Recreating Daft Punk's Da Funk with Overtone and Leipzig
51–60 of 101 posts
Re: Recreating Daft Punk's Da Funk with Overtone and Leipzig
#52You're right. It's funny listening to this. They're playing the same song, but it's not even close to as good as the Daft version. The daft version is loud and has a bite. This version just sounds lethargic and boring.
Re: Recreating Daft Punk's Da Funk with Overtone and Leipzig
#53You're right. It's funny listening to this. They're playing the same song, but it's not even close to as good as the Daft version. The daft version is loud and has a bite. This version just sounds lethargic and boring.
Re: Recreating Daft Punk's Da Funk with Overtone and Leipzig
#54Earlier quoted context omitted.
Tablature is another common notation system: https://en.wikipedia.org/wiki/Tablature
For those that don't want to learn how to read proper notation, usually.
There's a huge jump in the complexity of how you need to reason about translating the music to the instrument with staff notation. Tabs solve this by explicitly telling the musician what fingering to use.
Guitar players should still learn to read music because it's useful, but anyone who wants a guitarist to play their music (especially by sight) should use a notation similar to tabs, but with rhythm indicated as well. Good software to convert between the two could be generally useful, but I imagine there is a bit of nuance to what fingerings sound the best.
Re: Recreating Daft Punk's Da Funk with Overtone and Leipzig
#55You're right. It's funny listening to this. They're playing the same song, but it's not even close to as good as the Daft version. The daft version is loud and has a bite. This version just sounds lethargic and boring.
the daft version is clearly mixed (eq'd, compressed, etc.) and probably done so in a nice "easy" to use DAW. i doubt he could get that sound (without working long hours) when hardcoding everything.
Re: Recreating Daft Punk's Da Funk with Overtone and Leipzig
#56You're right. It's funny listening to this. They're playing the same song, but it's not even close to as good as the Daft version. The daft version is loud and has a bite. This version just sounds lethargic and boring.
Re: Recreating Daft Punk's Da Funk with Overtone and Leipzig
#57It is pretty cool that you can program a song in code, but it looks awfully verbose. Do people really compose this way?
well, live-coders do by definition .. but for everyone else, it's just an ineffective way to work, even if you are a good programmer.
people really do use graphical programming tools like max/msp.
Re: Recreating Daft Punk's Da Funk with Overtone and Leipzig
#58You're right. It's funny listening to this. They're playing the same song, but it's not even close to as good as the Daft version. The daft version is loud and has a bite. This version just sounds lethargic and boring.
Re: Recreating Daft Punk's Da Funk with Overtone and Leipzig
#59You're right. It's funny listening to this. They're playing the same song, but it's not even close to as good as the Daft version. The daft version is loud and has a bite. This version just sounds lethargic and boring.
Re: Recreating Daft Punk's Da Funk with Overtone and Leipzig
#60Well that's opened up a fascinating new world to me. Is there a name for that regular logarithmic by linear music notation in the first image? I suddenly feel like a whole lifetime of musical enjoyment has been denied to me by the utterly utterly ridiculous staff notation system.
I've been a Mac user for almost ten years now, but the lack of FLStudio for OSX makes me question that decision every six months or so.