What an unprocessed photo looks like
41–50 of 418 posts
Re: What an unprocessed photo looks like
#42I love posts that peel back the abstraction layer of "images." It really highlights that modern photography is just signal processing with better marketing. A fun tangent on the "green cast" mentioned in the post: the reason the Bayer pattern is RGGB (50% green) isn't just about color balance, but spatial resolution. The human eye is most sensitive to green light, so that channel effectively carries the majority of t…
this is totally out of my own self-interest, no problems with its content
Re: What an unprocessed photo looks like
#43Earlier quoted context omitted.
One thing I've learned while dabbling in photography is that there are no "fake" images, because there are no "real" images. Everything is an interpretation of the data that the camera has to do, making a thousand choices along the way, as this post beautifully demonstrates. A better discriminator might be global edits vs local edits, with local edits being things like retouching specific parts of the image to make d…
> A better discriminator might be global edits vs local edits, Even that isn't all that clear-cut. Is noise removal a local edit? It only touches some pixels, but obviously, that's a silly take. Is automated dust removal still global? The same idea, just a bit more selective. If we let it slide, what about automated skin blemish removal? Depth map + relighting, de-hazing, or fake bokeh? I think that modern image proc…
The only process in the article that involves nearby pixels is to combine R G and B (and other G) into one screen pixel. (In principle these could be mapped to subpixels.) Everything fancier than that can be reasonably called some fake cosmetic bullshit.
Re: What an unprocessed photo looks like
#44Earlier quoted context omitted.
One thing I've learned while dabbling in photography is that there are no "fake" images, because there are no "real" images. Everything is an interpretation of the data that the camera has to do, making a thousand choices along the way, as this post beautifully demonstrates. A better discriminator might be global edits vs local edits, with local edits being things like retouching specific parts of the image to make d…
> "Fake" images are images with intent to deceive The ones that make the annual rounds up here in New England are those foliage photos with saturation jacked. “Look at how amazing it was!” They’re easy to spot since doing that usually wildly blows out the blues in the photo unless you know enough to selectively pull those back.
If you want reality, go there in person and stop looking at photos. Viewing imagery is a fundamentally different type of experience.
Re: What an unprocessed photo looks like
#45It gets even wilder when perceiving space and time as additional signal dimensions.
I imagine a sort of absolute reality that is the universe. And we’re all just sensor systems observing tiny bits of it in different and often overlapping ways.
Re: What an unprocessed photo looks like
#46The article keeps using the acronym "ADC" without defining it.
Re: What an unprocessed photo looks like
#47Earlier quoted context omitted.
One thing I've learned while dabbling in photography is that there are no "fake" images, because there are no "real" images. Everything is an interpretation of the data that the camera has to do, making a thousand choices along the way, as this post beautifully demonstrates. A better discriminator might be global edits vs local edits, with local edits being things like retouching specific parts of the image to make d…
Everything is an interpretation of the data that the camera has to do What about this? https://news.ycombinator.com/item?id=35107601
You can look it up because it's published on the web but IIRC it's generally what you'd expect. It's okay to do whole-image processing where all pixels have the same algorithm applied like the basic brightness, contrast, color, tint, gamma, levels, cropping, scaling, etc filters that have been standard for decades. The usual debayering and color space conversions are also fine. Selectively removing, adding or changing only some pixels or objects is generally not okay for journalistic purposes. Obviously, per-object AI enhancement of the type many mobile phones and social media apps apply by default don't meet such standards.
Re: What an unprocessed photo looks like
#48I’ve been staring at 16-bit HDR greyscale space for so long…
Re: What an unprocessed photo looks like
#49Earlier quoted context omitted.
In its most raw form, camera sensors only see illumination not color. In front of the sensor is a bayer filter which results in each physical pixel seeing illumination filtered R G or B. From there the software onboard the camera or in your RAW converter does interpolation to create RGB values at each pixel. For example if the local pixel is R filtered, it then interpolates its G & B values from nearby pixels of that…
What about taking 3 photos while quickly changing the filter (e.g. filters are something like quantum dots that can be turned on/off)?
Edit or maybe it does work? I've watched at least one movie on a DLP type video projector with sequential colour and not noticed colour fringing. But still photos have much higher demand here.
Re: What an unprocessed photo looks like
#50I love posts that peel back the abstraction layer of "images." It really highlights that modern photography is just signal processing with better marketing. A fun tangent on the "green cast" mentioned in the post: the reason the Bayer pattern is RGGB (50% green) isn't just about color balance, but spatial resolution. The human eye is most sensitive to green light, so that channel effectively carries the majority of t…
hey, not accusing you of anything (bad assumptions don't lead to a conducive conversation) but did you use AI to write or assist with this comment? this is totally out of my own self-interest, no problems with its content
also your question implies a bad assumption even if you disclaim it. if you don't want to imply a bad assumption the way to do that is to not say the words, not disclaim them