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Nightshade: An offensive tool for artists against AI art generators

nightshade.cs.uchicago.edu

421–430 of 710 posts

Re: Nightshade: An offensive tool for artists against AI art generators

#421
post #410
post #215

Earlier quoted context omitted.

I think people 100% have the right to use this on their images, but: > simply acquiring only training data you have permission to use Currently it's generally infeasible to obtain licenses at the required scale. When attempting to develop a model that can describe photos for visually impaired users, I had even tried to reach out to obtain a license from Getty. They repeatedly told me that they don't license images fo…

I don't believe it's a "doesn't deserve to exist" situation, because these things genuinely can be used for the public good. However - and this is a big however - I don't believe it deserves the legal protection to be used for profit. I am of the opinion that if you train your model on data that you do not hold the rights for, your usage should be handled similarly to most fair use laws. It's fine to use it for your…

> It's fine to use it for your personal projects, for research and education, etc. but it is not OK to use it for commercial endeavors.

Say I train a machine vision model that, after having pretrained on ImageNet or similar, detects deformities in a material for a small company that manufactures that material. Do you not think that would be fair use, despite being commercial?

To me it seems highly transformative (a defect detection model is entirely outside the original images' purposes) and does not at all impact the market of the works.

Moreover, you said it was "Baffling to see anyone argue against this technology" but it seems there are at least some models (like if my above detector was non-commercial) that you're ethically okay with and could be affected by this poisoning.

Re: Nightshade: An offensive tool for artists against AI art generators

#422

Earlier quoted context omitted.

I'm not sure what you've changed, but I'll reiterate: my copying your style is not fair use. Fair use applies to copyrighted things. A style cannot be copyrighted, so if you tried to sue me for infringing upon the copyright of your artistic style, your case would be dismissed. It would be as invalid as you trying to sue me for distributing illegal copies of someone else's painting. Legally you have as much ownership…

Now, I just think you are arguing in bad faith. What I meant to say was clear, but I said "technique" instead. Then, instead of debating what I meant to say (you know, the actual point of the conversation), you took my words verbatim. I'm not sure where you are going with this ... but for what it's worth, techniques can be copyrighted ... even patented, or protected via trade secrets. I never said what the techniques…

>What I meant to say was clear

I'm not privy to what goes on inside your head, I can only reply to what you say.

>Then, instead of debating what I meant to say (you know, the actual point of the conversation), you took my words verbatim.

The actual point of the conversation is about intelligent entities (either natural or artificial) copying each other's artistic styles. My answers have been within that framework.

>techniques can be copyrighted ... even patented, or protected via trade secrets.

First, what do you mean by "technique"? We're talking about art, right? Like, the way a person grabs a brush or pencil, or how they mix their colors...? That sort of thing?

Second:

>A patent is a type of intellectual property that gives its owner the legal right to exclude others from making, using, or selling an invention for a limited period of time in exchange for publishing an enabling disclosure of the invention.

Now, I may be mistaken, but I don't think an artistic technique counts as an invention. An artist might invent some kind of implement that their technique involves, in which case they can patent that device. I don't think the technique itself is patentable. If you think I'm wrong then please cite a patent on an artistic technique.

Third, how do you imagine an artist using a trade secret to protect their technique? Unless they do something really out there, most skilled artists should be able to understand what they're doing just by looking at the final product.

>I'll repeat this as well: "Fair use"

Okay, repeat it. I don't know why, since I never said that copying someone else's style or technique is fair use. What I said was that it cannot possibly be copyright infringement, because neither styles nor techniques are copyrighted.

>It's a legal defense when you are accused of stealing someone else's work

I'm not going to reply to any of this until you clean up the language you're using. "Steal" is inapplicable here, as it involves the removal of physical items from someone else's possession. What are you saying? Are you talking about illegal distribution, are you talking about unauthorized adaptations, are you talking about plagiarism, or what?

>"research for commercial purposes is not fair use,"

Sorry, what? What does that even mean? What constitutes "research" as applied to a human creation? If you say there's a crapload of case law that backs this up then I'm forced to ask you to cite it, because I honestly have no idea what you're saying.

Re: Nightshade: An offensive tool for artists against AI art generators

#423
post #154
post #103

I’m completely flabbergasted by the number of comments implying copyright concepts such as “fair use” or “derivative work” apply to trained ML models. Copyright is for _people_, as are the entailing rights, responsibilities and exemptions. This has gone far beyond anthropomorphising and we need to like get it together, man!

You act like computers and ML models aren't just tools used by people.

What did I write to give you that impression?

Re: Nightshade: An offensive tool for artists against AI art generators

#424
post #315
post #257

Earlier quoted context omitted.

[flagged]

Could you please stop posting unsubstantive comments and flamebait? You've unfortunately been doing it repeatedly. It's not what this site is for, and destroys what it is for. If you wouldn't mind reviewing https://news.ycombinator.com/newsguidelines.html and taking the intended spirit of the site more to heart, we'd be grateful.

I disagree that my comments are un-substantive and flamebait, but I understand that my comments may run counter to the agenda of the site.

Re: Nightshade: An offensive tool for artists against AI art generators

#425
post #424
post #315

Earlier quoted context omitted.

Could you please stop posting unsubstantive comments and flamebait? You've unfortunately been doing it repeatedly. It's not what this site is for, and destroys what it is for. If you wouldn't mind reviewing https://news.ycombinator.com/newsguidelines.html and taking the intended spirit of the site more to heart, we'd be grateful.

