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Quindar Tones: the beeps heard in recordings of astronauts in space

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Re: Quindar Tones: the beeps heard in recordings of astronauts in space

#61
post #55

When these tones are used in music, it instantly instills a sense of mystery and wonder. I don't know if it's something intrinsic to the sound, or if it's because of the recognizable context of exploration and discovery. One song that comes to mind is Satellite by BT, but I know I've heard it elsewhere too.

I think it's the same reason I tear up uncontrollably watching rocket launches. It's just so epic and bigger than any one human. See also: overwatch effect. Here's a collection of songs: "I'm looking for songs that contain NASA radio transmission snippets, or a "space" theme conveyed in a creative manner. Examples in text" https://www.reddit.com/r/trance/comments/1vl39y/im_looking_f...

Ah, yes Highroller by Crystal Method is one I've heard

Re: Quindar Tones: the beeps heard in recordings of astronauts in space

#62
post #9
post #8

Earlier quoted context omitted.

Inband signalling was the way long distance trunk lines worked back in the MF signalling days decades before ISDN D channels and SS7 and all that. A fun topic to google for is what and how the 2600 Hz signal worked.

Didnt some guy figure out how to get free phone calls using a cheap whistle from a cereal box :-)

Yes, that's the most famous application. As to why it worked...that's the more interesting story IMHO.

Re: Quindar Tones: the beeps heard in recordings of astronauts in space

#63

A somewhat similar system used in modern radio systems (well, radio systems that are now outdated, but still in widespread use) is two-tone sequential paging or the related QuikCall. These are in-band audio tones used to cause some receivers to open squelch as a form of selective calling. The method is predominantly used in public safety radio systems, where tone paging may be used to cause a fixed receiver in a stat…

> A particular oddity of a lot of these systems is that they have different generations of receivers that use different methods, so sometimes you'll end up hearing the tones played aloud if a receiver opens squelch in reaction to something earlier in the sequence.

Good grief, I'm getting old... First thing I thought of after reading that:

https://www.youtube.com/watch?v=obkpqUyfYks&t=26

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