Earlier quoted context omitted.
I had come across that study/story before, and consider it one of the great successes in combating discrimination that I have ever heard! Blinding the auditions is brilliant, because it isn't a "bias for bias" approach. It doesn't attempt to combat one bias by intentionally introducing another bias. It just removes the jury's ability to be biased, by concealing the musician's sex. Because of this, the results of that…
I believe they could! With all that technology? Shoot. All we had was a stage and a screen to work with. I will say that in another study it was found that the sound of women's dress shoes unconsciously biased juries. So we all (even men) walk to the stage on a carpet strip to mute that sound, or we play in stocking feet or soft shoes. Taking the screen away at the end is its only flaw. I will say something that a lo…
I get your point that there still could be biases if you can recognize a musician's sound. I should have been more clear about what I meant by "perfect". What I meant is just that this intervention (adding screens to auditions) almost certainly didn't create any bias, it only removed it. It may not have removed 100% of it, but it didn't combat the bias by introducing a counter-bias.
Can you recognize a coder's work by their style? Definitely to some extent. One aspect of working on a shared code-base with a whole bunch of engineers is that uniformity of style is a significant plus (makes code easier to read when it's consistent), so many of the differences that might show a "personal flare" are removed. But still, there is plenty that could belie a person's coding style.
I think there are way too many programmers out there, however, for this to be an issue in interviews. Estimates say there are something like 2-4 million software engineers in the US. Compare this with orchestral musicians: it looks like about 60 orchestras in the US work 40+ weeks per year; if we estimate 100 players per orchestra this is 6,000 full-time orchestra spots in the USA (you might have better numbers on this). If you specialize this by instrument, it might be more like 240 full-time orchestral oboists in the whole country. It seems much more likely that you could recognize a specific person with those odds.
(By the way, I'm a musician too. :) Though not in the orchestral world, and not full-time. I'm a singer (small ensembles mainly), though I did a lot of collaborations with orchestras as a boy growing up in Boychoir).