Earlier quoted context omitted.
It's even more complex than that. The low notes are hard to tune because the fundamentals are very close to each other and you need to have super good hearing to match the beats, fortunately they sound for a long time so that helps. Missing fundamentals are a funny thing too, you might not be 'hearing' what you think you hear at all! The high notes are hard to tune because they sound very briefly (definitely on a pia…
See also, psychoacoustics. The ear doesn't just do frequency decomposition. It's not clear if it even does frequency decomposition. What actually happens is lot of perceptual modelling and relative amplitude masking which makes it possible to do real-time source separation. Which is why we can hear individual instruments in a mix. And this ability to separate sources can be trained. Just as pitch perception can be tr…
How the cochlea computes (2024)
31–40 of 159 posts
Re: How the cochlea computes (2024)
#32Earlier quoted context omitted.
Pretty much, but phase is also included. Which matters for some things.
But mostly not for ears it turns out! Phase matters for some wideband signals, but most folks struggle to tell apart audio from hilbert-90-degree-shifted-audio
Re: How the cochlea computes (2024)
#33To summarize: the ear does not do a Fourier transform, but it does do a time-localized frequency-domain transform akin to wavelets (specifically, intermediate between wavelet and Gabor transforms). It does this because the sounds processed by the ear are often localized in time. The article also describes a theory that human speech evolved to occupy an unoccupied space in frequency vs. envelope duration space. It mak…
Re: How the cochlea computes (2024)
#34Earlier quoted context omitted.
the closest i have been, was acoustic phase discrimination by owls. there appears to be no software for this, its all hardware, the signal format flips as it travels through the anatomy.
This might be interesting for you - https://nakulg.com/assets/papers/owlet_mobisys2021_nakul.pdf Owls use asymmetric skull structure which helps them in spatial perception of sound.
neurosynaptically, there is no phase, there is frequency shift corresponding to presynaptic intensity, and there is spatio-temporal integration of these signals. temporal integration is where "phase" matters
its all a mix of "digital" all or nothing "gates" and analog frequency shift propagation of the "gate" output.
its all made nebulous by the adaptive, and hysteretic nature of the elements in neural "circuitry"
Re: How the cochlea computes (2024)
#35Re: How the cochlea computes (2024)
#36To summarize: the ear does not do a Fourier transform, but it does do a time-localized frequency-domain transform akin to wavelets (specifically, intermediate between wavelet and Gabor transforms). It does this because the sounds processed by the ear are often localized in time. The article also describes a theory that human speech evolved to occupy an unoccupied space in frequency vs. envelope duration space. It mak…
Ears evolved long before speech did. Probably in step with vocalizations however.
Re: How the cochlea computes (2024)
#37Re: How the cochlea computes (2024)
#38That author details how the "dawn chorus" is composed of a vast number of species making noise, but who are able to pick out mating calls and other signals due to evolving their vocalizations into unique sonic niches.
It's quite interesting but also a bit depressing as he documents the decline in intensity of this phenomenon with habitat destruction etc.
Re: How the cochlea computes (2024)
#39Earlier quoted context omitted.
Analogy: when you knock on doors, how do you decide what rhythm and duration to use, so that it won’t be mistaken as accidentally hitting the door?
Shave and a haircut is the only option in my knocking decision tree.
Re: How the cochlea computes (2024)
#40Earlier quoted context omitted.
I haven't noticed that effect, to be honest. Actually I think its the really low bass frequencies that are harder to tune- especially if you remove the harmonics and just leave the fundamental. Are you perhaps experiencing some high frequency hearing loss?
It's even more complex than that. The low notes are hard to tune because the fundamentals are very close to each other and you need to have super good hearing to match the beats, fortunately they sound for a long time so that helps. Missing fundamentals are a funny thing too, you might not be 'hearing' what you think you hear at all! The high notes are hard to tune because they sound very briefly (definitely on a pia…