Earlier quoted context omitted.
That's the problem for me too. This tech is cool for games, stock images etc but for actual art it's pretty meaningless. The artist's experience, biography and relationship with the world and how that feeds into their work is the WHOLE point for me. I want to engage, via any real artistic product, with a lived human experience. Human consciousness in other words. To me this technology is very clever but it's meaningl…
Oh, nice take! Reminds me of the chess world, long time ago chess entities that could beat any human in the world have existed, people wouldn't play them because losing all the time was boring. But then came the neural network chess engines (powered by the same training technology of text to images generators), which even people enjoyed playing for some time due to novelty and how they learned how to play from scratc…
We want to interact with conscious entities for the obvious reason as well that we want to connect. A machine is a blind, dead entity. There's nothing to connect to. Also, even if the output is far superior to a human in limited domains, eg chess, the way it arrives at these outcomes is sort of banal (if clever). It's not intelligence and its not thinking, I think the 'intelligence' part is a misnomer in AI but perhaps its a semantic argument. To me at least, consciousness is fundamental to our type of animal intelligence. I'm a naturalist through and through, we might even be able to create animal-like intelligence and consciousness one day, but until then at least, interacting with Turing machines is a cold boring experience if you know what is really 'inside'.
The line gets blurry when a dead machine one day passes the Turing test, but if I ultimately knew I was interacting with a philosophical zombie, that would kill the appeal quickly.