Earlier quoted context omitted.
Obsession with short sentences and generally pushing extreme simplicity of structure and word choice has been terrible for English prose. It’s not been terrible because most people aren’t aided by such guidance (most are) but because the same people who can’t be trusted to wield a quill without the bumper-lanes installed see a sentence longer than ten words, or a semicolon, or god forbid literate and appropriate nuan…
"He walked up to Helen and asked, 'What are you doing?'" "He strode up to Helen and asked, 'What are you doing?'" "He sidled up to Helen and asked, 'What are you doing?'" "He tromped up to Helen and asked, 'What are you doing?'" Each of those sentences conveys as slightly different action. You can almost imagine the person's face has a different expression in each version. Yes, I hate it when amateurs just search/rep…
I can see the appeal in, perhaps, technical writing but even there, I feel that there's room to make the prose more colourful.