A restaurant is a small manufacturing facility that produces a physical product. It’s not the same at all.
An artist is a small manufacturing facility that produces a physical (canvas, print, mp3, etc) product, no? What is different about the production of Micky Mouse cartoons? Why is it normal for industries to compete in manufacturing of physical product, but as soon as you can apply copyright, now you exclusively have rights to control anything that produces a similar result?
It looks like you're being purposefully ridiculous. There is an obvious difference between the two; cost of reproduction. For something with a cost of reproduction near zero (book, music, art, etc), IP restrictions matter. For something like a restaurant, factory, etc; the cost of reproduction is high.
You are responsible for the output, just like any other tool. If I use a copy machine to reproduce your copyrighted work, I am responsible for that infringement not Xerox. If I coax your novel out of my phones keyboard suggestion engine letter by letter, and publish it, it’s still me infringing on your copyright. If I make a copy of your clip art in Illustratator, is Adobe responsible? Etc.
What if the ceo of xerox went on social media and promoted copy machines by showing how you could use them for infringement?
Is that what is happening in reality?
It seems that all of the big players in the industry are perfectly fine with disallowing output that infringes on copyright.
Yes. I 100% unironically believe that anyone should be able to use anyone else's work royalty/copyright free after 10-20 years instead of 170 in the UK. Could you please justify why 170 years is in any way a reasonable amount of time?
The copyright last 70 years after the death of the author, so 170 years would be rare (indeed 190 years would be possible). This was an implementation of a 1993 EU directive: https://en.wikipedia.org/wiki/Copyright_Duration_Directive That itself was based on the 1886 Berne Convention. "The original goal of the Berne Convention was to protect works for two generations after the death of the author". 50 years, original…
So far as I can tell, the idea behind extending copyright two generations after the author's death was so that they could leave the rights to their children and grandchildren, and this would keep old or terminally ill authors motivated.
Copyright law applies to distribution of output, not input. An artist, writer, whoever, could read all the copyrighted material in the world, even pirated material, unless their output is a copy or copyrighted artifact, then there is no infringement.
> even pirated material If you knowingly use pirated content for any purpose, that's not legal.
Distribution of copyrighted material is prohibited. Reading, watching, listening, etc, it is not.
A copyright holders tort is with the infringing distributor, not the end user.
I was really hoping that the conversation around AI art would at least be partially centered on the perhaps now dated "2008 pirate party" idea that intellectual property, the royalty system, the draconian copyright laws that we have today are deeply silly, rooted in a fiction, and used over and over again, primarily by the rich and powerful, to stifle original ideas and hold back cultural innovation. Unfortunately, i…
It smells like a psyop, to be honest. Doesn't take much to get the ball rolling. Just more temporarily embarrassed millionaires sticking up for billionaires and corporations, buying their propaganda hook line and sinker, and propagating it themselves for free. Copyright is a joke, DMCA is a disgusting, selectively applied tool of the elite.
The idea of open sourcing everything and nullifying patents would benefit corporations like Disney and OpenAI vastly more than it would benefit the people. The first thing that would happen is that BigCorp would eat up every interesting or useful piece of art, technology, and culture that has ever been created and monetize the life out of it. These legal protections are needed by the people. To the Pirate Party's cre…
How do restaurants work, then? You can’t copyright a recipe. Instructions can’t generally be copyrighted, otherwise someone would own the fastest route from A to B and charge every person who used it. The whole idea of intellectual property gets really weird when you try to pinpoint what exactly is being owned. I do not agree with your conjecture that big corps would win by default. Ask why would people need protecti…
> How do restaurants work, then? You can’t copyright a recipe.
They barely work. Recipes are trade secrets, and the cooks who use them are either paid very well, given NDAs or given only part of the most guarded recipes
> But I can hire an artist and ask him to draw me a picture of Indiana Jones, Sure, assuming the artist has the proper license and franchise rights to make and distribute copies. You can go buy a picture of Indy today that may not be printed by Walt Disney Studios but by some other outfit or artists. Or, you mean if the artist doesn't have a license to produce and distribute Indiana Jones images? Well they'll be in t…
That’s not how copyright law works. Commissioned work is owned by the commissioner unless otherwise agreed upon by contract. So long as the work is not distributed, exhibited, performed, etc, as in the example of keeping the artwork on their refrigerator in their home, then no infringement has taken place.
> Commissioned work is owned by the commissioner unless otherwise agreed upon by contract.
I think the LLM example is closer to the LLM and its creator being like a vendor selling pictures of Indiana Jones on the street corner than hiring someone and performing work for hire. Yes, if it was a human artist commissioned to create an art piece, then yeah, the commissioner owns it.
> I don’t know…the actual inspirations for Indiana Jones, like Allan Quatermain from H. Rider Haggard's novels, "King Solomon's Mines", and the real life Roy Chapman Andrews, who led expeditions to Mongolia and China in the 1920s and wore a fedora.
The actual inspiration for Indy was protagonist Harry Steele from the movie The Secret of the Incas (1954). Filmed on location in Cusco and Machu Picchu, before they became popular tourist destinations, the movie also had scenes and elements that made it into Raiders of the Lost Ark.