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Every Noise at Once

everynoise.com

61–70 of 83 posts

Re: Every Noise at Once

#61

I don't get it. I mean, I understand what I'm looking at; a word cloud of music genres that is each linked to a sample. That part I got. But when you label your website 'Every Noise at Once'... I kind of expect to hear multiple (perhaps not 'every') noises at the same time.

Not sure i get it either.

Re: Every Noise at Once

#62
Filthstep didn't sound anything like what I was expecting. But I didn't really know what to expect. So then I selected some genres for which I could confidently propose an exemplary piece. Ragga jungle: precisely correct. Chicago blues: nailed it. Ragtime: the very archetype. Schranz: maybe that's the intro of a track that eventually meanders into schranz, but the clip on hand is way off. Swedish pop: pretty good. Glitch hop: no way. Gospel singers: US centric, but OK. Nigerian Hip Hop: yeah that's sort of valid in the sense that 2Baba is a Nigerian hip hop producer, but that sample is neither especially Nigerian nor particularly hippy-hoppy. Electro swing: all thumbs up. Bury St Edmunds Indie: A truly sublime blend of Sudbury angst and Lavenham melancholy, virtouosly caramelised in Ipswich je-ne-sais-quoi. (Yes of course I'm joking about that last one; the combination of specific location with vague genre is just absurd.)

This seems like a useful tool for discoveling new sounds, but when it comes to finding out what Polish free jazz really sounds like, I wouldn't trust it one bit.

Re: Every Noise at Once

#65
The artist search is very picky. E.g., "cat ctevens" does not work. "yusuf" does not work. But "yusuf / cat stevens" works.

Some of the genre memberships seem odd. Barry McGuire is bubblegum pop? As is Zager & Evans? Roy Orbison? That whole category seems to be a weird mashup of what I'd expect in bubblegum pop plus a random dump of '60s rock.

For artists that appear in more than one genre, it seems to use the same sample clip for all of them, so don't be put off from checking out an artist in a genre you like because the sample doesn't fit.

Re: Every Noise at Once

#66
post #41

Every Noise at Once is an ongoing attempt at an algorithmically-generated, readability-adjusted scatter-plot of the musical genre-space, based on data tracked and analyzed for 3,294 genres by Spotify as of 2019-07-29. The calibration is fuzzy, but in general down is more organic, up is more mechanical and electric; left is denser and more atmospheric, right is spikier and bouncier. Lots of other cool Spotify-scraping…

Interesting choice of dimensions... So basically how human and how rhythmically distinct.

Edit: so out of curiosity I looked at the bottom right corner and found "tanci". Odd name. Clicked on it, and it's Chinese spoken word artists. Incidentally I practice Chinese so it's perfect.

Re: Every Noise at Once

#67
post #41

Every Noise at Once is an ongoing attempt at an algorithmically-generated, readability-adjusted scatter-plot of the musical genre-space, based on data tracked and analyzed for 3,294 genres by Spotify as of 2019-07-29. The calibration is fuzzy, but in general down is more organic, up is more mechanical and electric; left is denser and more atmospheric, right is spikier and bouncier. Lots of other cool Spotify-scraping…

Interesting choice of dimensions... So basically how human and how rhythmically distinct. Edit: so out of curiosity I looked at the bottom right corner and found "tanci". Odd name. Clicked on it, and it's Chinese spoken word artists. Incidentally I practice Chinese so it's perfect.

> Interesting choice of dimensions...

IIRC, there are 14 dimensions in total, but it’s impossible to represent all of them on a page. So he went for up-down, left-right, clusters, and colors to represent a subset of them.

Source: used to work at Spotify.

Re: Every Noise at Once

#68
post #50

Earlier quoted context omitted.

I'm not missing arbitrary frequency components; please reread the penultimate paragraph, where I mention them explicitly. As I said there, you can extend my argument about a single frequency to include all multiples of that base frequency, and since you can set the coefficient for each frequency arbitrarily based on your ordering, you can set the fourier coefficients arbitrarily and in so doing recover any waveform y…

You're right, I missed that your sin(x) example was talking only about a single component. However, cherry-picking a different reordering for each frequency component before doing an inverse FFT really isn't the same thing as playing all the sounds simultaneously. Anyway, the thing is, we're not talking about an infinite series. This is a thread about digital audio playback, where both amplitude and phase components…

Yeah for sure. I mean I was just trying to make a joke about divergent series and how "Every Noise at Once" is a deeply vague statement. But you're right that in the discrete arena it is literally a finite sum that can cancel perfectly (assuming that every sound has exactly one representable "opposite" sound in your storage format).

Re: Every Noise at Once

#69
post #62

Filthstep didn't sound anything like what I was expecting. But I didn't really know what to expect. So then I selected some genres for which I could confidently propose an exemplary piece. Ragga jungle: precisely correct. Chicago blues: nailed it. Ragtime: the very archetype. Schranz: maybe that's the intro of a track that eventually meanders into schranz, but the clip on hand is way off. Swedish pop: pretty good. Gl…

I believe Bury St Edmunds _does_ have an established indie scene... Not sure if it developed it's own sound though?

Re: Every Noise at Once

#70
post #62

Filthstep didn't sound anything like what I was expecting. But I didn't really know what to expect. So then I selected some genres for which I could confidently propose an exemplary piece. Ragga jungle: precisely correct. Chicago blues: nailed it. Ragtime: the very archetype. Schranz: maybe that's the intro of a track that eventually meanders into schranz, but the clip on hand is way off. Swedish pop: pretty good. Gl…

I believe Bury St Edmunds _does_ have an established indie scene... Not sure if it developed it's own sound though?

Bury St Edmonds is musically interesting.

https://www.vice.com/en_uk/article/68n44v/the-ill-fated-tale...

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