I'm so sick of modern businesses and their vampire approach on creativity and intelligent property. I see a lot of comments in this thread with what about-isms or "I don't care, we wouldn't miss anything", but these people are short-sighted. And to be honest the hacker news community is frequently the community I loathe to engage in these topics with. Because they are always looking forward with very little respect f…
> Internet Archive was the ONLY place where I could enjoy a completely random piece of lost media from a children's television show called Alice's Adventures in Wonderland Same for me with Le roi et l'oiseau and Peter and the Wolf by Disney.
If we lose the Internet Archive, we’re screwed
381–390 of 614 posts
Re: If we lose the Internet Archive, we’re screwed
#382I'm so sick of modern businesses and their vampire approach on creativity and intelligent property. I see a lot of comments in this thread with what about-isms or "I don't care, we wouldn't miss anything", but these people are short-sighted. And to be honest the hacker news community is frequently the community I loathe to engage in these topics with. Because they are always looking forward with very little respect f…
A truly cursed book cover!
Re: If we lose the Internet Archive, we’re screwed
#383Earlier quoted context omitted.
The lawsuit was filed three months after NEL was launched. Controlled Digital Lending has been around for years and is used by public libraries. Publishers didn’t like it CDL, but they lived with it. There absolutely is a correlation between NEL and the lawsuit. It’s a small part of the lawsuit, but it’s clear it pushed them to go to war against IA.
> Publishers didn’t like it CDL, but they lived with it. Publishers spent millions of dollars developing digital lending platforms with fewer features and worse ROI than CDL, and then bullied libraries into adopting them. This is a reasonable summary of their pre-IA activities: https://digitalscholarship.unlv.edu/cgi/viewcontent.cgi?arti... > There absolutely is a correlation between NEL and the lawsuit. As many comm…
That's not in dispute.
> Therefore, in the counterfactual where the NEL had not been part of the dispute, the publishers would have still won their case
That fact that they brought the case does have a lot to do with NEL. Timeline-wise, it's clear NEL triggered the case. The HN crowd breeds a binary "yes/no" mentality, but real world businesses decisions, especially legal ones, take many things into account.
Re: If we lose the Internet Archive, we’re screwed
#384Earlier quoted context omitted.
I'm not asking whether or not George R.R. Martin would or wouldn't be fine: I'm asking whether or not it's reasonable for HBO to make a killing off his work without him being paid at all as an example of how it doesn't seem reasonable on its face that smaller authors should just get shafted if someone makes a huge profit off their work. Since we want to talk about mid-tier authors, I think you'd be surprised how long…
>I'm asking whether or not it's reasonable for HBO to make a killing off his work The difference is that in this case, everybody would be free to adapt it as they see fit. HBO doesn't get the exclusive rights. Under the current system, only very big producers can afford to license well known properties. Under a more permissive system, anybody can do it.
Re: If we lose the Internet Archive, we’re screwed
#385Earlier quoted context omitted.
> I am so sick and tired of the copyright laws that play counter to productive creation and stymying efforts to preserve anything. The fact that I have to wait until people die until copyright is up is god awful. So what's the right way to balance the need to preserve artistic/creative works and the rights of the creator to monitize or permit usage of their works? It seems rather gross to just say that the creator ha…
The entire concept of copyright is problematic - it limits what you can do with property that you own. It's a government granted monopoly. Ideally copyright would be eliminated and people who choose to create will choose to create. There is development in lots of areas that aren't copyrightable. If you want to keep copyright, then it should be reduced to the bear minimum to incentivize creative works - that could be…
But In my experience once money starts to flow in any entity its much harder to dismantle it without sortof letting bleed out. I dont think disney would give up its claim on the works anytime soon. we need to slay the beast by a thousand cuts.
Re: If we lose the Internet Archive, we’re screwed
#386Earlier quoted context omitted.
For what it is worth, Cory Doctorow used to license his books with Creative Commons Attribution-Noncommercial-NoDerivs. You can even find direct and free downloads to his books on his website [1]. At the same time, his publishers were selling hardcopies. Unfortunately, at some point he stopped doing it. He explains > There is also the fact that, in the time since Creative Commons licenses were negotiated, publishers…
Cory Doctorow's license on his books is explicitly Noncommercial, No derivative. The person I was disagreeing with would disagree even with that permissive license! And it would also go along with my argument, that Cory Doctorow is still retaining rights to demand payment if people make a killing selling his work in other markets or adapting his work. I have no issues with creatives willingly picking which rights the…
Re: If we lose the Internet Archive, we’re screwed
#387The title implies that losing this lawsuit is threatening the existence of the Internet Archive. Is that really the case? If it is true, then maybe IA should be run by somebody with better judgement. This was a project with a massive chance of failure (how could anyone think that this wasn't just blatantly infringing?) and a low payoff. If it's also an existential risk, then wtf are they doing running it?
Re: If we lose the Internet Archive, we’re screwed
#388I'm so sick of modern businesses and their vampire approach on creativity and intelligent property. I see a lot of comments in this thread with what about-isms or "I don't care, we wouldn't miss anything", but these people are short-sighted. And to be honest the hacker news community is frequently the community I loathe to engage in these topics with. Because they are always looking forward with very little respect f…
> I am so sick and tired of the copyright laws that play counter to productive creation and stymying efforts to preserve anything. The fact that I have to wait until people die until copyright is up is god awful. So what's the right way to balance the need to preserve artistic/creative works and the rights of the creator to monitize or permit usage of their works? It seems rather gross to just say that the creator ha…
To speak to why we need this sort of thing I would have to harken back to a fun talk that Paul Heald gave back in 2012[0] where he showed this fantastic chart[1] that shows the number of titles for sale on amazon by publish year.
The only thing I can assume from the chart is that either the publishing industry in the mid 1900s suddenly found itself publishing the same amount of books as they did in the 1830, no one cares about the books written between 1920 and 1990, or copyright has caused the loss of an enormous amount culture. According to the chart, and the talk, there are 7 times as many books published in the 1910s than are available from 1930s-1950s.
[0]: https://youtu.be/-DpfZcftI00 [1]: https://cdn.theatlantic.com/media/mt/science/Amazon%20pub%20...
Re: If we lose the Internet Archive, we’re screwed
#389Earlier quoted context omitted.
This was not always the case because libraries weren't seen as a threat. Renting a digital book from a library was significantly harder than buying one from Amazon. The "Libby" app was a major motivator, at least in the US, because it made checking out digital books about as easy as just using the Kindle store. Usage went way up, and publishers panicked. Publishers aren't necessarily the villains here, except in the…
>Publishers aren't necessarily the villains here, except in the regular way all middle men are the villains. Except that in this case, their role as the middle man is effectively pointless, since their normal role (printing physical books) is literally not happening here, and they are contributing nothing to the author except litigation.