The article is also wrong on several points regarding the attributes of the medium:
> Meanwhile, cassettes break and jam quite easily.
No they don't. It happens sometimes but really tapes and decks were pretty reliable as long as you didn't have foreign material in the deck. CDs and vinyls are more fraglie. A Sony tape deck my cousin has had a belt wear out, but it was fixable. Unlike your Airpod batteries.
> Choosing a particular song might involve several minutes of fast forwarding, or rewinding, which clogs the playback head
Lol, clogging the head? No, tapes don't do that.
> and weakens the tape over time.
I recall that anything more than a 45-minute tape ("C90") is too thin and could experience this issue. So I never bought C100s or C120s (if those existed). Wearing tapes out wasn't a thing I ever experienced back in the day.
> The audio quality is low
I don't know the specs of all the Dolby NR stuff (which was a technology on later decks) but decent quality tapes had full frequency range. Given things like the loudness war and the artifacts of compressed audio, tape is perfectly fine for most typical music listening.
> and comes with a background hiss.
I've always liked the faint airy sound of tape silence in a weird way. But in most cases were you listen to music in real life, you don't notice it when the songs start playing.
The really cool thing about tapes are the same cool thing that playing an MP3 locally has: you can listen, give, trade, or share the audio without things on the Internet tracking or preventing you from doing it. In a time where digital freedom and creative artistic recognition is becoming less and less, this is one gateway into the offline world, which is going to be where the real interesting stuff starts to happen if current trends continue.