Earlier quoted context omitted.
>It means the available creative works—which in turn effectively means the engine of culture—is determined almost entirely by people who are well-off enough to have the free time to do that. From where I sit, that's the problem ad-supported media has, not the other way around. Look at TV before Netflix/iTunes/etc. came along. It was pretty much a crap-fest of lowest-common-denominator programming that was created bas…
> It was pretty much a crap-fest of lowest-common-denominator programming You're describing the vast majority of the content on Netflix today.
Would you agree that there doesn't exist a similar or better way to obtain the highest quality programming? Netflix has a library (and interface) that many people have found sufficiently entertaining and edifying to the point that they'll drop all traditional content delivery platforms for it. It also doesn't have any ads beyond its contents' meta data like cover art, top casting, ui / categorization choices, etc.
In able to access the opposite of crap-fest content, let's call it quality content, how is a person to reasonably find it and then consume it? Affordably and conveniently with a minimum amount of time searching? Especially with the never-ending flood of content, much of it inspired by the need to sell or be famous? There's just not enough time in the day to hunt for quality content for many, many people.
It seems like Netflix is a better thing in comparison to what came before it, and ads are notably absent. What is the best version of content provision to the 7bil+, and why is it taking so long / so hard to implement?
Personally, seems like a clear win to me towards that system is to automate away the middleman. :)