Earlier quoted context omitted.
The Expanse has its own problems, though. Namely, that a lot of the acting is terrible . Foundation at least, to me, has some strong acting and interesting character relationships.
I think the acting gets much better over the seasons. And when I rewatched seasons 1-3 recently, I didn't notice it. But maybe I'm so into the characters and stories that it just doesn't register anymore. And the Expanse certainly does have interesting character relations as the story progresses.
When “Foundation” Gets the Blockbuster Treatment, Asimov’s Vision Gets Lost
321–330 of 498 posts
Re: When “Foundation” Gets the Blockbuster Treatment, Asimov’s Vision Gets Lost
#322Earlier quoted context omitted.
> interesting enough to watch if you’re bored is a terribly damning critique when a show costs as much as Foundation does. It's not Netflix faff, it's Apple's flagship.
Not really... most television needs to clear the bar of being something that you watch when you're bored and then get hooked into. Otherwise, you'd only have viewers that are familiar with the source and that's not a great way to grow viewership. It's how Game of Thrones grew so quickly for HBO. That show was a confusing mess with tons of characters but it was interesting to watch if you're bored because there was en…
Re: When “Foundation” Gets the Blockbuster Treatment, Asimov’s Vision Gets Lost
#323Man, reading through this thread, I feel like such an odd man out. I'm enjoying Foundation. Sure, it's not amazingly intellectually stimulating, and it's not really based on the books, but I find it fun to watch. As it's own thing, it's entertaining to me. I also really enjoyed The Flash (up until season 6 or so when it just got too repetitive). It seems like there's a lot of people that can't seem to enjoy things "j…
That is the main issue for most people. If they wanted to do their own thing for a new show, it would have been fine. Maybe you check it out, maybe you don’t. Maybe you like it, maybe you don’t. But they didn’t do their own thing. They made an adaptation of an iconic sci-fi series by one of the most famous classic sci-fi writers. They sold a bag of goods that had “Asimov’s Foundation” printed on the bag. So it can’t be too surprising when people open the bag, find it is a sprinkle of “Foundation” and mostly “generic sci-fi” sawdust filler, that they feel tricked. Bait and switch comes to mind.
Re: When “Foundation” Gets the Blockbuster Treatment, Asimov’s Vision Gets Lost
#324Earlier quoted context omitted.
That's interesting to me because the brothers are one of my favorite parts of the show because of the new ideas they bring up in relation to the Empire. It gives the writers some really clever and interesting ways to discuss the problems with a long-standing continuity of ideas while giving those internal inconsistencies human faces to stand-in for something that would be much more nebulous and vague otherwise.
I feel like it kind of misses the point, though. Societies like that don't collapse because the leader is immortal, they do so because the _society_ is ossified.
Re: When “Foundation” Gets the Blockbuster Treatment, Asimov’s Vision Gets Lost
#325There are a lot of people really hating on the TV show here, so I’ll offer a slightly contrarian take: I would say the biggest problem is the marketing that implies they faithfully are telling the books, when they’re not. The TV show is not faithful to the books. That said: the books are fascinating, but they are almost more like historical documentaries then narrative fiction. It works well because they are _short_…
I could handle a reinterpreted Foundation story for TV. Easily. The problem is that this is sooo bad. Dull, pretentions stories where nothing makes sense, and characters that are dull speaking boxes walking around saying script lines. That's what I saw until falling asleep halfway through Episode 3. Perhaps it got better. Perhaps it's not "for me". But that's what I saw.
That seems like a problem with you, not the story.
Re: When “Foundation” Gets the Blockbuster Treatment, Asimov’s Vision Gets Lost
#326Earlier quoted context omitted.
>what struck me most on re-reading was how completely boring it would be to be faithful to it Agreed. The inspiration behind the Foundation series, setting out to shorten the Dark Ages after the Decline and Fall of the Roman Empire, is great. However, if you try reading those short stories again today, you're quickly reminded that early in his career, Asimov was already great at world building, but terrible with char…
Asimov's first real published story was in 1939 (his high school "published" a story earlier). The Foundation stories were written in 1941-1950. In 1951 Asimov stopped writing fiction for thirty years. So it's not "early Asimov" by any means. When he came back to write Foundation sequels his characters and dialog hadn't improved. Asimov was always an author only of ideas. His best dialog was the terrible and delibera…
He wrote the first Foundation story when he was only 21.
That certainly qualifies.
Re: When “Foundation” Gets the Blockbuster Treatment, Asimov’s Vision Gets Lost
#327Earlier quoted context omitted.
I agree with you. It took me a while to get my head around the approach they were taking (I re-read the whole series prior to it airing) but what struck me most on re-reading was how completely boring it would be to be faithful to it. Even just getting rid of the 1950s stereotype gender roles - which is the obvious place to start - doesn’t change the long arcs of obvious dialogue. It’s a really grand scope for a univ…
>what struck me most on re-reading was how completely boring it would be to be faithful to it Agreed. The inspiration behind the Foundation series, setting out to shorten the Dark Ages after the Decline and Fall of the Roman Empire, is great. However, if you try reading those short stories again today, you're quickly reminded that early in his career, Asimov was already great at world building, but terrible with char…
I loved the premise of the books, but I just couldn't find myself to care about any of the actual characters.
