It's worse than this. I have kids in school. Our school system is one of the top in Connecticut, which is the quintessential "school" state (if any rich kid on TV goes away to school, it's probably to CT). These kids (all of them, not mine) can't really read. Not like when I was young. (I'm not even old! I graduated in the 2000's!) They certainly can't write. They have no stamina to do an essay or a test like when I…
At the risk of a flamewar I want to say that I still don't accept audiobooks as a 100% drop in replacement for actually reading. I know a lot of millenials my age who insist that listening to an audiobook while is completely the same as actually sitting down and focusing without distractions on a paper book for hours. But it isn't! Firstly, much is lost without seeing the formatting of the page, and without being abl…
It is okay to listen to audiobooks, but there are other things going on with reading, and more with a physical book. When I read, I choose what to emphasize, and how to pace. I parse out the clauses, the phrasing, the pronunciation, enunciation. If I read Tolkien I give the songs tunes. I give voices to the characters. I remember where on the page something happened, and may go back for it, especially in nonfiction. I pause to digest.
Audiobooks are a different experience. And I, personally, am prone to breaks in concentration. But I think any adult should be capable and should actively practice all forms: silently reading books, listening to a book being read to you, and reading aloud to another. Consuming books is not just a matter of downloading information. It also is to be actively digested and felt. For TV shows, for example, some people watch on high speed, or play it in the background, but I feel that even if they get the plot points they miss a lot. So too with books when not given proper attention.
Edit: I’ll add, some works are meant to be listened to, they may have some tone or rhythm, trope or cantillation. Maybe even gestures. If I said “Rapunzel, Rapunzel, let down your hair,” you know how how it sounds. And I think practice in recitation lets us preserve this in the art.