To me the whole copyright extension issue is a good argument for justification of piracy. If the copyright industry side can just replace the social agreement (protection of works in exchange for them going public after a reasonable amount of time) with one they like more, why would it be immoral for the content consumers to to the same? I'm talking about the ethical side, not legalities. The fact that said consumers…
>To me the whole copyright extension issue is a good argument >for justification of piracy. There's very little pirating of content that is over 20 years old, so I'm not sure how the copyright extension thing would justify piracy...
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#42To me the whole copyright extension issue is a good argument for justification of piracy. If the copyright industry side can just replace the social agreement (protection of works in exchange for them going public after a reasonable amount of time) with one they like more, why would it be immoral for the content consumers to to the same? I'm talking about the ethical side, not legalities. The fact that said consumers…
Which, by the way, is indistinguishable from rationalizing the sentiment of "I want stuff without having to pay for it"
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#43There are two competing interests here. First, Disney wants to keep control of Mickey Mouse cartoons, and it doesn't feel unreasonable at all that they should. Second, the rest of the stuff that is of little commercial value but of potential cultural value should be freed from uncertain or uninterested ownership. The answer feels trivial to me, which means I'm probably missing something. Fixed term for a few decades…
> Disney wants to keep control of Mickey Mouse cartoons, and it doesn't feel unreasonable at all that they should. It feels completely unreasonable to me. There's no reason why Disney should be given an exception when others aren't. It's idiotic to suggest that they should get special treatment just because their IP is commercially valuable.
The Steamboat Willie article is specious. Thanks to a failure to register copyrights (back when those things mattered) the Fleischer studio "Superman" cartoons are in the public domain. The world did not end. People may use and sell these cartoons, but they still have to be careful not to run aground against the Superman trademark.
The same thing would happen to Steamboat Willie.
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#44There are two competing interests here. First, Disney wants to keep control of Mickey Mouse cartoons, and it doesn't feel unreasonable at all that they should. Second, the rest of the stuff that is of little commercial value but of potential cultural value should be freed from uncertain or uninterested ownership. The answer feels trivial to me, which means I'm probably missing something. Fixed term for a few decades…
> Disney wants to keep control of Mickey Mouse cartoons, and it doesn't feel unreasonable at all that they should. It feels completely unreasonable to me. There's no reason why Disney should be given an exception when others aren't. It's idiotic to suggest that they should get special treatment just because their IP is commercially valuable.
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#45There are two competing interests here. First, Disney wants to keep control of Mickey Mouse cartoons, and it doesn't feel unreasonable at all that they should. Second, the rest of the stuff that is of little commercial value but of potential cultural value should be freed from uncertain or uninterested ownership. The answer feels trivial to me, which means I'm probably missing something. Fixed term for a few decades…
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#46Can someone make the argument about why should Disney be forced to give up copyright to Mickey Mouse? Or The Beatles to the music they created?
Can any one make the argument why we should give Disney an unlimited monopoly on the content they create? Why should we pay for courts and systems to enforce their artificial scarcity, if they cannot uphold their side of the agreement?
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#47There are two competing interests here. First, Disney wants to keep control of Mickey Mouse cartoons, and it doesn't feel unreasonable at all that they should. Second, the rest of the stuff that is of little commercial value but of potential cultural value should be freed from uncertain or uninterested ownership. The answer feels trivial to me, which means I'm probably missing something. Fixed term for a few decades…
> Disney wants to keep control of Mickey Mouse cartoons, and it doesn't feel unreasonable at all that they should. It feels completely unreasonable to me. There's no reason why Disney should be given an exception when others aren't. It's idiotic to suggest that they should get special treatment just because their IP is commercially valuable.
I see more value in having Disney pay an appropriately large amount of money to keep their IP than I see in making sure that their specific content gets into the public domain.
Who cares about steamboat willy if Disney is going to fight tooth and nail over it? It's everything else that will expire into the public domain that I care about.
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#48Earlier quoted context omitted.
>To me the whole copyright extension issue is a good argument >for justification of piracy. There's very little pirating of content that is over 20 years old, so I'm not sure how the copyright extension thing would justify piracy...
You mean because there were no good music artists like Elvis and the Beatles 20 years ago? Or even Michael Jackson for that matter?
We're heading OT, but perhaps that I didn't make obvious that my comparison was relative is what caused your confusion.
Relative to new stuff, there is very little pirating of stuff over 20 years old (probably even over 1 year old since content is ephemeral). While I don't have the numbers to hand, I'm willing to assert that the amount of pirating of Elvis, The Beatles, etc is tiny relative to the pirating of Sky Fall, The Hobbit, Gangnam Style, Call Me Maybe, Games Of Thrones, etc.
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#49Can someone make the argument about why should Disney be forced to give up copyright to Mickey Mouse? Or The Beatles to the music they created?
Our founding fathers wanted to encourage competition and innovation. Copyright was given as a temporary protection of works for the owner, and after a certain amount of time the copyright fell into the public domain and then anyone could use it for free. This allowed small businesses and individuals to be able to compete with the copyright holder, and encourage the copyright holder to keep innovating new copyrights a…
It's my opinion of course.
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#50Earlier quoted context omitted.
>To me the whole copyright extension issue is a good argument >for justification of piracy. There's very little pirating of content that is over 20 years old, so I'm not sure how the copyright extension thing would justify piracy...
People grant protection to works on the provision that these works become freely available after N years. The copyright industry just goes ahead and extends this unilaterally, just because they want to. Why should the public keep up its end of the deal when the copyright industry doesn't?