I think the same story, but where at least some of the characters are truly immortal (reasonable for far future sci-fi), would be better.
Basically a mashup between Peter Hamilton and Foundation would be cool, his work does a good job of showing "far future technologies".
Re: When “Foundation” Gets the Blockbuster Treatment, Asimov’s Vision Gets Lost
#328My greatest gripe with the show is that none of the writers seem to have any understanding of science, technology and have only a vague understanding of sociology, pretty much all of the main themes of the books. I actually liked the imperial cloning elements, as they fleshed out well an ossified society, but every other plotline seems to just happen because of pseudo-magic. I can only wish that the writer's room of…
> Writers today seem to not understand anymore how reality works, so they aren't able to extrapolate from it. That's a quite accurate observation. Even for the largest budgets people tasked with story telling are almost always the weakest element. Who makes them? What kind of education do they undergo to be this wrong about reality and storytelling? Are they such small and in-bred group that they are all so wrong in…
Screenwriters would seem to be critically important, but writing is hard, often slow and converts much less recognition than other roles in the industry. Further, there are innumerable points in the production chain in which the (necessary!) decisions of other crew members can alter/dilute/confuse the intentions of the screenwriter.
Re: When “Foundation” Gets the Blockbuster Treatment, Asimov’s Vision Gets Lost
#329There are a lot of people really hating on the TV show here, so I’ll offer a slightly contrarian take: I would say the biggest problem is the marketing that implies they faithfully are telling the books, when they’re not. The TV show is not faithful to the books. That said: the books are fascinating, but they are almost more like historical documentaries then narrative fiction. It works well because they are _short_…
You can't have your cake and eat it. Apple made a ton of buzz around the TV show, and it took _because_ they use the Asimov work. Apple did the Apple thing, they overhyped a product that they then designed according to their own rules, expecting everybody to just eat their crap and smile as usual. But it turns out people liking classic SF books are not your average fanboy, and they don't like being lied to. It's not…
If you don't like the Foundation show, that's fine, but this "oh, this is the hubris of Apple and I am glad they failed and everything they do is terrible and Tim Cook personally beat my cat to death" narrative isn't just tired, it's utterly irrelevant. What you don't like is David S. Goyer's take on Foundation. If you really don't like that take, then you wouldn't like it if it were running on Netflix or Amazon Prime or HBO Max, either, and it would have been just the same on one of those services -- albeit probably with a smaller special effects budget.
And the thing is, a "faithful translation" of the first books would be deathly boring. It's full of great ideas, but also full of flat characters, stilted dialogue, droning monologues, and very little in the way of actual plot. It's a story that hinges on the fall of a giant galactic empire yet lets that fall happen entirely off camera. One reviewer in 1982 described it this way:
> I kept waiting for something to happen, and nothing ever did. All three volumes, nearly a quarter of a million words, consisted of thoughts and conversation. No action. No physical suspense.
That "reviewer" was Isaac Asimov, when he re-read his own work before commencing the fourth book. Foundation started as a series of short stories patched together, then became a novel series full of retcons: it was all predicted by math! Wait, it was really the Second Foundation and Mentalics! Something something The Mule(tm)! Hold on, it was the robot from this other series entirely what the hell, Isaac!
Goyer has the disadvantage of trying to take what starts out as basically a future history sourcebook and turning it into a story, but the advantage of not having to retcon anything. There are already references to Foundation and Earth in the show.
Do I love the show? No, but I like the show. Is it turning a cerebral almost action-free book series into an action epic? Yes, but so far it's been a smart action epic, and I'm okay with that. Is it arguably Foundation fanfic? Maybe, but fanfic is usually "what if we shipped these two characters"; Foundation is fanfic of its source material in the sense of asking "what if Asimov created characters anyone would ever consider shipping in the first place."
Re: When “Foundation” Gets the Blockbuster Treatment, Asimov’s Vision Gets Lost
#330Earlier quoted context omitted.
I agree with you. It took me a while to get my head around the approach they were taking (I re-read the whole series prior to it airing) but what struck me most on re-reading was how completely boring it would be to be faithful to it. Even just getting rid of the 1950s stereotype gender roles - which is the obvious place to start - doesn’t change the long arcs of obvious dialogue. It’s a really grand scope for a univ…
>what struck me most on re-reading was how completely boring it would be to be faithful to it Agreed. The inspiration behind the Foundation series, setting out to shorten the Dark Ages after the Decline and Fall of the Roman Empire, is great. However, if you try reading those short stories again today, you're quickly reminded that early in his career, Asimov was already great at world building, but terrible with char…