Live data from Hacker News

John Coltrane's Tone Circle

roelsworld.eu

31–40 of 69 posts

Re: John Coltrane's Tone Circle

#31

Listen to Giant Steps. The man was a genius https://www.youtube.com/watch?v=xy_fxxj1mMY

Absolutely, exquisitely, undeniable. I didn't get a lot of what it was until I was relistening to Al Davis in reverse chronological order. I also in a fit of recognition saw how Vernon Reed played homage to him. ( And that took a few decades )

Re: John Coltrane's Tone Circle

#32

> Thelonious Monk once said “All musicians are subconsciously mathematicians“. I haven’t heard that one. I think I prefer this one, attributed to Leibniz: “Music is the pleasure the human mind experiences from counting without being aware that it is counting.”

On the bandstand, there's usually a ton of highly aware counting going on. 24 bars of rest! followed by 8 bars of rest! and then 16 bars of latin feel! now back to 8 of swing! On top of that there is definitely some feel and intuition going on. But for a band to play non-trivial music, everyone is counting unless they know the material cold, and even then they are probably counting at times.

Indeed, as a long time fan of prog metal and tech death I'm quite aware of the importance of counting (and the existence of people whose counting abilities far surpass my own)!

But I think the quote is also referring to casual enjoyment of music where the counting might not be deliberate.

Re: John Coltrane's Tone Circle

#33
post #30

Nothing upper-middle class people love more than worshiping dead black Americans, while treating their descendants like dangerous parasites. They were so cool, such genius! I can't wait to be the authority on them, and make more on redefining them than they ever saw in their lives, or to buy the new product that no black American makes a dime from. One day, every black American will be gone, and all that will be left…

> Nothing upper-middle class people love more than worshiping dead black Americans, while treating their descendants like dangerous parasites. I know, right? It's those Dutch folks living in Bulgaria hating black American descendants again, eh? /s So, to be serious, do you have evidence that Roelant Hollanderr is treating black American descendants as "dangerous parasites"? Those are pretty hefty accusations. I haven…

While the critique of this author seems unjustified, I think we do well to grapple with issues like this and not dismiss them outright. The problem is real, even if this may not be a good example.

Re: John Coltrane's Tone Circle

#35

Coltrane wrote that song because he didn't have to play the harmony... he played the easy part. /s

I chuckled, but at the risk of getting slapped with thatsthejoke.gif, Tommy Flanagan falls back to playing chords at the end of his piano solo. Comping on Giant Steps is easier than soloing.

Re: John Coltrane's Tone Circle

#37

Earlier quoted context omitted.

On the bandstand, there's usually a ton of highly aware counting going on. 24 bars of rest! followed by 8 bars of rest! and then 16 bars of latin feel! now back to 8 of swing! On top of that there is definitely some feel and intuition going on. But for a band to play non-trivial music, everyone is counting unless they know the material cold, and even then they are probably counting at times.

Indeed, as a long time fan of prog metal and tech death I'm quite aware of the importance of counting (and the existence of people whose counting abilities far surpass my own)! But I think the quote is also referring to casual enjoyment of music where the counting might not be deliberate.

Right, I should have spelled that out - the listener gets to count subconsciously only because the players are counting very consciously.

Playing music has changed my listening, and not necessarily for the better. I'm sometimes counting or listening for structural and composition elements in a way that can be distracting from just enjoying the sound/vibe.

Re: John Coltrane's Tone Circle

#38
post #33
post #30

Earlier quoted context omitted.

> Nothing upper-middle class people love more than worshiping dead black Americans, while treating their descendants like dangerous parasites. I know, right? It's those Dutch folks living in Bulgaria hating black American descendants again, eh? /s So, to be serious, do you have evidence that Roelant Hollanderr is treating black American descendants as "dangerous parasites"? Those are pretty hefty accusations. I haven…

While the critique of this author seems unjustified, I think we do well to grapple with issues like this and not dismiss them outright. The problem is real, even if this may not be a good example.

Grapple with what, though? Abstract Whitey loves Coltrane and Satchmo and hates every Black person born since? It's not a coherent theory to begin with.

Also, if the current regime is in a position to fully eradicate all the blacks and browns, the statues will all be of Confederate generals and Trump family members, not black people.

Re: John Coltrane's Tone Circle

#39
post #33

Earlier quoted context omitted.

While the critique of this author seems unjustified, I think we do well to grapple with issues like this and not dismiss them outright. The problem is real, even if this may not be a good example.

Grapple with what, though? Abstract Whitey loves Coltrane and Satchmo and hates every Black person born since? It's not a coherent theory to begin with. Also, if the current regime is in a position to fully eradicate all the blacks and browns, the statues will all be of Confederate generals and Trump family members, not black people.

Financial exploitation of oppressed culture by the dominant culture. Fetishization of minority figures as exotic and mystical. Crowding out minority voices when establishing critical narratives around minority art and culture.

These sorts of things happen in music industry, music criticism and music journalism. As I said, I don't think this is a good example, but as someone who has benefited greatly from Black American culture, I see bearing these issues in mind as one way to pay back my benefactors.

Re: John Coltrane's Tone Circle

#40
post #28
post #13

A few months ago, I was studying Giant Steps and I came across the “Giant Steps is actually very simple (yes, really)” video by Dave Pollack. https://www.youtube.com/watch?v=Xd75Mwo4JNo Pollack argues that the main reason that Giant Steps is such a high mountain is because it is traditionally played at such a ferocious tempo. Slow it down, and the Coltrane Changes become fairly ordinary ii-V-I substitution progressio…

Ah yes the best welcome for people joining a jam session: "OK, let's do Giant Steps. One, one two three..."

Hehe, that had me laughing out loud and I haven't touched a sax in two decades :)
Post reply on HN