaphors, not as a means to an end, but as their own end. This ritual is difficult to explain to someone who has never practiced it. Imagine, instead of trying to find metaphors that bridge the real to the algorithmic, one tries to find metaphors that bridge the algorithmic to itself.
It is very similar to what mathematicians do, but it requires writing programs in a very principled and abstract way^30 .
This ritual, unlike the ritual of writing, and unlike the ritual of mathemat-ics, has a dominant material component (the computer) which can make your code, in addition to an _imaginary_ experience, a _material_ experience^31 . This makes the computer a medium — an artificial oracle or artificial hallucinogen — that can safely imagine the unimaginable. And like the oracle, the computer exists to provide insight^32.
Without the ritual of programming, there would be no field of chaos the-ory, nor complex systems (very important for economics and environmental sciences), and _certainly_ no elaborate fractals. Pure mathematics could only scratch the surface, because the mathematical ideas, of the mid 20th century, that our imaginations could access, were insufficient for exploring these sys-tems. Computers allow us, not unlike microscopes and telescopes, to magnify the informational dimension of nature [17].
Computers, and the arcane programming languages that make them obey, are magic machines, that created a new interaction between, two elements of the human psychic triad, the immaterial and material.
What is this triad, and what is its third element? The concept of the triad appears so frequently, in recorded human thought, and in the structure of language, that it is either some kind of adaptive ideal^33 , or a consequence of language itself^34, if not both. Pythagoras called _three_ perfection itself. Plato divided the world into three parts. And, even today, our modern shamans and sages, use triads to discuss the universe.
Roger Penrose has a traid consisting of physical, platonic, and mind. Lacan has a triad consisting of real, symbolic, and imaginary. Plato has a triad of good, truth, and beauty. Of the three, Lacan’s naming is the most self-explanatory.
In this essay, the _material_ is the real, and the _immaterial_ is the other two.
The _trade_ of programming is driven by the _real_, while the _ritual_ of pro-gramming is driven by the _imaginary_. A trade is pursued because of real, material concerns (such as covering the cost of living), while a ritual is pur-sued because of imaginary concerns — concerns that can, more precisely, be called _aesthetic_.
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