Earlier quoted context omitted.
What’s really funny about this is that although CDs objectively can present a greater dynamic range, the loudness wars have created a lot of highly compressed CDs that do sound worse than a lot of vinyl, where it often seems that more cars is taken with mastering because of the limitations of the medium. Additionally, a lot of early 80s albums sound better on vinyl because digital mastering wasn’t as good then. It is…
> it often seems that more cars is taken with mastering I know this was a typo, but tools like https://shop.audified.com/products/mixchecker (with a literal "sedan" button) and articles like https://ask.audio/articles/the-final-mix-using-your-car are sadly indicative of the emphasis in modern mastering on sounding good on car speakers - which is the entire problem in a nutshell.
modern mastering does take into account a highly popular listening environment, to ensure that the mix sounds good there as well.
the second article you posted is talking about using a car as one of several environments in which to test a mix. because it’s a “known” reference in a real-world environment (your ears are used to listening to mastered music on a car stereo).