Got a bit of an uncanny valley feeling with the owl and the old man videos. And the origami video give me a sort of sinister feeling, seemed vaguely threatening, agressive.
Veo 3 and Imagen 4, and a new tool for filmmaking called Flow
61–70 of 570 posts
Re: Veo 3 and Imagen 4, and a new tool for filmmaking called Flow
#62The demo videos for Sora look amazing but using it is substantially more frustrating and hit and miss.
Re: Veo 3 and Imagen 4, and a new tool for filmmaking called Flow
#63Not in 10 years but now.
People who just see this as terrible are wrong. AI improving curves is exponential.
People adaptability is at best linear.
This makes me really sad. For creativity. For people.
Re: Veo 3 and Imagen 4, and a new tool for filmmaking called Flow
#64Earlier quoted context omitted.
>Soon, you should be able to put in a screenplay and a cast, and get a movie out. This "fixes" Hollywood's biggest "issues". No more highly paid actors demanding 50 million to appear in your movie, no more pretentious movie stars causing dramas and controversies, no more workers' unions or strikes, but all gains being funneled directly to shareholders. The VFX industry being turned into a gig meatgrinder was already…
> Hollywood's wet dream. Except it bankrupts Hollywood, they are no longer needed. Of people can generate full movies at home, there is no more Hollywood. The end game is endless ultra personalized content beamed into people's heads every free waking hour of the day. Hollywood is irrelevant in that future.
Re: Veo 3 and Imagen 4, and a new tool for filmmaking called Flow
#65Like most AI image or video generation tools, they produce results that look good at first glance, but the more you watch, the more flaws and sloppiness you notice, and they really lack storytelling
Now it's "good enough" for a lot of cases (and the pace of improvement is astounding).
AI is still not great at image gen and video gen, but the pace of improvement is impressive.
I'm skeptical image, video, and sound gen are "too difficult" for AI to get "good enough" at for many use cases within the next 5 years.
Re: Veo 3 and Imagen 4, and a new tool for filmmaking called Flow
#66These larger companies are clearly going after the agency/hollywood use cases. It'll be fascinating to see when they become the default rather than a niche option - that time seems to be drawing closer faster than anticipated. The results here are great, but they're still one or two generations off.
Re: Veo 3 and Imagen 4, and a new tool for filmmaking called Flow
#67The ad for Flow would be much better if they laid off the swirly and wavy effects, and focused on realism. Soon, you should be able to put in a screenplay and a cast, and get a movie out. Then, "Google Sequels" - generates a sequel for any movie.
AI trailers already exist: https://www.youtube.com/playlist?list=PL_52fVxPZcIiEvGocuVn6...
Re: Veo 3 and Imagen 4, and a new tool for filmmaking called Flow
#68Future is not bright. While we are endlessly talking about details reality is that AI is taken over so many jobs. Not in 10 years but now. People who just see this as terrible are wrong. AI improving curves is exponential. People adaptability is at best linear. This makes me really sad. For creativity. For people.
Re: Veo 3 and Imagen 4, and a new tool for filmmaking called Flow
#69Future is not bright. While we are endlessly talking about details reality is that AI is taken over so many jobs. Not in 10 years but now. People who just see this as terrible are wrong. AI improving curves is exponential. People adaptability is at best linear. This makes me really sad. For creativity. For people.
Of course this is not because of AI. It's because of the ridiculous system of social organization where increased automation and efficiency makes people worse off.
Re: Veo 3 and Imagen 4, and a new tool for filmmaking called Flow
#70It makes me sad, though. I wish we were pushing AI more to automate non-creative work and not burying the creatives among us in a pile of AI generated content.