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How to Write an Opening Sentence

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Re: How to Write an Opening Sentence

#31

Like that time someone told us how to design a well-designed site in 30 minutes, I decided whilst clicking through "How to Write an Opening Sentence" that I would read the first sentence and then decide whether I should listen to the guy on "how to write an opening sentence". It read: >"When I was a 25-year-old Senior Editor of The Mother Earth News, I did a lot of rewrite editing. " I decided against it, so I didn't…

> spent three weeks

Unnecessary detail.

> how to get my articles to stay at a low reading angle

I don't know what this even means. What's a "low reading angle"?

> instead of getting flung back in my face by an impatient editor

This is factually incorrect. The author was the editor, and the person doing the flinging was the founder.

> the experience was invaluable

I'm not a fan of just blunting telling the reader "you should care about this".

> it's time I shared how to write a good opening paragraph

Redundant. The title of the article is "How to Write an Opening Sentence".

I really don't think what you have here is an improvement.

Re: How to Write an Opening Sentence

#32
post #20

Earlier quoted context omitted.

Even though I'm not a great fan of his work, Banks did write one of the most memorable opening lines ever in The Crow Road . Two other great examples: William Gibson's Neuromancer : "The sky above the port was the color of television, tuned to a dead channel." Herman Melville's Moby Dick : "Call me Ishmael." Neither strictly tells the reader what the books are about, but they're great hooks.

Love the Gibson one. Another classic opening line, one of the few that I can still quote verbatim, is from Gabriel García Márquez's One Hundred Years of Solitude : "Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice."

The Gibson opening line is great, but it's been a long time since it was common to see dull grey static on dead channels. Now, the color of a dead channel is bright electric blue. I wonder if in the future Neuromancer will need footnotes to explain the imagery, like Shakespeare editions that explain that "quick" used to mean "pregnant".

Re: How to Write an Opening Sentence

#33

This kind of reminds me that, although I'll read a lot about programming and startups, I haven't learned anything about writing (formally) in many many years. Does anyone have any good recommendations for books about writing non-fiction? The OP refers to a few book about writing fiction, which sound interesting (and that may be helpful), but I was wondering if there was something similar that targeted maybe copy-writ…

William Zinsser's "On Writing Well," a million times over.

Also, Joseph William's "Style: Lessons in Clarity and Grace." http://www.amazon.com/Style-Lessons-Clarity-Grace-10th/dp/02...

Re: How to Write an Opening Sentence

#34
This article inspired me to go back over the posts on my blog and look at just the opening sentences. I found lots of ones that are, in retrospect, duds. But here's a few that I still like:

> You would think iteration, you know looping over stuff, would be a solved problem in programming languages.

> Every now and then, I stumble onto some algorithm or idea that’s so clever and such a perfect solution to a problem that I feel like I got smarter or gained a new superpower just by learning it.

> Ever since I decided to mesh the worlds of static and dynamic typing together in Magpie, I’ve been wondering when the gears would really grind together and halt. Today is the day.

> My little language Magpie has a feature that may at first seem really limiting: all functions take exactly one argument and return one value, no more, no less.

I spend a lot of time thinking about this because I think with blogs you have a very narrow window of time to get the reader's attention before they "TL;DR" your post and move on. I usually write about programming languages, which isn't known to be a riveting topic, so this isn't easy. Going back over them, I think there is a pretty strong correlation between having a strong start and getting decent traffic.

Re: How to Write an Opening Sentence

#35

This kind of reminds me that, although I'll read a lot about programming and startups, I haven't learned anything about writing (formally) in many many years. Does anyone have any good recommendations for books about writing non-fiction? The OP refers to a few book about writing fiction, which sound interesting (and that may be helpful), but I was wondering if there was something similar that targeted maybe copy-writ…

On Writing Well: http://www.amazon.com/Writing-Well-30th-Anniversary-Nonficti...

Awesome, I just picked it up on Amazon. I'll give it a shot

Re: How to Write an Opening Sentence

#36
Most people stop reading something after the first few sentences. In that crucial 10 to 15 seconds, a book (or essay, or article, or blog post) has to make, and win, a subconscious appeal to your attention. Your reader's attention span is like a snotty doorman at a hot club. Your opening sentence needs to grab his interest and sneak the rest of the piece into the door.

Consider the following examples from fiction:

"It was a bright cold day in April, and the clocks were striking thirteen." --George Orwell, 1984

"It was a pleasure to burn." --Ray Bradbury, Fahrenheit 451

"As Gregor Samsa awoke one morning from uneasy dreams he found himself transformed in his bed into a gigantic insect." --Franz Kafka, The Metamorphosis

Or these examples from nonfiction:

"Air-conditioned, odorless, illuminated by buzzing flourescent tubes, the American market doesn't present itself as having very much to do with Nature." --Michael Pollan, The Omnivore's Dilemma

"I like to take my time when I pronounce someone dead." --Jane Churchon, "The Dead Book"

"Out of nowhere I developed this lump." --David Sedaris, "Old Faithful"

This is not to suggest that opening lines should be pure gimmickry, or that they should be conceived entirely apart from the rest of the piece itself. Provocation for provocation's sake is a game of diminishing returns. Rather, the opening line should immediately intrigue the reader by establishing a compelling tone -- one that the rest of the work will follow.

