The problem with successful tech figures is that, over time, they often become convinced they can succeed at anything. Musk is a glaring recent example - and now Paul. I do appreciate his essays on tech and related subjects, but not for their literary merit. If I’m seeking advice on writing, I’d turn to actual writers - people who’ve earned recognition and acclaim specifically for their work in that field.
One can readily argue that Graham has earned recognition and acclaim specifically for his essays. They're part of what drew early founders to YC.
Good Writing
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Re: Good Writing
#62There are two sentences in this essay that I couldn't understand. Can someone help me? 1. "An essay is a cleaned up train of thought, in the same way dialogue is cleaned up conversation" I thought dialogue and conversation were the same thing. What is the difference between them besides one being a cleaned up version of the other? 2. "If for some bizarre reason the number of jobs in a country were fixed, then immigra…
"Jobs" is too large a category; many specific job categories have limited slots (e.g. medical residencies). But more importantly, slots at e.g. Harvard are limited. Seats at ball games are limited. Etc. Most things in life are, in fact, limited. Graham is purposefully misleading here, and he knows it.
What people fail to understand is that immigrants add to both the supply and demand side. An immigrant sitting in a stadium seat is taking a place that could have gone to someone else. But their presence also drives the capacity to build more seats. More demand for higher education results in more capacity for higher education.
Re: Good Writing
#63The problem with successful tech figures is that, over time, they often become convinced they can succeed at anything. Musk is a glaring recent example - and now Paul. I do appreciate his essays on tech and related subjects, but not for their literary merit. If I’m seeking advice on writing, I’d turn to actual writers - people who’ve earned recognition and acclaim specifically for their work in that field.
I think at the core the problem (if you want to call it that) can be boiled down to the following:
"I am smart. That's why I was successful at what I did. So I need to prove to myself and others that it wasn't luck it was I am damn smart"
The problem with hubris is that if you took someone like Musk or PG and you kept them in some off the beaten path place ie not Silicon Valley, not NYC pick your hot location (and stipulate they couldn't move because of family or other obligations) and they weren't surrounded by others who were top notch (as a result of also being in the right place at the right time) there wouldn't be anything particularly notable about them.
Having gone myself to one of those 'good' universities I will say that Paul being at Harvard would certainly amplify this type of behavior by being surrounded early on at a formidable age by accomplished members of that community.
Re: Good Writing
#64Re: Good Writing
#65I believe that it is not that style helps the content to be more right, not in the way PG believes (like in the example about writing shorter sentences), it is that a richer style (so, not shorter, but neither baroque: a style with more possibilities) can reflect a less obvious way of thinking, that carries more signal. I'll make an example that makes this concept crystal crisp, and that you will likely remember for…
“The ships hung in the sky in much the same way that bricks don’t.”
He could have written something like: “The blocky ships hovered seemingly in defiance of gravity.”
Instead he picked a phrasing that’s intentionally a little hard to parse, but the reader feels clever for taking the time to get the joke, and remembers it.
Paul’s style of removing all friction might help the concepts slide smoothly into one’s brain, but as antirez points out, they’re less likely to stick.
Re: Good Writing
#66A shorter exposition is nearly always (a) better, and (b) more work. I'm reminded of Mark Twain's remark, “I didn't have time to write a short letter, so I wrote a long one instead.”
A classic writing book, now nearly forgotten -- "Strunk & White"/"The Elements of Style" (https://en.wikipedia.org/wiki/The_Elements_of_Style) -- famously exhorts authors to "Make every word count."
An underlying cause is that people don't read enough, before presuming to write. This results in malaprops like "reign him in", an example I see almost daily now. (A monarch reigns over a kingdom, a cowboy reins in a horse.) Examples abound, this is a common one.
Even worse, I now see automatic grammar checkers making ungrammatical "corrections" (incorrections?) like replacing "its" with "it's," or the reverse, but in the wrong circumstances.
But my all-time greatest annoyance are constructions like "Similar effect to ...", which in nearly all cases ought to be "Effect similar to ..." with copious variations, all wrong. Online searches discover that, in many such cases, the wrong form prevails over the right one.
Someone may object that language is an art form without fixed rules, that seems right. But granted that truth, many popular word sequences sound like fingernails on a chalkboard.
Re: Good Writing
#67Look, anything that gets HN people to write second drafts of comments, I'm fine with it. I mean... no, ok, just going to leave it there.
Something I've mentioned before is I can't get over the fact that Paul has mulitiple people review his essays prior to publishing (which others have defended when I've made the same comment before).
I (as most people do) write clients every day with proposals or results or reports. Nobody reviews my writing first and the end recipients they either like what I say and pay me money and refer others to me or they don't. I certainly don't have the time to perseverate over the perfect phrase or paragraph '50 or 100 times' but yet I get results more often than I don't.
Re: Good Writing
#68What how does that concept work in poetry or lyrics, for example? Something could be completely fictional (and artificial) and still be exceptionally well written.
It doesn’t, really, which is okay, because the subtext here is that Pg is writing about essayistic writing, or more specifically, communicating ideas in the form of written words. I don’t think he is commenting on “good writing” in the sense of a novel or line of poetry. Moby Dick is my go-to example of a novel that is incredibly well-written, but I wouldn’t say it’s particularly clear or straightforward in its prese…
Re: Good Writing
#69It might be that it’s hard to create sophistry accidentally in one’s writing, but it’s certainly a possible - and common - trick.
The danger is when you convince yourself that what you’re writing isn’t sophistry… because - after all - it looks good.