Earlier quoted context omitted.
This tech is cute but the only viable outcomes are going to be porn and mass produced slop that'll be uninteresting before it's even created. Why even bother?
There will be both of those things in abundance. But I'm also seeing some genuinely creative uses of generative video - stuff I could argue has got some genuine creative validity. I am loathe to dismiss an entire technique because it is mostly used to create garbage. We'll have to figure out how to solve the slop problem - it was already an issues before AI so maybe this is just hastening the inevevitable.
Veo 2: Our video generation model
311–320 of 342 posts
Re: Veo 2: Our video generation model
#312Earlier quoted context omitted.
Deception is a key part of life, and the inability to discriminate fact from fiction is absolutely a key metric of success. Who said "kill or be killed"? Not I. It is survival or not, flourish or not, succeed or not.
But why must the deception take place? Evolution is natural, The development of AI generated videos takes teams of people, years of effort and millions of pounds. Why should those that are more easily deceived be culled? Do you believe that the future of technology is weeding out the weak? Do you believe the future of humanity is the existence of only those that can use the technologies we develop? You might very wel…
Re: Veo 2: Our video generation model
#313Earlier quoted context omitted.
> " what is the actual use case of the art? " Not much. Low quality over-saturated advertising? Short films made by untalented lazy filmmakers? When text prompts are the only source, creativity is absent. No craft, no art. Audiences won't gravitate towards fake crap that oozes out of AI vending machines, unrefined, artistically uncontrolled. Imagine visiting a restaurant because you heard the chef is good. You enjoy…
> Imagine visiting a restaurant because you heard the chef is good. You enjoy your meal but later discover the chef has a "food generator" where he prompts the food into existence. Would you go back to that restaurant? That's an obvious yes from me. I liked it, and not only that, but I can reasonably assume it will be consistently good in the future, something lot's of places can't do.
You don't care about the absence of a lifetime of hard work behind your meal, or the efforts of small business owners inspired by good food and passion in the kitchen. All that matters to you is that your taste buds were satisfied?
Interesting. Perhaps we can divide the world into those who'd happily dine at "Skynet Gourmet", and those who'd seek a real restaurant.
Re: Veo 2: Our video generation model
#314Imho is stunning, yet what is happening there is super dangerous. These videos will and may be too realistic. Our society is not prepared for this kind of reality "bending" media. These hyperrealistic videos will be the reason for hate and murder. Evil actors will use it to influence elections on a global scale. Create cults around virtual characters. Deny the rules of physics and human reason. And yet, there is no w…
Photoshop has been a thing for over 30 years.
Re: Veo 2: Our video generation model
#315The example of a "Renaissance palace chamber" is very historically inaccurate by around a century or two, the generated video looks a lot like a pastiche of Versailles from the Age en Enlightenment instead. I guess that's what you get by training on the internet.
What's inaccurate about it?
- gold everywhere is excessive - more Rococo (1730s-1760s) than Renaissance (1300-1600 roughly), which was a lot more restrained
- mirror way too big and clear. Renaissance mirrors were small polished metal or darker imperfect glass
- candelabras too ornate and numerous for Renaissance. Multi tier candleholders are more Baroque (1600-1750), and candles look suspiciously perfect, as opposed to period-appropriate uneven tallow or beeswax
- white paper too pristine (parchment or vellum would be expected), pen holders hilariously modern, gold-plated(??) desk surface is absurd
- woman's clothing looks too recent (Victorian?); sleeves and hair are theatrical
- hard to tell, but background dudes are lurking in what look like theatrical costumes rather than anything historically accurate
Re: Veo 2: Our video generation model
#316Earlier quoted context omitted.
Who says they don't? Interference is being "democratized".
Any examples of hoax videos that you can name? I’m having a hard time placing any. I really find the threat to be overhyped.
Re: Veo 2: Our video generation model
#317Earlier quoted context omitted.
> Imagine visiting a restaurant because you heard the chef is good. You enjoy your meal but later discover the chef has a "food generator" where he prompts the food into existence. Would you go back to that restaurant? That's an obvious yes from me. I liked it, and not only that, but I can reasonably assume it will be consistently good in the future, something lot's of places can't do.
So you'd forgive the deception (there's no "chef" only a button pusher) and revisit the restaurant even though you could easily generate the food yourself. You don't care about the absence of a lifetime of hard work behind your meal, or the efforts of small business owners inspired by good food and passion in the kitchen. All that matters to you is that your taste buds were satisfied? Interesting. Perhaps we can divi…
I still believe that there's place for creative work, I just don't see why something created by something other than a human is inherently bad.
Re: Veo 2: Our video generation model
#318Re: Veo 2: Our video generation model
#319Imho is stunning, yet what is happening there is super dangerous. These videos will and may be too realistic. Our society is not prepared for this kind of reality "bending" media. These hyperrealistic videos will be the reason for hate and murder. Evil actors will use it to influence elections on a global scale. Create cults around virtual characters. Deny the rules of physics and human reason. And yet, there is no w…
I think we will need the same healthy media diet.
Re: Veo 2: Our video generation model
#320Earlier quoted context omitted.
But it's the same thing just at a higher fidelity. Which is impressive don't get me wrong. But they are also kinda bad looking. Like even there good examples have so many issues. I just don't see how this gets extrapolated into the ideas in various posts like full length movies, custom TV shows and holodecks or whatever else people dream up. Do we have any examples of tech that just kept improving at exponential or l…
> Why is everyone so confident it will just keep getting better? Because there are literally thousands of avenues to explore and we've only just begun with the lowest of low hanging fruit.