Honestly at this point, I feel like the ethical thing to do is "steal" digital and buy/borrow physical, the copyright surrounding digital goods has been so thoroughly gamed in the favor of publishers.
Is there reason to believe authors aren't getting a cut of the library license costs? I used to buy my ebooks until I realized libraries had ebook catalogues. A large portion of the books I've borrowed are sales the author lost, they ought to be compensated somehow.
The Seattle Public Library is reducing maximum digital holds
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Re: The Seattle Public Library is reducing maximum digital holds
#32"What do holds have to do with the cost of digital books? This may seem surprising, but patron holds are the single biggest factor in rising costs. To maintain reasonable wait times, the Library buys additional licenses of a digital title when patrons place more holds on it. That means that when hundreds of patrons place holds on a single New York Times bestseller, the costs of “buying down the holds” can quickly bec…
People say that if public libraries didn't already exist and were proposed today as a new thing, they'd be found illegal. I agree that they've sort of lost the plot by taking this digital lending stuff seriously.
So instead of the Seattle Library, it would be the some big tech nonprofit at best that would lisence content in bulk.
Re: The Seattle Public Library is reducing maximum digital holds
#33Honestly at this point, I feel like the ethical thing to do is "steal" digital and buy/borrow physical, the copyright surrounding digital goods has been so thoroughly gamed in the favor of publishers.
Is there reason to believe authors aren't getting a cut of the library license costs? I used to buy my ebooks until I realized libraries had ebook catalogues. A large portion of the books I've borrowed are sales the author lost, they ought to be compensated somehow.
Re: The Seattle Public Library is reducing maximum digital holds
#34But there's also kind of a mismatch of incentives at play here. As a patron, I really care more about throughput than latency on every hold I place. It takes me days or weeks to enjoy what I've checked out. But so does everyone else, so there usually isn't something I want on the shelves. In order to keep up throughput, I need something in my holds list ready when I return something. So I have a few dozen holds that go into the system as basically lottery tickets.
If it were just me, a policy of "unlimited holds, 2 out at a time" Netflix style would probably work, and I try to implement that by pausing (when I remember). As long I have an item or two out, I'd rather the librarians didn't consider my holds as any kind of "wait time" to optimize.
Re: The Seattle Public Library is reducing maximum digital holds
#35Re: The Seattle Public Library is reducing maximum digital holds
#36"What do holds have to do with the cost of digital books? This may seem surprising, but patron holds are the single biggest factor in rising costs. To maintain reasonable wait times, the Library buys additional licenses of a digital title when patrons place more holds on it. That means that when hundreds of patrons place holds on a single New York Times bestseller, the costs of “buying down the holds” can quickly bec…
It's beyond odd; it's simply idiotic. You would not "buy down" holds for physical books, or not to a ridiculous degree. If there are 100 holds for some book, you're not going to go out and buy 75 or whatever. Why do it for e-books? Cause, wee, they don't take up shelf space in the stacks? If a book is popular, let the patrons "buy down" their own copy, or else wait behind 90 other people. There is always bittorrent a…
Libraries certainly do this. Might not be at (your suggested) 75/100 rates, but if a physical book is popular, library systems do purchase more copies.
Re: The Seattle Public Library is reducing maximum digital holds
#37"What do holds have to do with the cost of digital books? This may seem surprising, but patron holds are the single biggest factor in rising costs. To maintain reasonable wait times, the Library buys additional licenses of a digital title when patrons place more holds on it. That means that when hundreds of patrons place holds on a single New York Times bestseller, the costs of “buying down the holds” can quickly bec…
I don't think a latest bestseller should be in a library in the first place. Maybe a couple of years later when the hype has died down if it's still a good book, they can have it for the few people who want it for what it is rather than being trendy. But I never expect libraries to have anything new and fashionable. Movies and music too are always old or obscure, at least where I am.
It's funny that these artificial licensing constraints for software seem much more natural and acceptable. Especially software where the complete thing is distributed for free but you have to buy a license to activate it. It's even more in-you-face with network licenses where every computer in an organization can have and use a copy but you have to wait for somebody else to finish using theirs before you can use it on your computer. Oh, and then maintenance fees, and lapsed maintenance fee fees, and different prices depending on whether you buy a network or node-locked license.
Re: The Seattle Public Library is reducing maximum digital holds
#38While the change makes sense, I can't help but feel that the system can be managed more intelligently. For example, if I have 15 books "on hold" on Libby, there's no reason for the library to treat the #15 book with the same priority as #1 and spend more money to buy additional licenses for it.
The book I place On Hold today might be more important to me than the one I added two weeks ago.
Re: The Seattle Public Library is reducing maximum digital holds
#39> While there are many types of licenses, the most common license needs to be purchased and then re-purchased every year. Forcing libraries to repurchase their entire collection every year should be illegal. I would also settle for a loophole that would allow the library to OCR a physical copy they own and then own the resulting digital copy.
Does this mean they library can also "give up" their licenses once a book becomes less popular? (This is still worse than the system for physical books, but at least it lets them dial back the rent over time.)