Earlier quoted context omitted.
You should care if you're being combatative, but, even more importantly, quoting previous comments the way you're doing doesn't work well on HN and is also a flamewar trope. Everybody can read the comments you're responding to. Just refer back to them in prose. A single quote, maybe 2 in a long comment, fine, but what you're doing now creates the impression that you're sort of rebutting what the previous commenter sa…
I am rebutting what the previous commenter said, sentence by sentence (almost), I don't know why that tells you that I'm not actually thinking about what they said though. Did I misunderstand or misrepresent something they said?
You wouldn't steal a font
311–320 of 421 posts
Re: You wouldn't steal a font
#312Earlier quoted context omitted.
It's even harder to get away with pirating fonts now with web fonts. Either the service can detect you pulling a font for a domain that isn't paying for it or webcrawlers will find unpaid fonts.
"Pulling a font for a domain"—wtf, isn't the client making the request? Why detect anything, just require a referrer on your allow-list, and deny if it's not there.
Re: You wouldn't steal a font
#313Is this the wrong time to rant about font licensing though? I’ve always bought and paid for fonts, but as I’ve gradually transitioned to mobile app development, I one day realized that all the fonts I bought for print are now worthless to me. These crazy outdated licenses that let you print as many magazines or books you want forever, for a one-time price. But if your hobby is making apps, then suddenly the same font…
There is maybe nothing in the entire world that I am less sympathetic towards than the cause of font piracy / font liberation. You have perfectly good --- in fact, historically excellent --- fonts loaded by default for free on any computer you buy today. Arguing for the oppression of font licenses is, to me, like arguing about how much it costs to buy something at Hermès. Just don't shop at Hermès.
You can try to create a Veblen good out of a digital artifact and play the all or nothing game, but it's proven very hard to restrict something which can be copied at no cost and with no limitations.
When you buy expensive clothes, it would be silly for the seller to try and license them to be only worn on Mondays, or at dress-code events, or based on your taxable income. People are not going to take your "license" seriously, even if you'd have some legal grounds and might well win a legal argument.
I have a great deal of admiration for artists and designers, and I know that creating a multiple-variant typeface with great applicability that's either historically correct or truly innovative is an art form.
This reminds me of Napster-era debates about artists' rights versus distribution.
Re: You wouldn't steal a font
#314Earlier quoted context omitted.
But they'd deserve to be mocked in public. Complaining about something is usually not an attempt to make a moral crusade.
Why? Everybody can just not buy the wallet if they care about this term of use. Who's being harmed? This isn't nitpicking. At some point you're really effectively just arguing that there should be a ceiling on what you can charge for a typeface. That's not an argument that respects the art and craft of type design; it's one that privileges convenience.
Re: You wouldn't steal a font
#315Earlier quoted context omitted.
Then why are the fonts so expensive?
Because designers fuss a lot about nearly undetectable differences in color, fonts, and many other things. Maybe they make a difference in the aggregate. But if you can’t identify the difference between Ariak and Helvetica (to pick a particularly glaring example) you’re probably not one of those designers.
You won't notice many small differences between certain fonts. But that doesn't mean they're unnecessary. As you said, they make a difference when taken together. For screens, there are a number of adjustments and techniques that improve screen readability. Hinting, separate designs, contrast for low dpi and subpixel rendering compatibility, for example. At least some of the optimizations don't work out of the box, but have to be adjusted by designers. That's why it can happen that a font you bought for print media now requires an extra license for websites and apps.
There are plenty of wonderfully readable fonts for the web and apps that are free and sufficient for most projects. If you want something special, I don't think it's wrong to pay for it. Personally, I would prefer more reasonable prices, though.
Re: You wouldn't steal a font
#316Is this the wrong time to rant about font licensing though? I’ve always bought and paid for fonts, but as I’ve gradually transitioned to mobile app development, I one day realized that all the fonts I bought for print are now worthless to me. These crazy outdated licenses that let you print as many magazines or books you want forever, for a one-time price. But if your hobby is making apps, then suddenly the same font…
There is maybe nothing in the entire world that I am less sympathetic towards than the cause of font piracy / font liberation. You have perfectly good --- in fact, historically excellent --- fonts loaded by default for free on any computer you buy today. Arguing for the oppression of font licenses is, to me, like arguing about how much it costs to buy something at Hermès. Just don't shop at Hermès.
Re: You wouldn't steal a font
#317Is this the wrong time to rant about font licensing though? I’ve always bought and paid for fonts, but as I’ve gradually transitioned to mobile app development, I one day realized that all the fonts I bought for print are now worthless to me. These crazy outdated licenses that let you print as many magazines or books you want forever, for a one-time price. But if your hobby is making apps, then suddenly the same font…
Re: You wouldn't steal a font
#318I don't know if this actually counts as copyright infringement, since typeface shapes are not eligible for copyright in the U.S. (disclaimer: IANAL) so depending on how it was cloned, it might be legal. The more amusing detail, to me, is whether or not XBAND Rough is related to the XBAND peripheral for video game consoles in the 90s. (Fascinating story, it was an add-on that enabled multiplayer over a phoneline on th…
IAAL outside the US, and I'm aware in UK and EU law copyright can subsist in typefaces, and there are specific provisions relating to them. Since FACT is a UK Org, taking UK law as an example, see ref. []
I personally find it a good example of aging law. It's quite difficult to reconcile the law as drafted (in 1987) with modern digital font uses. Is a PDF with embedded fonts "material produced by typesetting", or is it an "article specifically designed or adapted for producing material in a particular typeface"? Arguably it could be either.
I'm not aware of this ever having been considered by a court.
[] https://www.legislation.gov.uk/ukpga/1988/48/part/I/chapter/...
Re: You wouldn't steal a font
#319Earlier quoted context omitted.
No, I'm saying a Michelin chef can complain about a 50x increase in the cost of truffles without negating the fact that a lot of people happily survive on ramen.
No, those things aren't comparable. Truffles have a functional role in a dish. A typeface does not have a meaningful functional role in a document, compared to the high-quality freely-available alternatives. This is like complaining about some kind of specially-carved or dyed truffle.
Cheap "truffle oil" can fill that role as much as a free font can fill the role of a premium one. The real truffle and the premium font have a functional role for the few people who can tell either apart. For the rest maybe anything works, just put something on the plate or screen.
Re: You wouldn't steal a font
#320I would, and I have.