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108B Pixel Scan of Johannes Vermeer's Girl with a Pearl Earring

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Re: 108B Pixel Scan of Johannes Vermeer's Girl with a Pearl Earring

#32
post #26

When viewing this I was captivated by the girl's lips. In the full view, the bottom lip looks not just full and moist, but slightly wet. Zooming in, it's a bit of a muddy mess with only a splash of white giving definition to the (anatomical) left of the girl's mouth. In my current incarnation I'm a fledgling novelist and one of the things I've learned is to trust the audience to 'fill in the gaps'. Although this is p…

If you get a chance to see some of the impressionists in person, they’re kind of mind blowing for exactly the same reason - you’re looking at a scene of a ship in a storm and seeing all kinds of nuance, and then you get closer and realize it’s all your brain filling in the blanks. From a literary angle - two books I’ve read that are absolute master classes in this are Italio Calvino’s “Invisible Cities” and “This Is…

I read a lot of sci-fi and because it's come up in recommendations I've tried two or three times to read that book, "This Is How You Lose the Time War".

The popularity of that book along with stuff like N.K. Jemisin winning "Best SciFi book" of the year 3 years in a row prove more than ever that the vast majority of people simply don't have taste in the sense they can not decide if they actually like something or not they can only like what other people like.

That book was objectively bad but it keeps showing up on the top of best sci-fi book lists for some reason and so a lot of people keep (mistakingly) thinking they liked it.

Re: 108B Pixel Scan of Johannes Vermeer's Girl with a Pearl Earring

#33

I'm not versed enough in history of art to fully appreciate this painting and how it became so popular, could someone point me to some resources to improve my culture on the matter? Thanks in advance for any reply

The artist is well known for his use of light/shadow in his works and is probably going to be the first bullet on any list. Also known for expensive pigments, an unknown style/methods , and being sloppy but extremely detailed depending on your vantage / distance. Zooming in on this one will highlight that

Re: 108B Pixel Scan of Johannes Vermeer's Girl with a Pearl Earring

#34
post #21

Saw this picture at the Mauritshuis museum in The Hague. There are a couple funny things about it: * It is surprisingly small * It is kinda "fuzzy" or "blurry", you can't detect too much brushwork. * It is very expressive But my favorite Vermeer is not this, it is View of Delft, also in the Mauritshuis. The colors, hues and textures on it are just amazing. For Brazilians, a funny curiosity: Mauritshuis means House of…

Wow, View of Delft is beautiful! https://upload.wikimedia.org/wikipedia/commons/a/a2/Vermeer-...

It's worth a visit if you're in the Netherlands. Large parts of the town are the same as they've been for centuries.

Re: 108B Pixel Scan of Johannes Vermeer's Girl with a Pearl Earring

#35
This painting really needs some Baumgartner intervention.

There are hints of overpainting around the right eye (left side facing us). Background plus eyebrow. Too smooth, doesn't have the same crackle as the rest of the painting.

The veneer may be quite yellowed. Looking at the cloth on the top of the head over the blue fabric. Might originally be a bright white, but now appears yellowed due to exposure of the last veneer aging and yellowing under UV light.

Re: 108B Pixel Scan of Johannes Vermeer's Girl with a Pearl Earring

#36
post #26

Earlier quoted context omitted.

If you get a chance to see some of the impressionists in person, they’re kind of mind blowing for exactly the same reason - you’re looking at a scene of a ship in a storm and seeing all kinds of nuance, and then you get closer and realize it’s all your brain filling in the blanks. From a literary angle - two books I’ve read that are absolute master classes in this are Italio Calvino’s “Invisible Cities” and “This Is…

I read a lot of sci-fi and because it's come up in recommendations I've tried two or three times to read that book, "This Is How You Lose the Time War". The popularity of that book along with stuff like N.K. Jemisin winning "Best SciFi book" of the year 3 years in a row prove more than ever that the vast majority of people simply don't have taste in the sense they can not decide if they actually like something or not…

It took a bit but by the end it had grown on me. I agree it's technically not great but maybe I'm just used to that from reading sci-fi, most of which feels technically bad. That said my reaction to the first quarter was mostly "uhh?". Big disagree on N.K. Jemisin though, I enjoyed reading those. Books 2 and 3 of the three body problem series feel like what you're describing to me. Never got why those were popular, the first one had the interesting cultural revolution flashback element but the sequels did almost nothing for me.

Filling-in-the-gaps-books wise, it's hard to do better than Earthsea in my mind. They're quite short books, yet I found myself far more engrossed in the world and the goings-on than some thousand page Sanderson tomb I snoozed through.

Re: 108B Pixel Scan of Johannes Vermeer's Girl with a Pearl Earring

#37
post #26

Earlier quoted context omitted.

If you get a chance to see some of the impressionists in person, they’re kind of mind blowing for exactly the same reason - you’re looking at a scene of a ship in a storm and seeing all kinds of nuance, and then you get closer and realize it’s all your brain filling in the blanks. From a literary angle - two books I’ve read that are absolute master classes in this are Italio Calvino’s “Invisible Cities” and “This Is…

I read a lot of sci-fi and because it's come up in recommendations I've tried two or three times to read that book, "This Is How You Lose the Time War". The popularity of that book along with stuff like N.K. Jemisin winning "Best SciFi book" of the year 3 years in a row prove more than ever that the vast majority of people simply don't have taste in the sense they can not decide if they actually like something or not…

Are you not confusing 'liking' a work with 'thinking it good'. I'm not sure what criteria go into your evaluation, but perhaps those criteria are different from the ones other people are using?

Re: 108B Pixel Scan of Johannes Vermeer's Girl with a Pearl Earring

#38
post #26

Earlier quoted context omitted.

If you get a chance to see some of the impressionists in person, they’re kind of mind blowing for exactly the same reason - you’re looking at a scene of a ship in a storm and seeing all kinds of nuance, and then you get closer and realize it’s all your brain filling in the blanks. From a literary angle - two books I’ve read that are absolute master classes in this are Italio Calvino’s “Invisible Cities” and “This Is…

I read a lot of sci-fi and because it's come up in recommendations I've tried two or three times to read that book, "This Is How You Lose the Time War". The popularity of that book along with stuff like N.K. Jemisin winning "Best SciFi book" of the year 3 years in a row prove more than ever that the vast majority of people simply don't have taste in the sense they can not decide if they actually like something or not…

> objectively bad

Well that settles that, then.

Re: 108B Pixel Scan of Johannes Vermeer's Girl with a Pearl Earring

#39

When viewing this I was captivated by the girl's lips. In the full view, the bottom lip looks not just full and moist, but slightly wet. Zooming in, it's a bit of a muddy mess with only a splash of white giving definition to the (anatomical) left of the girl's mouth. In my current incarnation I'm a fledgling novelist and one of the things I've learned is to trust the audience to 'fill in the gaps'. Although this is p…

You can also see that the hanging yellow part of the headscarf, he just winged it, effective as it might be.

I paint as a sort of weekly ritual, just 2 hours every Wednesday evening, and did an inept copy of this as my first serious try. Months of staring closely at every little detail of it leave you in a sort of communion with the work and the artist.

One thing you quickly learn is that the old masters were "impressionists" too. If you overwork stuff trying to perfect every shape with hundreds of precise brushstrokes, you end up with a naive, infantile looking painting that feels "unpainterly".

Trying and failing to mimic that single quick brushtroke that fools the eye leaves you in awe, fully appreciating the mastery.

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