For the love of all this is holy, do not read this article. If the internet has taught has anything, it's that you cannot unsee an image - I predict you will not be able to unsee upside-down H's (and even an S) post-reading. Save yourself.
It reminded me of PG wodehouse's characters who would study newts. The British Gentry had nothing better to do with their time
H-Bomb: A Frank Lloyd Wright typographic mystery
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Re: H-Bomb: A Frank Lloyd Wright typographic mystery
#32Given that there had been wrongly installed letters continuously since at least 1956 and we have no proof that an entirely "correct" version ever existed, I'd consider the inverted H historically accurate and I hope it won't ever get fixed and especially not as an overreaction to the article.
Given that the original drawings did show all letters in the orientation that's obviously correct for the font, I'd be hesitant to say the upside-down installations were ever historically accurate. It most certainly wasn't FLW's vision.
Re: H-Bomb: A Frank Lloyd Wright typographic mystery
#33Earlier quoted context omitted.
I noticed that but I guess it's to avoid the vertical river.
I'll bite. What's a vertical river?
Re: H-Bomb: A Frank Lloyd Wright typographic mystery
#34Re: H-Bomb: A Frank Lloyd Wright typographic mystery
#35Re: H-Bomb: A Frank Lloyd Wright typographic mystery
#36Re: H-Bomb: A Frank Lloyd Wright typographic mystery
#37Earlier quoted context omitted.
Given that the original drawings did show all letters in the orientation that's obviously correct for the font, I'd be hesitant to say the upside-down installations were ever historically accurate. It most certainly wasn't FLW's vision.
And this where we disagree. The original drawings show the artists original supposed intention but what counts for historical accuracy is how the work was perceived for the majority of its existence.
In a situation like that, I think you kind of have to acknowledge the original drawings as the preferred state for things. Especially when just about anyone with training in this area would readily agree that that design aligns with what they'd all consider usual or correct.
Re: H-Bomb: A Frank Lloyd Wright typographic mystery
#38Earlier quoted context omitted.
And this where we disagree. The original drawings show the artists original supposed intention but what counts for historical accuracy is how the work was perceived for the majority of its existence.
Which, as the article and other comments here make clear, has been changing back and forth over the decades. In a situation like that, I think you kind of have to acknowledge the original drawings as the preferred state for things. Especially when just about anyone with training in this area would readily agree that that design aligns with what they'd all consider usual or correct.
Re: H-Bomb: A Frank Lloyd Wright typographic mystery
#39I will admit I lost interest after it was revealed that the letters had been replaced several times and that the original was most likely correct. "frank lloyd wright messed up the orientation of an H" has a bit of interest to it; "some random later person messed it up" has none.
A long and venerable litany of spaceflight disasters would beg to differ: - Apollo "Little Joe" A-003 (May 19, 1965): A roll gyro - Proton-M Launch Failure (July 2, 2013): Yaw sensors - Genesis Space Probe (2001): Accelerometer Getting things the right way round is very important.
Re: H-Bomb: A Frank Lloyd Wright typographic mystery
#40For the love of all this is holy, do not read this article. If the internet has taught has anything, it's that you cannot unsee an image - I predict you will not be able to unsee upside-down H's (and even an S) post-reading. Save yourself.
If you ever want to watch a movie again, do NOT work on codecs. Just saying.