Earlier quoted context omitted.
Sorcerer's Stone is particularly annoying i agree. Not like philosophers' stone is an existing mythos highly relevant to the story or anything. Another that bugged me was Northern Lights -> The Golden Compass. Apparently NL was too abstract for American audiences? Oh and Harlequin -> The Archer's Tale.
>Northern Lights -> The Golden Compass According to Pullman that one wasn't really about an attempt at cultural adaptation, the title had been in flux and the US publisher had taken an early name for the upcoming series, "The Golden Compasses", and run with it before he settled on Northern Lights.
Please don’t let anyone Americanise it (1992)
321–326 of 326 posts
Re: Please don’t let anyone Americanise it (1992)
#322Earlier quoted context omitted.
Sorcerer's Stone is particularly annoying i agree. Not like philosophers' stone is an existing mythos highly relevant to the story or anything. Another that bugged me was Northern Lights -> The Golden Compass. Apparently NL was too abstract for American audiences? Oh and Harlequin -> The Archer's Tale.
re: The Golden Compass (sic) Not only did the American editors change the title, but the device in question – the alethiometer, which is not a compass – is made of brass not gold in the original text. The US editors basically changed it to gold to fit their created title.
Re: Please don’t let anyone Americanise it (1992)
#323Earlier quoted context omitted.
This is very nice as it addresses the zero-index nature of time by going 0-23 instead of 1-24. Time would be much more comprehensible if all clock were marked that way.
Hm, I think most countries that use 24h time systems use 00:00:00 to 23:59:59
0. https://commons.wikimedia.org/wiki/File:Gare_de_Lyon_xCRW_13...
Re: Please don’t let anyone Americanise it (1992)
#324By far the stupidest Americanization I've encountered is when Netflix changed "The Great British Bake Off" to "The Great British Baking Show". They are honestly recording 2 versions of every intro for this?
A single version, with digital replacement of visuals. And that's due to a trademark issue in the US, unfortunately.
Re: Please don’t let anyone Americanise it (1992)
#325Earlier quoted context omitted.
> The reason is because black people will watch white movies, but white people don't watch black movies. What happened to "people just want to be represented in movies"? Simply put, since there are more whites than blacks in the U.S., then every film-maker has an incentive to represent them more to reach a broader audience. This is absolutely not because "white people are more bigoted", which is laughable when you co…
I don't understand the argument that you're making. Black people expect not to be represented in movies, and so seeing someone like themselves is not essential to appreciate them (although a token certainly helps.) White people are alienated from movies they don't see themselves in. Therefore movies made for white people will not lose black audiences, but movies made for black people will lose white audiences. You se…
Re: Please don’t let anyone Americanise it (1992)
#326Earlier quoted context omitted.
> The reason is because black people will watch white movies, but white people don't watch black movies. What happened to "people just want to be represented in movies"? Simply put, since there are more whites than blacks in the U.S., then every film-maker has an incentive to represent them more to reach a broader audience. This is absolutely not because "white people are more bigoted", which is laughable when you co…
> surely Would you mind substantiating this?
- reflect on how many white people have made a social virtue out of countersignaling their own group;
- point out how low the bar is in the rest of the world, and how easy this comparison really is.