Earlier quoted context omitted.
I disagree, I thought the article highlighted the differences beautifully. I'm on a professionally color calibrated 27" monitor that came with one of those color calibration "certificates" at the time of purchase. The second I loaded the article, the differences were just stark. The skin tones alone were a dead giveaway. It is no secret that Apple does a lot of post processing on their mediocre photos to make them lo…
If anyone working on skin color representation try to emulate Agfa Precisa it has with the best skin colors in natural light.
iPhone 16 cameras vs. traditional digital cameras
331–340 of 519 posts
Re: iPhone 16 cameras vs. traditional digital cameras
#332Earlier quoted context omitted.
I would go so far as to say: if you're using in-camera JPEGs, you would probably be better off with a cellphone.
That's a very contemptuous thing to say. Even if one is using in-camera JPEG and does not want to spend 1hr/picture in Darktable, they can still play with many more objectives, exposure, shutter time, physical zoom, aperture, etc. I'd even go the other way around: if you just bought a camera, just use in-camera JPEGs for the first months and familiarize yourself with all the rest (positioning, framing, understanding…
Re: iPhone 16 cameras vs. traditional digital cameras
#333Earlier quoted context omitted.
That's a very contemptuous thing to say. Even if one is using in-camera JPEG and does not want to spend 1hr/picture in Darktable, they can still play with many more objectives, exposure, shutter time, physical zoom, aperture, etc. I'd even go the other way around: if you just bought a camera, just use in-camera JPEGs for the first months and familiarize yourself with all the rest (positioning, framing, understanding…
> That's a very contemptuous thing to say. I really don't think it is. When I pick up a camera, my intent is one of two things: the experience of photography itself, or the best quality I can reasonably obtain. Neither of those goals are attained with a smartphone. Every other time I take a photo , it's with a smartphone. It's easily good enough for the vast majority of use cases. > Even if one is using in-camera JPE…
> the best quality I can reasonably obtain.
Cellphones absolutely can produce high quality results. Especially if you add the constraint "best quality I can reasonably obtain" as many consider carrying a dedicated camera all the time to not be reasonable. And this was the case even before the advent of the smartphone. How many people did you see carrying a camera in 1980, or 1990, or 2000? Almost zero.The best camera, is the camera you have on you.
Re: iPhone 16 cameras vs. traditional digital cameras
#334Earlier quoted context omitted.
> connect a huge, powerful flash that you can directly fire at the subject fucking hell “fashion photographer thinks all portraits should look like the red carpet” wasn’t on my batshit opinions bingo card. Wedding photographers use bounce flash because indirect light is flattering and not everyone is supermodel-beautiful. I don’t know where you’re partying that the ceilings aren’t painted white (they usually are beca…
> “fashion photographer thinks all portraits should look like the red carpet” wasn’t on my batshit opinions bingo card. “Specialist thinks the broader domain should universally adhere to the way things are optimized in their area of focus” is not an uncommon thing to see on HN, though its more commonly seen with specialists in different kinds of programming than photography.
Re: iPhone 16 cameras vs. traditional digital cameras
#335Earlier quoted context omitted.
Mirrorless APS-C platforms pushed micro 4/3 out, similar footprint with APS-C sensors is hard to beat.
An APS-C lens is just going to be bigger than an M43 lens. That means you can carry more lenses for an M43 camera. I have an Olympus/OM camera plus three lenses and charger, and it all fits in my flight carry-on luggage together with a laptop, underwear, and an extra set of clothes. APS-C and full-frame are cool, but they're annoying to carry around. For travel, nothing beats M43.
Re: iPhone 16 cameras vs. traditional digital cameras
#336Re: iPhone 16 cameras vs. traditional digital cameras
#337I happen to be making a RPi Camera for Burning Man and was incorporating a QR code workflow into it. With a thermal printer for either a low-res pic or a QR code to print or snap. I devised something along the lines of this service, but dead simple URL generation to filename+hash in an S3 bucket.
Re: iPhone 16 cameras vs. traditional digital cameras
#338My entry-level mirrorless camera with its kit lens can take photos that blow my recent-model iPhone out of the water. Add a nice lens and there's no comparison. However: - The iPhone is always in my pocket (until I crack and buy a flip-phone) - The iPhone picture always turns out, but the Canon takes a modicum of skill, which my wife is not interested in, and I'll never be able to teach passers-by when they take a gr…
For example, take a photo of someone standing in front of a landscape. It looks like you took a photo on a green-screen and photoshopped the landscape behind the subject.
Re: iPhone 16 cameras vs. traditional digital cameras
#339Earlier quoted context omitted.
> connect a huge, powerful flash that you can directly fire at the subject fucking hell “fashion photographer thinks all portraits should look like the red carpet” wasn’t on my batshit opinions bingo card. Wedding photographers use bounce flash because indirect light is flattering and not everyone is supermodel-beautiful. I don’t know where you’re partying that the ceilings aren’t painted white (they usually are beca…
Yah you can't fix color balance from bad color cast. ALL photos look good with direct flash. Never use bounce flash. And indirect lighting is never flattering. EVER. Fire any photographer that ever uses bounce flash. Nobody wants their muddied color. I was also a photo editor with thousands of photographer submissions. I can always tell which ones used bounce flash. A sure sign of unprofessional amateurness. I get th…
For anyone reading, soft shadows from indirect light is why professional studio setups use beauty dishes, bounce cards, and big flash boxes or umbrellas with diffusers. Bounce flash is a way to create a little of that magic when you can’t get the entire rig to a shoot, as in wedding photography.
Pointing your on camera flash directly at the subject is the easiest route you can take. How does that make every other method lazy? (Note that I’m not calling direct flash lazy - it still takes skill to balance flash power vs aperture and speed. But every other method takes that and more.)