The sooner anyone making profit from models trained on creators proprietary content start paying for the content they’re using the better for creators, society and even the AI companies. It’s pretty tiring hearing people argue about whether copyright law applies to AI companies or not. It applies. Just get on and sort out a proper licensing model.
On being listed as an artist whose work was used to train Midjourney
501–510 of 957 posts
Re: On being listed as an artist whose work was used to train Midjourney
#502Earlier quoted context omitted.
Every artist has their own style, because it's their way of creating the product. Pixar, Disney and Dreamworks have different styles, same for actors, writers, and designers, too. You can generally tell who made what by reading, looking, listening, etc. I can recognize a song by Deep Purple or John Mayer or Metallica, just by their guitar tone, or their mastering profile (yes, your ear can recognize that), in a coupl…
> Style is a reflection of who you are. You can maybe imitate it, but you can't be it. Isn't this an argument that AI-generated artwork will never be more than a lesser facsimile? That'd suggest that human-made works will always be more sought-after, because they're authentic.
When the replacements become "good enough", it'll push the better things because of being cheaper and 90% being there. I have some hand-made items and they're a treat to hold and use. They perform way better than their mass produced ones, they last longer, they feel human, and no, they're not inferior in quality. In fact it's the opposite, but most of them are not cheap, and when you want to maximize profits, you need to reduce your costs, ideally to zero.
Re: On being listed as an artist whose work was used to train Midjourney
#503There is simple way to fix this. Ban private large models trained on public data, require them to be public weights. If a company wants to train large private model, they can do it with their own data.
It's not simple since you can't ban it everywhere. China, India, et al. You can't ban it for open source either.
They would be better off if you did it the other way around - ban large public models.
Re: On being listed as an artist whose work was used to train Midjourney
#504The sooner anyone making profit from models trained on creators proprietary content start paying for the content they’re using the better for creators, society and even the AI companies. It’s pretty tiring hearing people argue about whether copyright law applies to AI companies or not. It applies. Just get on and sort out a proper licensing model.
Re: On being listed as an artist whose work was used to train Midjourney
#505It has to be very hard to overcome the bad vibes of being in a situation like this. The technology seems indecipherable to a non-techie. The law seems indecipherable to a layman. The ethics seem indecipherable to everyone. With so much confusion, to feel that one has been treated justly it might not be enough to participate in a class-action lawsuit resolving what happened. It would help with public trust if there we…
I think the ethics are pretty clear. 1. Don't do things to people that they don't want to be done to them. 2. Do as you would be done by. It really is that simple.
One one hand I want better AI that can generate whatever image that comes to my mind.
On the other hand I don’t want it to blatantly copy someone else’s style that they spent years making.
US is pretty fucked since it has very little safety net compared to other modern countries if AI really started replacing humans.
This is people’s livelihoods we are talking about.
Will AI cause people to commit suicide? Yeah if it starts replacing them and they lose meaning in life.
Re: On being listed as an artist whose work was used to train Midjourney
#506Earlier quoted context omitted.
Nah. Even the "good" stuff feels cheap. It's the art version of ho-hos and twinkies. Every once in a while I see one and think, "oh, neat, wonder how they got it to do that?", but usually I'm just left slightly queasy and with a bad taste.
Then it's no problem right? Or are you just in a minority.
Re: On being listed as an artist whose work was used to train Midjourney
#507> But I can't even get cartoons to most people for free now, without doing unpaid work for the profit-making companies who own the most use channels of communication This is the sticking point for me. OpenAI isn't a profit-making company, but it's certainly a valuable company. A valuable company that is built from the work of content others created without transferring any value back to them. Regardless of legalities…
I don't know yet exactly how this compares, I’m trying to think it all through.
AI has different levels - output can be loosely inspired by, style cloning, or near exact reproductions of specific work.
Re: On being listed as an artist whose work was used to train Midjourney
#508Earlier quoted context omitted.
> Emphatically no they shouldn't. The capabilities are vastly different. Fair use should not apply to AI. Fair use applies even to use of traditional algorithms, like the thumbnailing/caching performed by search engines. If I make a spam detector network, why should it not be covered by fair use?
No idea on the legality, but common sense suggests that the difference would be that a spam detector doesn't replace the products that it was trained on, while AI-generated "art" is intended to replace human artists.
If that was the distinction to be made, using ChatGPT as a classifier would be acceptable while using it to write new spam (see the "I am sorry" amazon listings of the other day) would be unacceptable.
If two different uses of a tool allow for both infringing and non-infringing uses (are photocopiers allowed to make copies(!) of copyrighted works?) it has generally been the case that the tool is allowed and the person with agency to either use the copyrighted work in an infringing or a non-infringing way is the one to come under scrutiny.
I believe that if it is found that OpenAI is found to have committed copyright infringement in training the model, then an argument that training a model on spam be considered to be copyright infringement could be reasonably constructed.
If, on the other hand, OpenAI is found to have sufficiently transformative in its creation of the model and some uses are infringing, then it is the person who did the infringing (as with a photocopier or a printer printing off a copy of a comic from the web) that should be have legal consequences.
Re: On being listed as an artist whose work was used to train Midjourney
#509Earlier quoted context omitted.
Right, I don't think anyone disagrees with that. The question is about someone/something writing a book _influenced_ by Harry Potter -- do they owe JK Rowling royalties?
That depends on a variety of factors. You may find yourself in trouble if you write about a wizard boy called Perry Hotter going to Elkwood school of magic and he ends up with two sidekicks (a smarter girl and a redhead boy). It could be argued quite convincingly that stories like Brooks's Shannara and Eddings's Belgariad are LOTR with the serial numbers filed off — but there is more than enough difference in how var…
I'm with all your other arguments ... but not this point. What is the special magic property that machine-generated art doesn't have? Both human and machine generated art can be banal, can be crap. And I think there is plenty of machine generated art this a quite beautiful, and if well prompted even very insightful. Non-GenAI can be this way, Conway's game of life has a quality of beauty to it that rivals of forms of modern art. If you wanted to argue that there still is the need for a human to provide some initial inspiration as input, or programming before something of value can be generated, then I would agree, at least for now, though there is meta-argument about asking LLMs to generate their own prompts that makes this an increasingly gray area.
But I don't think the stochastic parrot argument holds water. Most of _human_ creations is derivative. Unique mixes of pre-existing approaches, techniques, substance, often _is_ the creative act. True innovation with no tie to existing materials seems vanishingly rare to me and is really high bar, beyond which most humans ever achieve.
Re: On being listed as an artist whose work was used to train Midjourney
#510Earlier quoted context omitted.
Great, hold on, I'm calling Hollywood to tell that all they do is a hobby now. ...and the writers' guild, too.
Well obviously AI isn't at the level of replacing Hollywood yet. But once it is? I mean, yeah, it'll replace Hollywood. People will tell Netflix, "hey I want a move about X in the style of Y and I want Z to star in it", and bam -- your own bespoke movie. I mean, once the capability's there, it's just inevitable. And yeah -- acting will become a hobby, just like sewing is today.
I want to see what the person has imagined, what the story carries from the author, what the humans in it added to it and what they got out of it.
When I read a book, I look from another human's eyes, with their thoughts and imagination. That's interesting and life-changing actually. Also, the author's life and inner world leaks into the thing they created.
The most notable example for me is Neon Genesis Evangelion. The psychological aspects of it (which hits very hard actually) is a reflection of Hideaki Anno's clinical depression. You can't fake this even if you want.
This is what makes human creation special. It's a precipitation of a thousand and one thing in an unforeseen way, and this is what feeds us, albeit we are not aware of this and love to deny it at the same time.