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When Radiohead sampled Paul Lansky (2000)

paul.mycpanel.princeton.edu

41–50 of 70 posts

Re: When Radiohead sampled Paul Lansky (2000)

#41

My favourite Paul Lansky track: https://youtu.be/SFoT3HykaPs recorded in 1988 on an DEC MicrovaxII https://www.popmatters.com/141865-idle-chatter-about-paul-la...

I was about to recommend the same! So good, one of my favourite computer music pieces and an early inspiration. :-)

Re: When Radiohead sampled Paul Lansky (2000)

#43
post #14

I'm always amazed when artists and producers can recognize a sound as something that can be radically transformed, because I'm pretty musical but my imagination doesn't work like that. Kanye is a genius at this. Here are two other examples I like: * Daft Punk's 'One More Time', represented visually: https://twitter.com/nehhlmao/status/1363925150958317568 * Pusha T's 'Numbers on the Boards' sampling and reimagining a…

Do you think they imagine the end result at the beginning of the process or do they just play semi-randomly until they find something that has potential, and then refine it?

I produce sample-based music[0] - and - like a lot of sample-based producers, also listen to a lot of vinyl.

Listening to records, I will instantly know when I hear a ‘sample’. I’ll put the needle back and play it a few times - importantly (hence turntables) - play with the speed and pitch in a lossless way - and eventually record, trim, loop it, and load it into my AKAI sampler or my DAW.

YMMV

[0]https://open.spotify.com/track/7cBQ1zyG6e9Tx4jqNc3vvY?si=hsw...

Re: When Radiohead sampled Paul Lansky (2000)

#44
I almost giggled when I heard it. I recognised it instantly (but have heard the end song more times then I could possibly count). I still listened to the rest hoping there might be more, and was fascinated by the whole thing. This is a truly wonderful thing to stumble across and further support for my love of HN. Perfectly bisecting all of my geektastic tastes. Good job

Re: When Radiohead sampled Paul Lansky (2000)

#45
post #37

Earlier quoted context omitted.

Well, I said "most of the time", not "always". And that's talking from experience (both mine and that of fellow hobby musicians). It's true that sometimes you might come across a snippet and instantly know what you will be doing with it.

I'm talking from experience too. And from experience I found the opposite was true. Most of the time I found a snippet and knew what I was doing with it. Admittedly sometimes it sounded lousier than I'd expected and I thus scraped it but that's not really the same as having a sample and accidentally discovering it sounded good. Usually I'd pick a simple because I thought I could sound good (otherwise I wouldn't have…

>So I think the term "happy accidents" is disingenuous.

I think, actually, that both of you are right. Everyone hears music differently, and some people may be better at putting together happy accidents, while others are better at hearing things beforehand. Ya know, just like the two of you. :)

Re: When Radiohead sampled Paul Lansky (2000)

#48
post #14

I'm always amazed when artists and producers can recognize a sound as something that can be radically transformed, because I'm pretty musical but my imagination doesn't work like that. Kanye is a genius at this. Here are two other examples I like: * Daft Punk's 'One More Time', represented visually: https://twitter.com/nehhlmao/status/1363925150958317568 * Pusha T's 'Numbers on the Boards' sampling and reimagining a…

While we're sharing some our favorite examples: Mobb Deep's Shook Ones, from original sample to final beat - https://www.youtube.com/watch?v=zLECcOpU7ok

Re: When Radiohead sampled Paul Lansky (2000)

#49
In case anyone is thinking of emailing Paul with the answer, note that article submission is from 2000. The Last-Modified HTTP header for the web page is Thu, 20 Dec 2012 18:32:42 GMT and the Wayback Machine does not have a record of this URL before 2013 (I guess it lived at a different URL before then).

Back on-topic, being able to pick out a few seconds from a 18-minute, primitive electronic music recording and transform it into something much “catchier” is an impressive musical talent.

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