Wow, this is one of the cleverest ideas I've seen in a long time. As far as I can tell, they've put together a wide-ranging set of fairly generic-sounding movie music (generic = good, so it doesn't call attention to itself)... but composed it in a way that the three parameters (momentum, depth, power) simply map to different volume levels of the underlying instrumental tracks -- but all perfectly tuned to always prod…
> After all, most films don't need recognizable motifs, they just need music to tell us how to feel Not trying to pick a fight with you - I agree with your comment overall, but this is a culturally learned thing, very specific to Western movies and TV-series, and it is actually mildly infuriating to me. It is one thing to complement the emotions present in a scene, but being told what to feel is basically a cheap way…
Filmstro: Royalty-Free Music
51–60 of 70 posts
Re: Filmstro: Royalty-Free Music
#52Wow, this is one of the cleverest ideas I've seen in a long time. As far as I can tell, they've put together a wide-ranging set of fairly generic-sounding movie music (generic = good, so it doesn't call attention to itself)... but composed it in a way that the three parameters (momentum, depth, power) simply map to different volume levels of the underlying instrumental tracks -- but all perfectly tuned to always prod…
Re: Filmstro: Royalty-Free Music
#53Looking around the site, I was not able to find clear license terms that related to copyright of the actual music tracks produced. I am not a lawyer, but to me it is critical that copyright (and not royalties) is clearly spelled out. The product lives in an uncanny valley between clear copyright interests in musical compositions and software generated derivative works modified by end user input. The only legal inform…
Re: Filmstro: Royalty-Free Music
#54Earlier quoted context omitted.
> After all, most films don't need recognizable motifs, they just need music to tell us how to feel Not trying to pick a fight with you - I agree with your comment overall, but this is a culturally learned thing, very specific to Western movies and TV-series, and it is actually mildly infuriating to me. It is one thing to complement the emotions present in a scene, but being told what to feel is basically a cheap way…
Different viewers are different. You want to experience a story when you see a movie, but other people want to be emotionally numbed. Still others want to be reassured they know how they’re supposed to feel about things.
Re: Filmstro: Royalty-Free Music
#55Earlier quoted context omitted.
> After all, most films don't need recognizable motifs, they just need music to tell us how to feel Not trying to pick a fight with you - I agree with your comment overall, but this is a culturally learned thing, very specific to Western movies and TV-series, and it is actually mildly infuriating to me. It is one thing to complement the emotions present in a scene, but being told what to feel is basically a cheap way…
I think music is just a tool -- it can be used badly or it can be used well. Different media are able to show different things -- novels show interior thoughts, plays need to focus mainly on dialog, and movies/TV are largely driven by images. Particularly, movies and TV have a huge challenge in communicating the interior thoughts of characters -- this is one of the first things you learn in screenwriting, when a part…
Ironically, animation seems to be a worse offender than regular movies. And sometimes the story itself simply isn't good to begin with, and does not give any decent justification for being emotionally invested in the main characters.
Re: Filmstro: Royalty-Free Music
#56Not bad for consumer mixing... adding music to YouTube wedding videos. Well executed.
Re: Filmstro: Royalty-Free Music
#57Re: Filmstro: Royalty-Free Music
#58Re: Filmstro: Royalty-Free Music
#59Wow, this is one of the cleverest ideas I've seen in a long time. As far as I can tell, they've put together a wide-ranging set of fairly generic-sounding movie music (generic = good, so it doesn't call attention to itself)... but composed it in a way that the three parameters (momentum, depth, power) simply map to different volume levels of the underlying instrumental tracks -- but all perfectly tuned to always prod…