Earlier quoted context omitted.
Would you/your band be interested in trying out a pay-what-you-want system? I started the work to add crowdfunding support to communick (described on https://news.ycombinator.com/item?id=39399121 ) and I'm looking now for musicians/artists/FOSS developers for some beta testing.
it's already possible to do pay-what-you-want in Bandcamp always good to have more options though!
Spotify demonetizes all tracks under 1k streams
321–330 of 425 posts
Re: Spotify demonetizes all tracks under 1k streams
#322Earlier quoted context omitted.
Warning — we are probably pretty niche with our noisy music, but here ya go: https://maschinkaput.bandcamp.com/
Listening on Bandcamp right now - the song 'drop'. I like some pretty out there stuff, and this is right at the outer limits, and I mean that as a compliment. I might not "enjoy" it as one would traditionally enjoy listening to music, but I enjoy that it exists and the uniqueness of the experience it provides. If you can handle LAMC by Tool, you can handle this. 'kabelbrand' is giving me flashbacks to Providence by K…
Re: Spotify demonetizes all tracks under 1k streams
#323I don’t know much about how music licensing works. But would this cause smaller musicians to decide to pull their stuff off Spotify? I listen to a lot of music on Spotify. And some of it is from smaller indie artists. Not a huge amount, but I’ve definitely listened to songs that are in that It surprises me how much of my Spotify library is no longer available. There’s at least a few dozen songs in my Spotify library…
I am in a small and new band. In 2023 we earned roughly 500 Euros via Bandcamp (digital, physical and merch) 300 Euros selling merch on gigs 2000 Euros playing gigs 20 Cents on Spotify There is no monetary reason to be on spotify, the only reason we are on there is because fans asked.
Re: Spotify demonetizes all tracks under 1k streams
#324Earlier quoted context omitted.
Spotify should then be run as ad business—charge artists to let them advertise on Spotify.
This is literally their current business model. Large music distributors pay for streams, the songs rise up the charts, people see the songs. If that’s not advertising I don’t know what is.
Re: Spotify demonetizes all tracks under 1k streams
#325Earlier quoted context omitted.
I'm not a scholar in law, but I would want the law to prevent someone to take someone elses property/ product and distribute it without compensation in their commercial services. 1000 streams is 1000 uses of a song. If you do not reach 1001 you get zero compensation, and that is in principle stealing in my opinion, and should also be that under the law.
But Spotify isn't taking anyone's property. Spotify is saying "here's how our payment system works" and then bands can decide whether to put their songs on Spotify.
Re: Spotify demonetizes all tracks under 1k streams
#326I don’t know much about how music licensing works. But would this cause smaller musicians to decide to pull their stuff off Spotify? I listen to a lot of music on Spotify. And some of it is from smaller indie artists. Not a huge amount, but I’ve definitely listened to songs that are in that It surprises me how much of my Spotify library is no longer available. There’s at least a few dozen songs in my Spotify library…
I am in a small and new band. In 2023 we earned roughly 500 Euros via Bandcamp (digital, physical and merch) 300 Euros selling merch on gigs 2000 Euros playing gigs 20 Cents on Spotify There is no monetary reason to be on spotify, the only reason we are on there is because fans asked.
Re: Spotify demonetizes all tracks under 1k streams
#327Earlier quoted context omitted.
No I'd like my subscription (which I canceled due to the new UI and new ToS) should go only to the artists I listen to, proportionally to the amount of minutes played.
Search for white noise and you'll understand why this is not a great idea.
How big share of users play white noise on repeat really. One in 100?
Re: Spotify demonetizes all tracks under 1k streams
#328Earlier quoted context omitted.
I have no idea how that relates to what I wrote. Edit: Actually I see now, you're replying to where I said they bought services and raised prices without the customer consent. If we're using a restaurant comparison, it'd be like your local burger shop raising prices because your meal comes bundled with discounted carwashes. Consumers generally don't want bundles, they want to buy the thing they're interested in.
> Consumers generally don't want bundles, they want to buy the thing they're interested in. They have been able to buy the individual song for $1 to $2 for a long time.
Re: Spotify demonetizes all tracks under 1k streams
#329I don’t know much about how music licensing works. But would this cause smaller musicians to decide to pull their stuff off Spotify? I listen to a lot of music on Spotify. And some of it is from smaller indie artists. Not a huge amount, but I’ve definitely listened to songs that are in that It surprises me how much of my Spotify library is no longer available. There’s at least a few dozen songs in my Spotify library…
I use YouTube Premium 90% of the time now for this reason. All the remixes and other indie mixes that I listen to are on YouTube and YouTube has so much more that I find it a hard value proposition to beat.
Re: Spotify demonetizes all tracks under 1k streams
#330I don’t know much about how music licensing works. But would this cause smaller musicians to decide to pull their stuff off Spotify? I listen to a lot of music on Spotify. And some of it is from smaller indie artists. Not a huge amount, but I’ve definitely listened to songs that are in that It surprises me how much of my Spotify library is no longer available. There’s at least a few dozen songs in my Spotify library…
It’s not just about the money. It’s about the exposure! If you’re not a big band you’re making money from touring. More people listening and discovering you online = more people attending your tours and maybe reaching a threshold where you can make good money
Most bands can't do this. They're not full time musicians, many have a day job. The ones that can are likely to come from rich families where they get time and money to pursue their passions, insteas of going to college and getting a job.
Lana Del Ray, Grimes and Billy Eilish are some of the biggest artists of the 2010s, all of them grew up rich and connected.