Earlier quoted context omitted.
Those quizzes are part of the problem. It was so dispiriting to read, even enjoy, the assignment and then get dinged because you couldn’t remember whether the protagonist put on an otherwise irrelevant blue sweater or red jacket.
> It was so dispiriting to read, even enjoy, the assignment and then get dinged because you couldn’t remember whether the protagonist put on an otherwise irrelevant blue sweater or red jacket. Maybe things have really changed a lot since I was in school, but that was certainly not the type of questions that were asked of set works. The questions were asked such that, the more the student got into the book, the higher…
I always got As on these ... but the primary reason was that I was good at bullshitting. They are super easy when you are good at bullshitting. The trick is not to care that your answer sounds royally stupid. Then you will get A.
And all you need is to check those dialogs when writing the test. If you are expecting me to remember those dialogs, then we are back to the expectation that I basically memorized the book.
> Very hard questions (for those who got +90% on their English grades): In the story arc for $A it can be claimed that the author intended to mirror the arc for Cordelia from King Lear. Make an argument for or against this claim.
Again, I got As ... but they were solidly in the "kind of test that convinces you literature is stupid class" kind of questions. Unless there is some kind of actual interesting insight to be had, this question just shows how empty the whole exercise is.