> “What about the next Taylor Swift?” he asked, arguing that a “relatively unknown artist” whose work was ingested by Meta would likely have their career hampered if the model produced “a billion pop songs” in their style. I have this debate with a friend of mine. He's terrified of AI making all of our jobs obsolete. He's a brilliant musician and programmer both, so he's both enthused and scared. So let's go with the…
counterpoint: Gorillaz is a band specifically designed around the idea that the artist doesn't have to exist in order to do all of the things you mention above. Gorillaz has an image, a style, a mythos, all of that. Granted, when they started at the time (2000) there needed to be human creativity in order to create all of that but with AI everything about this can now be generated. I suspect it won't be long before a…
There's some very impressive youtubers who are claiming to be generating new music with AI. The one I listen to the most I very much doubt has everything 100% generated - he probably generates a bunch of melodies and other bits of track and stiches the best candidates together. They do crank out a new album basically every 2 weeks though - and has just a scant few thousand followers. They are not making money, but the music is pretty on par with bands which sell hundreds of thousands or millions of albums.
This is part of what makes me think it's the people who can cultivate the mythos, the personality, the whole experience, who are going to be the big winners in the AI music economy. Sure, maybe Gorillaz obfuscates the identity of the artists (side note: do they though? it's well known to be a supergroup), but it still is a curated experience that human creativity was leveraged to create the whole experience.