Said the butter churner, cotton ginner, and petrol pumper.
I work in film. I've shot dozens of them the old fashioned way. I've always hated how labor, time, and cost intensive they are to make.
Despite instructions from the luminaries to "just pick up a camera", the entire process is stone age. The field is extremely inequitable, full of nepotism and "who you know". Almost every starry-eyed film student winds up doing drudge work for the rest of their lives. Most will never make a feature to match their ambition.
If the whole task was to simply convey my thoughts and dreams to others, why am I scrambling around to sign location rights, capture photons on expensive glass, and then smear and splice things together for months on end? This is ceremonial and soon to be anachronistic. I'm glad that whole mess is going to be replaced. It's a farce.
To phrase it another way - would you like to be hand-writing assembly on punch cards? To only gain entrance into the field with your mathematics PhD?
To speak of the liberty and the economics, why should I have to sell the rights to my idea to a studio so I can get it off the ground? Why should I have to obey the studio's rules and mind their interference?
This whole Gen AI thing is going to be the biggest liberating moment for filmmaking creatives. I know, because I am one.
And if you think any Jack or Jill can just come in and text prompt a whole movie, you're crazy. It's still hard work and a metric ton of good taste.
Art will never die. It's the human soul. It'll take more than some tech bros with GPUs to kill it.
AI is just another tool for the artist. A "bicycle for the mind" to quote Jobs, and a rocket ship for the imagination to convey my own direct experience.