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Black MIDI

en.wikipedia.org

61–70 of 88 posts

Re: Black MIDI

#61
post #12
post #5

Black Midi is also the name of a rather excellent band: https://bmblackmidi.com/

Their naming is quite inspirational. If I ever start a popular band I will also try to make some existing thing completely un-googleable. The band Franz Ferdinand also tried this and seem to have failed.

Yep, the subject is almost completely unresearchable as a result. It's rather similar to the situation with the "BBC Micro Bit" which horribly polluted the search space for the original BBC Micro computer.

Re: Black MIDI

#62
post #32
post #12

Earlier quoted context omitted.

Their naming is quite inspirational. If I ever start a popular band I will also try to make some existing thing completely un-googleable. The band Franz Ferdinand also tried this and seem to have failed.

Why did they do it?

They probably heard the term and thought it was cool. But it must be enormously frustrating to people who are involving in making this stuff.

That said, it is possible that this could prevent Black Midi (the genre) from becoming a fad, and thus make the "scene" healthier. Sort of like a password to get into the club.

Re: Black MIDI

#63
post #5

Black Midi is also the name of a rather excellent band: https://bmblackmidi.com/

Saw them live as my first post(ish)-pandemic show. Fantastic live. They opened with "Call me maybe" by Carly Rae Jepsen then did a hard transition into 953.

Re: Black MIDI

#64
post #6

Some (most?) of the black midi scores do cheat a bit. They have bajillions of notes but most of the notes are not audible. Their presence gives cool visual effects (either static if you decide to print it out as classic music notation or dynamic when an app plays the tune) and that's it. Edit: they typically still have enough audible notes to make it sound like a dozen clones of Chopin played together.

Tau ("the Song with 6.28318 Million Notes") is an extreme example : https://www.youtube.com/watch?v=b0gyQMJHQ78 I like the "no arts" version that removes silent notes, as it makes it more enjoyable (for me!) to follow what's happening : https://www.youtube.com/watch?v=VcfmPZVqVtw However, one other interesting aspect of a song like Tau is the "performance" of playing these note-heavy midis. You are effectively record…

That was way more pleasant to listen to than I ever would have imagined it'd be. Thanks for sharing! This is definitely a bona fide work of art in my book.

Re: Black MIDI

#67
> Though the two are unrelated in origin, the concept of impossible piano existed long before black MIDI, manifesting itself within Conlon Nancarrow's work involving player pianos where he punched holes in piano cards, creating extremely complex musical compositions in the same impossible, unplayable spirit of black MIDI

Just did my good deed for the day and changed "piano cards" to "piano rolls." I'm guessing this article was written by a programmer. I have to admit I like the idea of old school programmers filling out punch cards and feeding them into a piano!

Re: Black MIDI

#69

> Though the two are unrelated in origin, the concept of impossible piano existed long before black MIDI, manifesting itself within Conlon Nancarrow's work involving player pianos where he punched holes in piano cards , creating extremely complex musical compositions in the same impossible, unplayable spirit of black MIDI Just did my good deed for the day and changed "piano cards" to "piano rolls." I'm guessing this…

I don't think these were used for piano, but there was an organ book music system that used a chain of cards: https://en.wikipedia.org/wiki/Book_music

Edit: some discussion here https://music.stackexchange.com/questions/7536/did-any-playe...

Re: Black MIDI

#70
post #8

Earlier quoted context omitted.

The page does link to it?

What I see is that the black midi page links to Zappa not to Zappa’s work titled the black page. I’m not sure of the relationship between Zappa and nancarrow?

It's at the end of the first paragraph of the "Origins and early history" section.
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