> the BBC required their orchestras to tune to 440 Hz instead of 439 Hz because 439 is a prime number, and the corresponding frequency is hard to generate electronically. I followed, until this. Earlier he debunks the significance of 432 per second (including that it's a sum of four consecutive primes), because a second is an arbitrary length of time. But now he says that 439 per second is difficult to generate elect…
439 being a prime would be an issue if you were up multiplying a lower frequency to generate it, for example using a PLL. However it is such a slow signal that it would be generated by dividing down a higher frequency. For example you can divide it down from an 18 MHz clock. So, nope his claim doesn't make sense.
The “432 Hz vs. 440 Hz” conspiracy theory
61–70 of 332 posts
Re: The “432 Hz vs. 440 Hz” conspiracy theory
#62I have met some very competent musicians who have found 432 tuning to be powerfully effective. When I dug into this, I discovered they were tuning the other notes in the scal to frequencies in whole numbered cycles per second, using tables being passed around. So the real change was in the qualities of intervals ; many of these became far more resonant than the compromised resonant qualities we get with equal tempere…
Re: The “432 Hz vs. 440 Hz” conspiracy theory
#63Earlier quoted context omitted.
As a Brit, my reaction to a Frenchman is one of disgust as I reach for my insults. Yet there are few countries I would turn to so quickly in the search for a sane and good friend. Perhaps it is easiest to say: Where the USA has Russia, we have France. Where the USA has Canada, we have France.
Does it work the other way? I'm Canadian and a huge part of our culture is defined by the ways we are unlike Americans. Can't imagine Anglo-French culture works quite like that.
Re: The “432 Hz vs. 440 Hz” conspiracy theory
#64Re: The “432 Hz vs. 440 Hz” conspiracy theory
#65> orchestras specializing in older music may sometimes tune in the tuning close to the one for which the piece was originally written, which may range from 415 Hz to 470 Hz). I can say as someone who performs a lot of Baroque music (c. 1600 - 1750) that there is a relatively common standard of A=415 for music of this period. A=415 is often referred to as "Baroque pitch." This mainly applies to ensembles that speciali…
In addition to varying by era of music, as you mention, this also varies by country. My violin teacher had done a lot of traveling and performing in different countries. She told me that, in one country[0], she was given criticism that her tuning was off in her solos. She realized that they were using A=445, and their ears were trained on that, so everything she played solo sounded flat to them[1]. Once she discovered this, it was an easy "problem" to fix!
[0] I wish I remember which countries - I think Austria and Germany? I can't be sure. I'm almost postive it's not Russia, because I think A=435/438 is more common there - or at least was at the time.
[1] It's only really relevant for solos, because for a trained violinist playing in an orchestra, tuning is done by ear. So a professional violinist would adjust to the tuning used by the group without really thinking about it.
Re: The “432 Hz vs. 440 Hz” conspiracy theory
#66C5 = 512Hz C6 = 1024Hz C7 = 2048Hz
In such a method, 'A' would be closer to 431Hz, so slightly flatter than the 440 we use now.
Re: The “432 Hz vs. 440 Hz” conspiracy theory
#67Prince was also big into the 432 Hz thing vs. 440. 432 on guitar feels a little nicer overall but I like to play along to radio / DJ mixes for fun & practice and being at 432 feels off to me, so I stick with 440. 432 is good on acoustic, but then again open tuning sounds good on acoustic no matter if using 432 or 440.
I like playing bass tuned slightly flat because I have tiny hands and it's easier to play with less tension.
Re: The “432 Hz vs. 440 Hz” conspiracy theory
#68Earlier quoted context omitted.
439 being a prime would be an issue if you were up multiplying a lower frequency to generate it, for example using a PLL. However it is such a slow signal that it would be generated by dividing down a higher frequency. For example you can divide it down from an 18 MHz clock. So, nope his claim doesn't make sense.
Would it not just have been created natively using an appropriate osciallator, given that the reference was from 1939?
Re: The “432 Hz vs. 440 Hz” conspiracy theory
#69Re: The “432 Hz vs. 440 Hz” conspiracy theory
#70Earlier quoted context omitted.
439 being a prime would be an issue if you were up multiplying a lower frequency to generate it, for example using a PLL. However it is such a slow signal that it would be generated by dividing down a higher frequency. For example you can divide it down from an 18 MHz clock. So, nope his claim doesn't make sense.
Would it not just have been created natively using an appropriate osciallator, given that the reference was from 1939?