I disagree that my comments are un-substantive and flamebait, but I understand that my comments may run counter to the agenda of the site.

The agenda is simply to have a discussion forum that doesn't suck, and in particular that doesn't regress to the internet mean.

Re: Nightshade: An offensive tool for artists against AI art generators

#426

Earlier quoted context omitted.

People who use generative AI in their processes are not artists.

And people who use Photoshop are? There is somewhat famous digital artist from Russia - Alexey Andreev. Google it, he has very distinctive style of realistic technique and surrealistic situations, like landing big manta ray on the deck of aircraft carrier. Or you can see his old works in his 5-years-not-updates LJ [1]. Now he uses generative AI as one of his tools. As Photoshop, as different (unrealistic!) brushes in…

[deleted]

Re: Nightshade: An offensive tool for artists against AI art generators

#427
post #425
post #424

Earlier quoted context omitted.

I disagree that my comments are un-substantive and flamebait, but I understand that my comments may run counter to the agenda of the site.

The agenda is simply to have a discussion forum that doesn't suck, and in particular that doesn't regress to the internet mean.

I genuinely love this site to be clear and appreciate all the work that you do around here - but the agenda of the site is to service Y Combinator Management, LLC.

Re: Nightshade: An offensive tool for artists against AI art generators

#428

Earlier quoted context omitted.

An analogy that springs to mind is the difference between an access control mechanism such as a door with lock and key versus whatever magical contrivance that prevents entry to a dwelling by vampires uninvited.

That may be an ok analogy, but magic isn’t real. Maybe a better analogy would be to speak or write in a language that you know certain people don’t natively understand, and using lots of slang and idioms that don’t translate easily. Someone could still run it through Google Translate or whatever, but they won’t get a great understanding of what you actually said. They’d have to actually learn the language and the sor…

I agree that the analogy is strained. My goal was in elucidating the distinction between:

the goals of artists and the developers of OP,

versus

the goals of AI engineers,

and how it seems to me similar to the is/ought disctinction.

In my original analogy, it’s generally considered lawful to have a lock on your door, or not to do so, and the issue of a lock or lack thereof is moot when one is invited to enter, just as it is lawful to enter a premises when invited or during exigent circumstances, such as breaching entry to render lifesaving aid by emergency services or firefighters.

By that same token, no amount of locks or other barriers to entry will prevent ingress by a vampire once invited inside.

To me, much of the ballyhoo about OP seems like much ado about big cats eating faces, like a person publicly decrying the rise in vampire attacks after inviting that same vampire inside for dinner. It’s a nonstarter.

Copyright law is broken, because of the way that the law is written as much as the way that it’s enforced, and also broken because of the way that humans are. Ideas are not copyrightable, and while historically their implementations or representations were, going forward, neither implementations nor representations are likely to receive meaningful/effective protections from copyright itself, but only from legal enforcement of copyright law.

After the recent expiry of Disney’s copyright on Steamboat Willie, the outpouring of praise, support, excitement, and original work from creators shows me that copyright law in its current incarnation doesn’t perform its stated goals of promoting the creation of arts and sciences, and so should be changed, and in the meantime ignored and actively disobeyed, as any unjust law ought to be, regardless of what the law is or does.

In light of our obligation to disobey unjust laws, I applaud efforts like OP to advance the state of the art in computer science, while at the same time encouraging others working on AI to actively circumvent such efforts for the selfsame reason.

I similarly encourage artists of all kinds to make art for art’s sake while monetizing however they see fit, without appealing to red herrings like the legality or lack thereof of end users appreciating their art and incorporating it into their own artistic output, however they may choose to do so.

Like all art, code and its outputs is also First Amendment protected free speech.

Re: Nightshade: An offensive tool for artists against AI art generators

#429

Earlier quoted context omitted.

Yes, someone can disagree on whether a fact is true. That's obviously true, but it has no effect on the truth of that fact. I'm saying something very simple: If a machine can copy your style, that's a fundamentally different situation than if a human can copy your style, and it has utterly different consequences. You can disagree with my statement, or say that whether it's fundamentally different is subjective, or yo…

> For a current example, there's already billions of man-hours worth of AI spam writing, indexed by Google, that is likely not actually read by even a single person on Earth. Continuing to ignore this point won't make the prior comments seem any more persuasive, in fact probably less. So here's another chance to engage productively instead of just declaring things to be true or false, 'objective', etc., with only the…

I believe I've already addressed it.

You say: The fact that production in style S (of artist A) can exceed human consumption capability makes the fact that someone's style can be reproduced without bounds irrelevant. You mention as an example all the AI-generated garbage text that no human will ever read.

I say: Whether it's irrelevant is subjective, but that production in style S is arbitrarily higher with an AI that's able to imitate it than with only humans that are able to imitate it objective, and an artist can (subjectively) not like this and seek to frustrate training efforts.

You say: It's all subjective.

As far as I can tell, we're at an impasse. If we can't agree on what the facts are (in this case, that AI can copy an artist's style in an incomparably higher volume than humans ever could) we can't discuss the topic.

Re: Nightshade: An offensive tool for artists against AI art generators

#430
post #175

Huge market for snake oil here. There is no way that such tools will ever win, given the requirements the art remain viewable to human perception, so even if you made something that worked (which this sounds like it doesn’t) from first principles it will be worked around immediately. The only real way for artists or anyone really to try to hold back models from training on human outputs is through the law, ie, levera…

The ol' Analog Gap. https://en.m.wikipedia.org/wiki/Analog_hole
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