> That's why people use their ad-hoc systems. Because many many many people don't know IPA.
I was disagreeing with parent's claim that ad-hockery was better than IPA. Nothing more, nothing less.
However if ad-hockery is the best someone can do (I say this without snark), then fine. Certainly better than nothing.
> It's so far removed from English and uses so many letters that don't occur in English that it's close to being a completely different language.
English is far removed from my native language, so either way I have to learn a pronunciation system (and the English one is... special).
While we're at it, do we use pseudo-American or pseudo-British pronunciation in our ad-hockery? Pseudo-US-East-coast or pseudo-Southern-US?
I think ad-hockery provides a trap in that it gives a false sense of security. You think you know to pronounce something, but if you actually try, chances are your native speaker conversation partner will go ¿que?
> The word "ɪn·tərˈnæʃ·ə·nəl" may make complete sense to someone who knows IPA but to to the many people who don't, it's complete gibberish.
I agree that it looks like gibberish to those who don't know IPA. But I'm honestly not sure "intaneshenel" (or "intönäschänäl", or whatever) is better. For me at least, it's equally confusing.
As an aside: making up pronounciation if it's of little relevance to what you're writing is one thing. What really grinds my gears is language books (or, say, the language section of guide books) that make up their funny ways of writing pronunciation. They might use that same amount of effort to teach the basics of IPA, which is about the same amount of effort, and provides the reader with something lastingly useful.
They even write multi-page explanations, complete with examples, on how to interpret funny charecters in their script. I remember the absurd contortions the Lonely Planet Germany guide went through to explain umlaut sounds to people in terms of English words, and then coming up with ways that weren't the IPA to type those sounds.