Compelling does not necessarily mean brief, though in modern practice, the two are frequently corelated. That being said, some of the best opening lines in literary history are long and winding. The key is setting up intrigue, however many words that may take.

Re: How to Write an Opening Sentence

#37

Most people stop reading something after the first few sentences. In that crucial 10 to 15 seconds, a book (or essay, or article, or blog post) has to make, and win, a subconscious appeal to your attention. Your reader's attention span is like a snotty doorman at a hot club. Your opening sentence needs to grab his interest and sneak the rest of the piece into the door. Consider the following examples from fiction: "I…

To my knowledge I don't know anyone who picks up novels, reads the first few sentences, then throws them away. Maybe people do this in airport bookstores, but I don't think Orwell, Ray Bradbury, or Kafka wrote with the ADHD audience in mind.

On the other hand I know that many readers hate to put a book down without giving it a fair shot.

The "catchy opening" design pattern is present in a lot of art where the audience has almost no chance of leaving, like Beethoven's 5th Symphony, or that famous opening shot with the star destroyer in "Star Wars". It's an artistic effect. Conversely, the "Harry Potter" novels have a mundane, slow first few chapters, and they did pretty well.

Re: How to Write an Opening Sentence

#38
post #5

The first thing I did was apply this recursively to the article itself. "When I was a 25-year-old Senior Editor of The Mother Earth News, I did a lot of rewrite editing." Not bad! Started with an anecdote that got me interested. And it worked—I was interested enough to continue reading. Great article with some excellent writing suggestions for anyone.

Given the title of the link, I approached the article with intent. I answered the question "What does the opening line do for me?" before continuing. Here are my results:

* It is straight forward and obviously relates to the title, giving me the impression "An article about writing by someone who may actually know about it".

* It piqued my curiosity: "Is 25 young to be doing this job?" "I bet this was formative... how so?" "WTF is rewrite editing?"

* It nicely sets a tone of "here's some experience for you to chew on" (and the rest of the article keeps it decently.

Note: my opening sentence is a poor mimicry of calinet6's opener and of TFA's opener. Seems I need some practice :)

Re: How to Write an Opening Sentence

#39
I've been writing 'seriously' for about 17 years.

I think what the OP says is great advice. The list is especially useful for beginner writers, because it gives them a specific guide to follow.

I was taught the value of an introductory sentence and paragraph differently. I was told to simply "Be specific!" If you have a look at his dos, this simple phrase is put to use in all of them. The don'ts are the opposite: they're vague. I default to this be-specific phrase when I write.

Having said that, writing is such a tricky thing. All throughout my academic history, I've been taught the 'principles' of style only to have to unlearn half of them and adapt to a new 'standard'.

As a few people have written, context matters.

In the end (and in practice), you have to consider your audience, how much time you have to write (if it is your job, because there are hundreds of content mills), develop your own style (this itself is a trite/clichéd remark), but most importantly, have a reason to write that word or punctuation. This last concept is what I adhere to, which is why I only write short stories and poems. Novels are a completely different beast, though I am working on one slowly but surely.

I can read Shelley and Keats and love every expressed emotion. Most people will tell me, "But it's soooooo cheeeesy!" Damn right it is. So? What's your point? Context. Business writing is not creative writing is not poetry is not a short story is not a novel. Likewise, romanticism is not modernism is not postmodernism is not magical realism is not anything.

If you think about it, writing is a very depressing art form. It is one of few skills that has a low price tag in a society yet is valued by everyone. "Oh, he's a great writer! Found his book for cheap at a used bookstore! $1 for a classic!" The only writers that make a good chunk of change are the Stephanie Meyers or the sci-fi writers that pump out a book a month. Author mills. It is rumoured that it took Ezra Pound about six months to write a three-verse poem. Can people even tell the difference? Some say they can.

It's difficult to go in to an interview and act like I really know how to write. My use of grammar and style is poor. I edit a lot. Revise, revise, revise. It takes me an hour or more to write a short paragraph. It doesn't come naturally to me. The only thing I do better than others is spell correctly.

There is an ongoing joke that is repeated pseudosincerely: the worst thing you can do is take advice from a writer.

So what do I know.

PS: One of my favourite opening sentences comes from Camus's L'étranger:

Aujourd'hui, maman est morte. (Mother died today.)

This one is from Kafka's Der Prozess:

Jemand mußte Josef K. verleumdet haben, denn ohne daß er etwas Böses getan hätte, wurde er eines Morgens verhaftet. (Someone must have been telling lies about Josef K., he knew he had done nothing wrong but, one morning, he was arrested.)

Re: How to Write an Opening Sentence

#40

"Simply tell the reader what the subject is." There's an awful lot to be said for the practice of forswearing cleverness and just writing exactly what you want the reader to know.

To an extent I agree, however there is also the Title, so the opener can wander a bit from pure bluntness.
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