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The lost joy of music piracy

pigeonsandplanes.com

41–50 of 637 posts

Re: The lost joy of music piracy

#41
Very fond memories of using Audiogalaxy, and also soulseek.

Soulseek especially had a community where you found someone who was into the same kind of music as you (obscure breakcore! japanese garage punk!) and could browse their collections, and chat to them also! What a wonderful way to make music friends and get good recommendations.

Re: The lost joy of music piracy

#42
post #31

Earlier quoted context omitted.

I refuse to believe there's not a database backup somewhere. Such careful curators would surely hate to destroy it!

I'd hope so, but wouldn't it have leaked by now?

https://archive.org/details/What.CD_Goodbye_Release

Re: The lost joy of music piracy

#43
I wouldn't say the joy was the piracy.

I remember when MySpace had this silly flash player that would stream MP3s from users' profiles. This was the main way to find indie and local bands' tracks, but every major artist had a profile too. Looking at the browser requests you could easily see the request format for downloading tracks listed on profiles. And what was worse, they all followed a standard enumerated naming convention, so you could literally download every track on MySpace by simple iteration. There was no rate limit, no cookies, nothing to stop it. The result was great: not only did you get the music you were interested in, you got a lot more you'd never heard of. And you could listen to it all on any device at any time; burn it to a CD, record to cassette tape, put it on a WinAmp playlist, whatever. For a kid with a hard time growing up, that music was an escape to a better world. The freedom to listen to what you wanted, when you wanted, how you wanted, felt like a gift deserved. You'd still go to their shows when you could, pay for albums when you could, but what kid has tons of free cash to spend?

About a year later, the download method was so well known that MySpace changed to a multipart chunked streaming system and randomized the request IDs. It now required complex custom code to stream from their player alone. Access to your favorite local bands' music was now closed. The internet continued to birth to new ways to obtain music, so you could continue to get Nine Inch Nails and Infected Mushroom; but the local bands lost out on valuable word of mouth.

Re: The lost joy of music piracy

#44

Any amount of joy you lost is a fraction of joy lost from people blatantly stealing the fruits of other people's's labor. Communities do not have to be parasites to exist. Similar amounts of joy could be created over a different interest that didn't require stealing and hurting others.

[dead]

Re: The lost joy of music piracy

#47
post #10

Earlier quoted context omitted.

Posting that here is one of the more promising ways of achieving that

That's such small potatoes. Anyone putting out an album on Bandcamp is probably thrilled that someone would want to pirate it.

As a musician, I can agree with this 100%.

Re: The lost joy of music piracy

#48

Very fond memories of using Audiogalaxy, and also soulseek. Soulseek especially had a community where you found someone who was into the same kind of music as you (obscure breakcore! japanese garage punk!) and could browse their collections, and chat to them also! What a wonderful way to make music friends and get good recommendations.

It's still there!

Re: The lost joy of music piracy

#50

Earlier quoted context omitted.

Some people want more than "mystery meat" levels of audio quality.

I once did a blind test on myself. A FLAC audio file and a 128Kbit Ogg vorbis file of the same track that I could switch between as I pleased but without knowing which was playing. Yeah, I cannot tell the difference. I am absolutely sure others can, but not me. I also think credit goes to far better encoders today than what we had 25 years ago.

Opus - perhaps, but claiming that 128kbps Vorbis is transparent would be rather stretching it (unless it's a mono stream); though how easily it will be detectable depends on the kind of music used to test it. However, if you added, say, Bluetooth A2DP to the mix and made it go through a lossy encoder again the difference should be pretty obvious to anyone with good ears.
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