Earlier quoted context omitted.
Given the choice between 24 MP with very high sensitivity or 2 MP with ridiculously high sensitivity, I'm not sure the industry is wrong.
But they aren't the only two options. With the quality of lens on the average compact camera for instance, I struggle to see any real noticable improvement above around 5 MP.
Canon develops 35 mm full-frame CMOS sensor for video capture
31–40 of 98 posts
Re: Canon develops 35 mm full-frame CMOS sensor for video capture
#32[deleted]
Moonlight is for the most part just reflected sunlight, so it's not surprising that the colors are very similar. Obviously it's much less bright, by a factor of 500k according to Wikipedia, but that's what this sensor is about. You can get similarly startling images from a plain point and shoot camera by installing it on a tripod and taking long exposure shots of things. You need 30 to 60 seconds exposure, sometimes…
Many sensors are ill-suited to long exposures though. While they can do it, you end up with heat related issues (commonly manifested as stuck pixels and general noise). CCDs also end up saturating and spilling over to adjacent cells, making high dynamic scenes a challenge.
Re: Canon develops 35 mm full-frame CMOS sensor for video capture
#33Earlier quoted context omitted.
Didn't he use the same lenses used by NASA on the cameras for the Apollo missions? I think the larger aperture gave better low-light exposure during the candlelit scene (and may have inadvertantly fuelled conspiracy nuts that think the moon landings were a hoax because they think the sunlight reflected off the regolith was a secondary light source).
Looks like that is true: http://en.wikipedia.org/wiki/Carl_Zeiss_Planar_50mm_f/0.7
http://www.visual-memory.co.uk/sk/ac/len/page1.htm
and plenty of other fast lenses
http://www.taunusreiter.de/Cameras/Biotar_en.html
and here is a good summary of the developments that went into it (how hard would it be to find this page if not for a link on wiki?!)
http://web.archive.org/web/20090309005033/http://ogiroux.blo...
Re: Canon develops 35 mm full-frame CMOS sensor for video capture
#34Re: Canon develops 35 mm full-frame CMOS sensor for video capture
#35Re: Canon develops 35 mm full-frame CMOS sensor for video capture
#36Re: Canon develops 35 mm full-frame CMOS sensor for video capture
#37Re: Canon develops 35 mm full-frame CMOS sensor for video capture
#38I would love to see such a sensor for photos instead of video!
of course we would, but photographers wouldn't be too impressed with only capturing 1920(?)x1080 resolution. This gains it's light gathering abilities by simply having much larger "pixels" on the sensor, which can collect more photons. This is the same principal used on the highest end canon eos body, the 1DX, which has slightly lower resolution than the 5DmkIII in order to gain sensitivity.
Re: Canon develops 35 mm full-frame CMOS sensor for video capture
#39Earlier quoted context omitted.
Didn't he use the same lenses used by NASA on the cameras for the Apollo missions? I think the larger aperture gave better low-light exposure during the candlelit scene (and may have inadvertantly fuelled conspiracy nuts that think the moon landings were a hoax because they think the sunlight reflected off the regolith was a secondary light source).
Yes, an f/0.7 aperture is a ridiculously wide aperture (thus, it lets in a lot of light[1]), two stops brighter than f/1.4 (a "stop" means a doubling of the amount of light; f/1.2 lenses are the fastest lenses commonly available, and they'll cost around $2k), or four stops faster than f/2.8 (which is what the fastest commonly available zoom lenses are, and they're expensive too). Leica make a very rare f/0.95 lens th…
Re: Canon develops 35 mm full-frame CMOS sensor for video capture
#40this will be an expensive piece of gear. that moonlit video was just insane.
I suspect that the results of showing that video to a room full of filmmakers can be summed up in the phrase "Shut up and take my money."